Tag: fiction

Only one of us walks away

“Everyone is dead and we dance like a knife fight.”
-Matt Breen.

So there’s this guy. He’s young, cocky, intelligent, and brash. He’s spent a lifetime learning how to play with people. He knows how to read them and control them. He hates the person that he is sometimes. He hates that he can figure out everyone but himself. It infuriates him that he can break open the mind of a stranger when he can barely scratch at the surface of his own subconscious. He’s self-destructive; he can’t seem to help himself sometimes. He’s a man with an overactive imagination and a tongue laced with acid who just wants to watch his own world burn. He’s an unstoppable force.

Then there’s this girl. She’s beautiful. She’s intelligent, funny, artistic, compassionate, driven, and did I mention that she’s beautiful? She comes into the life of the man mentioned above and shatters his preconceptions that he can survive as an island. She breaks through the intricate web of lies he creates to shield himself from the world and sees his soul laid bare. There’s just something about her; this magnetism that draws him in. No matter how hard he tries to fight it he can’t help but feel himself being drawn towards her. She’s perfect in his eyes. Her idiosyncrasies leave him speechless, and her smile sends him weak at the knees. But there are just two little problems. The first? The first is that she’s an immovable object. All the bullshit he spins to others just doesn’t work with her. She’s looked into his eyes and seen his soul and she knows him better than he knows himself.

The second problem? She’s just as self-destructive as he is.

Welcome to the world of romance according to Chris Nicholas. Instead of boy meets girl and falls in love and lives happier ever after, I’ve found myself writing about what happens when an unstoppable force meets an immovable object. What happens when a man who keeps everyone at a distance meets a girl who does the same damn thing and he suddenly finds himself trying to overcome the same mental barriers he uses to thwart the advances of others is a concept that intrigues the hell out of me. And it’s one that leaves me scratching my head as I pen my way through page after page of my script.

So let’s delve a litter deeper… I’m thinking out loud right now, and there’s no real point to this post other than some general mind mapping. If you’re after something a little more clear and concise, this will be your last chance to opt out.

No? You’re still with me? Alright, let’s continue.

This guy, his name is Miles, meets this girl: Ava. She’s everything he could ever want, and he knows that if she gave him a chance he could be the same to her. But she’s distant and aloof. There’s chemistry between them, anyone can see that. And when they are together there is electricity in the air that is almost tangible. They just click. But she keeps him at bay, just like he has done to so many people before. It drives him wild, he pushes and he pushes, and soon the unstoppable force collides with the immovable object at full speed. But while he hopes and prays that the collision will bring about a climatic shift where two worlds become one, it shatters him instead. The unstoppable force loses out and the immovable object barely registers the impact; she’s too busy destroying herself to even realise what might have been.

And so the knife fighting begins. It’s not vicious though, and that’s the worst part. The duo dances their way through a courting process that is beautifully destructive; their moments of intimacy and honesty leaving behind small cuts on their souls. He wants her soul, her mind, and her heart. She wants to shut him out for fear of getting hurt. The idea of letting someone understand her leaves Ava with a sense of dread so severe she wants to run away from everything. Just as Miles wants to burn his world when things go wrong, she wants to abandon hers.

So they dance and they dance. He knows her better than she knows herself. He can see when she’s denying herself the opportunity to be happy. But she also understands his lust for self-destruction better than he could ever hope to comprehend. She’s destroyed herself more than anyone could ever know and can see what he is thinking before he’s even aware of it himself. They are two identical souls fighting against one another for that common ground. He wants to pull her close. She sees the threat and wants to push him away.

Sounds confusing right? And just a little macabre too I guess. But I love the concept. I love the struggle, and I love the idea of two people who are so similar yet so different at the same time. My characters are based off of Aristotle’s idea of friendship. The philosopher said that a friend is a single soul dwelling within two bodies, and that’s exactly what I want to create with my love story. I want to create something beautiful, but something destructive. One wants to love, one is afraid to be loved. And in the end, when all the knife fighting is over, only one of them will walk away.

The assassination of Chris Nicholas

“I hope you live to see the day when your world goes up in flames. And as you die, you’ll see my face. You’re the only one to blame.”
-Corey Taylor.

And here we go…

I’m doing it again. I’m pushing myself to that place where my mind shatters and everything I’ve worked so hard to create becomes something to be burned and broken. I’m not sleeping, I’m pushing myself harder and longer when I exercise, and I’m forcing myself to occupy the darkened fringes of my mind where the demons of days gone past still lurk in the shadows. It’s a horrible thing to do to oneself; to take a mind that has finally found happiness and beat it down again and again until it lies fractured and broken in its own excrement and filth. But why Chris? Why would you want to intentionally torture yourself?

I’m doing it for the sake of art. Life begins at the edge of your comfort zone and I’ve been sitting inside of mine for too damn long. My writing has become fluffy and weak; my mind has become an ooze of positivity, conformity, and bullshit. But all of that is going to change real soon. I’ll keep pushing until the fracture occurs and I’ll wallow in the beautiful mess of my own emotional masochism and the destruction of a mind I’ve never been able to comprehend. Ladies and gentlemen, it’s time to bring about the assassination of Chris Nicholas. Of what he has become, what he was going to be, and what people believed him capable of.

It all started with an epigraph: a quote by the world renowned philosopher Laozi – a man best known as the reputed author of the Taeo Te Ching. It went a little something like this:

Knowing others is intelligence; knowing yourself is true wisdom. Mastering others is strength; mastering yourself is true power.

And with those nineteen words came an entire world of characters, story arcs, successes, failures, moments of triumph and great sorrow. With those nineteen words offered as insight of what was to come: Vulnerable was born. It’s a twisted love story told by a man with a penchant for mayhem and hate. I’ve spent years toiling away at scripts based around angels of death, war, destruction, and broken spirits so it seemed like such a monumental task to produce anything else.

Ask anyone that knows me and they’ll tell you that I’m not the fluffy type. I’m more likely to offend than swoon. I shoot from the hip with little regard for what others think about me. But I know others; give me an opportunity and I’ll break your fucking mind. I’ve done it before and you can be damn sure that I’ll do it again. I’ll be your master and I’ll destroy everything you love and everything you’ve ever believed in. I have intelligence and I have strength. But I’ve never really known myself, and I’ve never been able to master the narcissistic monster I can become. True power and wisdom have always eluded me. I’ll always pull when pushed too far. But I can’t tell you why and I can’t stop it. I’ll never start the fight, but I’ll sure as hell finish it. And if there’s no one left to fight, I’ll start tearing apart my own fucking mind out of boredom and an urge to destroy.

Laozi’s words hit me hard. I’d chosen an epigraph that not only resonated with this author, but left him actually questioning his own behaviour. I’m stubborn. I’m loyal. I’m confident, an arsehole, and about a million other things. But I’m such an enigma to myself and everyone around me that it seemed only fitting to try and garner some kind of understanding of self as I ventured through unchartered waters with my love story. So I chose to open my novel in a shrink’s office, and I poured my fucking heart out onto page after page until my soul felt bare. I started off writing a novel to challenge myself and almost instantly realised that the reason I’ve failed in past relationships, job opportunities, and whatever the hell else, was because sometimes I can be a real piece of shit.

I’m different. I’ve said it before and I’ll say it again: I don’t care about people. I don’t care about their opinions, their problems, or their lives. I have a gathering of men and women that I rely on who I will protect with bloody hands. As for the rest: they’re nothing more than collateral damage when I turn my world to ashes. It’s not in my nature to love; it’s in my heart to maim. Yet for a long time I thought I understood love and romance.

As someone who defines himself as an aggressive creative, it seemed only natural that my interpretation of the sanctity of true togetherness contained an element of brutality. I spent years believing that true love meant being prepared to burn my world, just to prove my value and my dedication. The problem was that I didn’t know a damn thing about myself or what I was doing. And I’d watch as time progressed and the women I was with started to remove the rose coloured glasses of lust and watch me instead with the wary eye one casts on the damaged and the unstable. I’d take romance, hold it tight, and squeeze until its chest collapsed and it died in my arms.

Pretty scary right? Well recently I have fallen in love with myself, and I’m in the process of choking the fucking life out of that piece of shit. And I’m doing it all in the name of art.

This whole positive writer thing is fucking with me. I mean, I’ve produced some interesting pieces and I’ve had a little fun. But it’s not me. It’s not what I aim for. I want to change the world through my words and if I’m so willing to accept that everything is perfect then what would be the point? I want to draw battlelines, shatter preconceptions, and unlock the minds of the ignorant and enslaved. I want to take your hands and show you a world that you never believed possible. I can still show you beauty and I can still show you compassion. But I can’t do it by being someone so willing to blindly accept that what I am told to believe is beautiful really is.

Beauty isn’t a photograph, a model, or a shitload of likes on a blog or fucking social media account. Beauty is a thought, a feeling, an opportunity that makes you feel alive. Love isn’t about burning the world just to prove your worth, and it’s not about choking something until it dies. Love is about a thought, a feeling, and you guessed it, a fucking opportunity that makes you feel alive. Love and beauty are intrinsically linked and until one is prepared to accept that there is more to their soul than they can ever fully comprehend how can they ever expect to have true wisdom or power?

So here’s to the assassination of Chris Nicholas. That fucking misguided prick who thought that living a life of blind optimism rather than setting alight his heart and soul was wise. Here’s to the return of the aggressive creative who searches endlessly to understand himself and push his mind to places it can never recover from.

The devil is crawling up my back once more and the purging of my weakness has begun.

A wolf in sheep’s clothing

“You all have something to say about me. How can you stop and listen, when all you do is talk?”
-Austin Carlile

I’ve been told recently that my posts are becoming more optimistic and that my readers are actually enjoying the change from my usual anti-everything rants. And if I’m being honest, they have become increasingly positive. I’m in a great place with my writing and it’s an incredible feeling to be able to look back over the achievements I’ve made since my journey as an author began. And even to cast a careful eye over the lower moments and pay homage to their contribution towards what I have accomplished. Right now my work is under review by a number of agents in the US and I’m looking forward to the possibility of things to come. But there’s still a hell of a lot of fight within this troubled author, even when I’m not actively fuelling the fire in my heart. See, right now I’m a wolf in sheep’s clothing. I appear to be placid and placated by my own minor successes, but it’s only so long before I reveal my true nature and tear your fucking throat out.

Oh, shit. Was there a little slice of animalistic rage in that last comment? You better believe it. There’s no denying that I’m a positive headspace as of late, and while it’s wreaking havoc on a mind with a predisposition for tearing itself apart, I’m actually really enjoying myself. I’ve written some fantastic pieces (I’m a little bias here), had some incredible experiences, and been fortunate enough to surround myself with some truly beautiful people. But I’m still a writer driven almost entirely by visions of grandeur and an undying flame of hate. I want to be great. Better than that. I want to be the best. And to be the best you not only have to beat the best, you’ve got to savage them with a viciousness so severe they cower in your presence.

I’ve come to realise that I see myself as a wolf in the world of literature and I’m ok with that. Wolves are strong, vicious creatures and that’s how I’ve always viewed my writing: vicious, raw, and without remorse. If you track back through this page this is actually the third time I’ve used the wolf analogy to describe myself. From the early days of Holding a wolf by its ears to the more recent The wolf you feed, there’s an undeniable theme within my workings and my mind. I’m a wolf and it’s in my nature to both protect and maim. I just chose to do the latter through my literature rather than with my fists or my fangs. Oftentimes I can keep this side of myself at bay, feeding only on the flesh of writers who stand between me and my goals, but lately I discovered there’s something else that unleashes the bastard in me.

It all started like this:

“Chris, I’ve been reading your blog lately. It’s good to see that it’s becoming more positive. But I think that maybe you have had issues with depression in the past.”

No shit. I actually wrote that. So you’re not telling me anything that I don’t already know. I’ve walked through the hells of my own mind and emerged with melted shoes, an axe to grind and an acid tongue. I’m the first to admit that I’ve hit rock bottom in the past. Go back and read the first post I ever wrote on here and you’ll see just how low I sunk. I wasn’t eating. I wasn’t writing. I was barely functioning as a human being. But just because I’m prepared to admit this through my own writings it doesn’t mean that I want to discuss it in intimate detail with every fucking person I meet.

Writing is an immensely personal experience, and there are a few select people who I feel comfortable enough to really open up to about how I create. As far as everyone else is concerned, I don’t dwell on what I have written, and I don’t read back over past entries and think wow, I was seriously fucked up there, or gee that must have been a great day! I write. I submit. And I move on, feeling grateful that I was able to share a moment in time with my reader. I don’t need some arm chair psychologist without a degree or a fucking clue telling me how I’m feeling or the primary meanings behind my work; because more often than not, that person is dead wrong.

Lately I’ve submitted a few entries to this site that contain a blog within a blog. Hidden messages and meanings designed to be received and understood by a singular individual, or select audience. It’s something that I really enjoy doing. The duel concept posts are some of my favourite to construct, and while there is more to A bullet with butterfly wings and a few other entries than most people realise, many have still felt as though they can comment on what I have produced. And when they have, the wolf in me has bared its fangs and torn them apart, leaving this author to metaphorically bathe in the blood of their shattered egos like a linguistic Alistair Crowley.

I’m still riding this wave of positivity. I’m still punching out thousands of words on two separate manuscripts and blogging on an increasingly regular basis and enjoying myself as a writer more and more every day. I’ve found myself once more through my craft and I have the world in front of me. I understand for some people the idea of the two duelling wolves of compassion and hate within me are talking points they wish to discuss. But I have a story to tell and if you are constantly trying to tell it for me or judge me based on misguided preconceptions and ideals, you’ll never understand the complexities of me or my works. After all, how can you stop and listen, when all you do is talk?

God and the Devil

A few years ago one of my favourite bands released an album entitled God and the Devil are raging inside me and right from the moment I first laid eyes on the cover jacket I fell in love. The very idea portrayed in the title was so beautifully macabre that I couldn’t help but be moved by the complexities of human emotion those eight short words could convey. While you’re probably thinking I’m about to slip into another diatribe about my own inner thought processes and compulsions, I’m going to have to say that you’re wrong. We’re not here to rehash just how misguided my head often is, but rather we are going to touch on sometime I started a long, long time ago.

For those of you that have been with me for a while you may remember that in the early days of this blog I regurgitated a quote by comic book writer Alan Moore (I do tend to use quotes a bit in my works). The quote was taken from a short thesis Moore constructed about writing, in which he posited that if a writer wants to continuously improve at their craft they must learn to immerse themselves in the least desirable element and swim. At the time of writing I proposed that if I wanted to continue to grow as a writer I had to venture into a realm that left me with a sense of dread: I wanted to write a love story.

Ever since that post I’ve had a few different attempts at creating a love story, but every time I’ve tried to produce something of quality I’ve found myself with a protagonist who is a real piece of shit. Arrogance, narcissism, and ego seemed to be a common trait in my male leads and the stories would usually crumble pretty damn quickly, and rightly so. Who could fall in love with someone so abrasive? Nevertheless the idea of producing my love story has always been at the forefront of my creative endeavours, becoming the God in my own mental raging when compared to the Devil of my thriller writing.

Lately I’ve been sitting on my hands waiting to see what becomes of my high concept thriller novel Midas, and have been floundering between devoting time to its sequel and this blog. It’s a weird feeling to be creating a sequel to a novel that may fail to become anything more than a document on my laptop, so every time I try to produce a decent follow up I find myself giving up after an hour or two of second guessing and endless self-critique having accomplished very little.

Last night I was determined to write something, so I took to crafting another attempt at my love story rather than screwing around on my sequel once again. I opened up a blank document and started with the word vulnerable as a title. I don’t really know what made me chose the title. Nor do I really know why I chose to start my story in the arm chair of a phycologists office, but over the next few hours I punched out thousands of well thought out words that would become the introduction of my story.

Usually when I write I spend a an hour or two labouring over a thousand words or so before I give up and collapse in an exhausted heap or decide to go shoot hoops. Yet last night I just found myself pouring my soul into the first few scenes of something that actually sounded fucking good. By the time I came up for air I’d plowed through almost five thousand words and blown away any previous records I’d held for productivity. Those words were the most harrowingly honest writing I have ever produced as I created a protagonist whose catalysts and compulsions are similar to my own…

…Stop. Chris just stop. You should never create characters based on yourself. It’s toxic. It’s arrogant, it’s-

-Shut the fuck up. While that’s true, and you should never attempt to create characters in the image of how you perceive yourself this was actually cathartic. I took a long hard look at myself, my failings, and idiosyncrasies and I poured them into a script until I felt something inside me release; as if by unburdening my heart of its own negative inclinations of itself, I had untied the knot in my chest and allowed it relief. Somehow playing phycologist with myself and pressing my mind to answer the questions I’ve spent years trying to avoid allowed me to create something that I felt truly proud of.

While this latest version of my love story is still in its infancy, and still a long way from being well thought out or even remotely ready to present to anyone, there is something quite humbling in the lines I have produced. With a title like vulnerable I decided that I had to be exactly that if I was going to attempt to immerse myself once more in that least desirable element. If I’m going to swim then I need to do it untethered.

So just as God and the Devil are raging inside of all of us, so too are they now raging inside my creative mind once again. I have the God of romance trying to bid for my attention and the Devil of ruin and woe pulling me back to my true passion of thriller writing. Only time will tell if I can sustain the opening pace of my new script, but even if I can’t, just being able to unburden my soul in those opening few thousand words last night was an experience I won’t soon forget. Through my own honesty and self-reflection I now know a different side to myself and have a character that for once doesn’t sound like a fucking dick.

A bullet with butterfly wings

“It doesn’t matter if you fall down; get the fuck back up.”
– James “Buddy” Neilsen.

This post originally came to life a few weeks ago under the title of Trust in Fear. But as the weeks progressed and I procrastinated over whether or not upload it, the premise altered and the original title seemed somewhat counterintuitive. So I sat on the idea and fumbled my way through a few redrafts until very little of the original entry remained and I finally thought fuck it, let’s just bang this out and see what happens. So without further ado, ladies and gentlemen, today we are talking about dreams.

As you are probably well aware, last month I embarked on a journey halfway around the world to pitch my heart out to the men and women who could ultimately make my dreams of becoming a published author a reality. And, if you were kind enough (or potentially bored enough) to sift through my second to last post you are probably aware that the whole process went pretty damn well. Right now my work is with a number of agencies throughout the United States, and I’m sitting on my hands awaiting a response that could potentially alter the course of my life. I have a dream of being published, and last month I took action.

I can see you rolling your eyes right about now thinking yeah, yeah. I’ve heard it all before. Your dreams don’t work unless you do, Chris. So what?

Well, maybe it was incorrect of me to say we are talking about dreams per say. Maybe I would have been better off opening with an impassioned speech about failure, because the duo really are inseparable. Just like there would be no heaven without hell, or no light without dark, there can be no dreams or success without the very real possibility of failure. And it’s because of this rather simple analogy that I have come to see everything I ever dream of as a bullet with butterfly wings…

…It sounds poetic doesn’t it? A bullet with butterfly wings; I wish I could take ownership for coining the phrase but I can’t. Close your eyes for a moment and imagine it, two big beautiful wings that unfurl into a glorious kaleidoscope of colour from a hideously dull shell casing with so much potential to maim. It’s beautiful, it’s dangerous, it’s wondrous, and macabre.

Nevertheless I’m learning that just as every cloud has a silver lining, so does every dream of beauty and success have the potential to blow up in your face. Sometimes we take risks to chase down everything we’ve ever dreamed of (like landing a book deal, snagging our dream job, finding a partner, or buying that new car), knowing that the reward if we are successful far outweighs the harm presented to us by that dull shell casing standing in our path. Sometimes we trust in fear and take a leap of faith, because if we don’t; then we’ll spend our whole lives wondering what could have been.

I recently took a leap of faith like this. I’ve taken a couple actually. The New York trip was one that went surprisingly well. But on this particular occasion I found myself attempting to capture the beauty of a bullet with butterfly wings, only for it blow up in my face. In layman’s terms: I fucked up. I took a risk and it backfired, seemingly costing me something rather incredible.

But as much as the wounds from the bullet that pierced my flesh sting right now – in fact it’s my ego that’s hurting the most. There is still always the slightest of chances that the bullet that struck you can still become something beautiful again. Sure, right now it’s damaged, but those big beautiful wings are still there just waiting to unfurl and show you magnificence beyond your wildest imagination. That’s the allure of dreams, and that’s the beauty of failure. Just because we fall, just because we fail or fuck up, it doesn’t mean that we have to give up. In life we are always afforded the opportunity to pick ourselves up off the floor, brush of the dirt that reminds us of our tumble and try again, armed with the knowledge of where we went wrong the first time.

It’s a rather warped analogy I know. But to me as I sit here and lick my wounds and learn from my mistakes, I have the chance to understand just what failure tastes like and how to better prepare myself for the next fall. If my manuscript appraisals amount to nothing and I’m left sitting in the dirt once more I will have the experience to pick myself back up and try again. Dreams only work as hard as you do. And sometimes trusting in fear and taking a leap of faith is worth it, even if you fall and all you achieve is just letting your dreams know exactly what your intentions are. Or even that they are dreams in the first place.

Horizons

prove wrong
“Oh, you’re only twenty five?”

Yeah I am. Big fucking deal. Just because I’m a little young to be doing this writing thing it doesn’t mean I’m not ahead of the curb. In fact, for someone my age to be as articulate as I am is a rarity and something that should be celebrated, not looked down upon. Yet for some crazy reason my worth as an author is often judged based on my age rather than its overall merit. People seem all too happy to have me pigeon-holed and compared to their idea of your arch-typical twenty five year old knuckle-dragger, but in reality I am so much more than that guy could ever dream of being. I may seem like a toddler in this industry compared to everyone else and their preconceptions of what an author should be. But I’m not here to play games. I’m here to break open your mind, tear down the walls guarding your heart, and expose you a world that you never even knew existed.

OK. Let’s stop for a second. Because it’s been a little while since I’ve broken into a rant on here and I don’t want to leave any of my readership feeling scorned. So before I descend into a rebellious string of fucks and poorly formulated ideas, I’ll say this: bear with me. There’s a point to all of this… Kind of.

Last month I attended a writing conference in New York City where I met many aspiring authors just like myself who are fighting that seemingly endless struggle to see their work in print. And although our catalysts and compulsions were similar, I was half the age of everyone else in attendance. To me this wasn’t an issue. I’ve always been an old soul; someone more comfortable in a lengthy discussion about the complexities of human nature than I am waiting in line for an overpriced drink in some fucking shit-box of a bar. But for the rest of the attendees at the conference I was somewhat of a side show. You’re how old dear? Oh, still a child! You still have so much to learn about writing, they would say. The truth however is that just because it took them a lifetime to learn how to string a sentence together it doesn’t mean that I’m the same.

So I rode out my time as a sideshow. Smiling politely as they respectfully teased about my age, blissfully unaware that I am ten times the writer that they ever were, or will ever be. They called me dear, and they spoke to me like I was their child (most of whom were older than I am), and I just nodded my head and played the part for their amusement. But by the end of the trip when the golden oldies slunk away from the conference having learned something to improve their craft I had a fucking scrap book full of agents contact details and verbal agreements to have my work to them asap. The point is this: age is a terrible indicator of a person’s catalysts, compulsions, talent or mindset. And to limit your perceptions of me that younger guy who writes is just fucking stupid. Because I’m a hell of a lot better than that; and for me, this is only the beginning of my journey.

Oftentimes when I tell people that I write I’m met with scepticism. It’s nothing much; usually a barely perceptible flaring of the nostrils and the squint of a cynic as people assess my character and my fortitude on the fact that I still look a little young. But you’re so young! They say. What possible life experience could you draw upon to craft something wonderful through literature? Jesus, sometimes it feels as though my whole life is a fucking repeat of that damn conference, even though I’ve got more life experience than most people twice my age. That’s not to say I’ve run the gamut of life and witnessed it all; I’ve definitely seen some shit. But there’s still a big world out there for me to discover and conquer. All I’m saying is that I’m cluey enough to take on board the experiences that I have been fortunate enough to have and learn from them.

So yes. I’m twenty five and an aspiring author. Yes, I’m younger than your average writer by a decade or two. And yes I’ve fucked up a lot of things in the past as you all know through this blog. I’ve thrown away careers, buried friendships, and pushed myself beyond breaking point in order to produce better quality work, but to assess me or my work based on something as trivial as the year I was born seems not only unfair but also a little ignorant. I’m brash, I’m headstrong, opinionated, and when you put a pen in my hand I’m a narcissist in every sense of the word. But I’m also a phenomenal writer and the best damn thing that is going to happen to literature in my lifetime (seriously, watch this space).

So to everyone out there who takes issue with the fact that I am a little under the median age in this business I’ll say this: broaden your horizons, take a chance on a younger author and allow me the opportunity to do everything that I said I would. Let me reach inside your mind and show you a new way of thinking. Let me climb inside your heart and show you love, fear, hatred and compassion in ways that you never believed possible. Lend me your eyes and let me show you a world so inherently different to this one that you will learn to redefine just how beautiful literature can be. Stop judging my work based on my age, because it really can speak for itself. I may be young by writing standards, but my youth provides me the time to grow and develop upon the skillset that is gaining interest.

Frantic Inspiration

“I’ve never wanted anybody more than I wanted you. The only thing I ever really loved, was hurting you.”
-Corey Taylor

Inspiration often strikes at the most inopportune moments. As a writer or artist you can spend weeks floating through life on autopilot trying to piece together where you take a story next, or even what story you wish to tackle next. Then, you’ll find yourself sitting in your work space with an eight hour day stretched out before you when suddenly everything just falls into place and all you want to do is start putting pen to paper and catching the fire burning inside of you.

Today was one of those days. And it all started with the opening lines of this post by vocalist Corey Taylor. The lyrics are ripped from a song released in 2004 by Slipknot titled The Nameless (yep. It’s a music post today), and for the past ten years I’ve found myself continuously returning to this track with a sense of wonder and the thought that there was something I was missing in its construction. On the surface level the song is grotesque. It swings wildly between the adoration and loathing of a lover. Lines of obsession and abhorrence collide in a frenzied cacophony of sound that builds to multiple crescendos before giving way to Taylor lovingly singing the lines above before the frenzy erupts all over again.

It’s frantic, it’s unpredictable, and with the exception of those two lines it’s so conventionally Slipknot that their very inclusion has played at my mind for a decade. Then today as I sat at my desk humming them to myself on repeat and debating where to head next in my creative endeavours they suddenly made sense. There is no lover. Taylor’s not singing about anyone other than himself, or at least in my interpretation he’s not. To me, the song is about a relationship between Taylor and the creative genius in him. It’s almost as though he’s referencing the earliest inclinations of the genius concept, in which one was believed not to be a genius, but to have a genius: a divine entity external to their own being that helped them in their creative practices. Seriously, look it up. A genius in its purest form isn’t a human being, it’s an entity separate to us; a concept that allowed early artists and writers to maintain their own humility when admiration was bestowed upon their work.

But I digress…. Here I was sitting at work with a storm surging through my head as a decade of thought patterns collided and made perfect sense. Taylor’s singing to his genius. He’s crafted an entire song around the loving and loathing that takes place within his mind’s eye as he creates. Here is a man torn between the idea that he wants to create. He wants it more than anything in the world. But he also wants to hurt and destroy the genius inside his head that often leaves him so isolated and distressed. It’s a tragic love story told by a man totally aware of his own shortcomings and one that resonates all too well with me.

I often find myself in a similar headspace. I want to create. I want to write. And I want it more than anything in the world. I’d give anything to carve out a place in the literary world and spend my days crafting literature. Yet at times all I want to do is tear apart everything that I have created and hurt the writer in me. Sadly I’m not yet at that point in my career where writing is my livelihood. I’d love it to be, but I’ve got a long road ahead of me yet. Until that time I’ll continuously work at my craft and I’ll ride out those moments of destructive indifference to my own genius. But thanks to the most unlikely of sources, I’m now more aware of my own inner torments. And I’m thankful that I’m not alone.

Brevity and Vulgarity

“To take away our expression is to impoverish our existence.”
-Roughton Reynolds.

You may have noticed that I swear a lot in my writing. I’m not afraid to throw out a few fucks or whatever else in order to drive home my ideas and strengthen my arguments. So it probably comes as no shock to anyone that I’ve been called vulgar from time to time. It seems as though there are individuals out there who don’t necessarily resonate with my abrasive style and slightly warped world view. As a writer still very much in the infancy of my career this disconnect that some readers appear to have with my work should be concerning. It should be something that I seek to rectify in an effort to really ramp up my palatability and readership until I can confidently say that I am accomplished at my craft. It should be…. But instead I just think fuck them. If you don’t resonate with my style then go find an author who’s sensitive bullshit speaks to you.

See, my love for vulgarity all comes back to the concept of brevity. For those of you who haven’t heard the term before, brevity is essentially a noun meaning: concise and exact use of words in writing or speech. Which doesn’t really mean much on the surface does it? How can my love of the taboo be explained by concise and exact use of words? Well, to break it down in another way: I am a firm believer of the expression just fucking write what happens. In this industry readers have come to expect a certain amount of fluff in their literature. If something is considered easier to digest by the masses than it will generally find a home on bookshelves around the planet. But that’s boring. And in my opinion if we are constantly trying to create work that panders to this notion of fluff we are forever damned to consume second rate shit.

Writing is about expression. It’s about passion, love, loathing, fear, and whatever the hell else. It should never be censored and it should never contain more than the bare minimum of fluff. In my mind brevity sometimes comes from embracing what we want to say, what we want to express, and stripping it back to the bare bones so that all of its failures and faults are exposed for the reader to acknowledge and accept as their own. When I write fiction if I want someone to be punched in the fucking face I’ll write exactly that: so and so got punched in the fucking face. Clear, concise, and brutal as all hell. And you know what? I bet right now after reading that you can picture someone getting smacked in the nose.

Likewise when blogging, if I think someone is a fucking cunt I’m going to write exactly that. If I think that a concept is flawed I’ll call it. And if I feel as though my own mind is breaking apart underneath the internal pressures I place upon myself I’ll call it as I see it. And for the record, if I create a piece about tearing down a glass house and it doesn’t speak to you that’s just too damn bad. Not everything I read speaks to me either.

The point is, just because a piece of writing is vulgar it doesn’t necessarily mean that it is without merit. In fact, more often than not it hints at a deeper emotional connection between writing and writer than a piece of over-fluffed bullshit could ever hope to mimic. So, yes; I’m often offensive and abrasive in my writing. But I’m also brutally honest with myself and with my reader and that is the most beautiful thing that a writer can ever be: honest. Because through honesty brevity can be born. And through that brevity, that concise and exact writing or speech, a reader can become one with the author and they can undertake the journey of learning, pleasure, pain, triumph and tragedy together. Life is seldom perfect, so why should literature be? Cut the fluff, inject the passion. And write from the fucking heart.

Those in glass houses…

…Should not throw stones. That’s what they told you. So you use your fists instead. You’re so angry, so confused and afraid. The only thing that helps you through is the idea of tearing down everything that you have built. The beautiful glass house on the edge of a scenic cliff becomes a twisted prison where you catch the reflection of the person you’ve grown to hate in every surface. So the smashing begins. It hurts at first. Your fist shatters the glass and your knuckles split and spill blood. Your nerve endings sting and your mind screams at you to stop. But you can’t. Not now. Not when there is still so much damage to be done.

You strike another surface, the cuts grow deeper, but soon the shock takes over and you’ve torn away the flesh leaving nothing but exposed bone, making those thick panes easier to crack. You tear down the walls and rip down the roof, until all that remains is the skeletal frame of a once stunning home. You’re bloody and tired, but still you’re not done. Just because there is nothing left standing it does not mean there is nothing left to destroy.

You drop to your knees and you rip the floorboards free. The torn flesh of your fingers catches on the splinters and nails. It hurts; oh god does it hurt. But you want to see your glass sink into the dirt and these goddamn floorboards are preventing the indignity. You toil until the boards are gone, but you can still see the reflection of the man you hate in the shards now lying in the soil, smiling manically at you as though he is somehow in control. So you punch. You punch and you punch, caving in the reflective skull of that piece of shit until his face is lost in the splinters of glass and your blood soaks into the dirt. He’s gone. That man you hated is finally gone.

So you rise and you walk to the edge of the cliff thinking that your troubles are over; and not a single stone was thrown. But your stomach drops when you see that the once calm blue waters of the ocean before you are now ink black and brooding. The storms are coming and you’ve just torn down the only shelter you’ve ever known. You realise then in that bitter sweet moment of triumph that all you have succeeded in doing by tearing down everything you’ve ever owned, is exposing yourself to the unrelenting touch of a winter’s chill.

You turn to your broken house of glass just as the first whip-crack of thunder echoes overhead, and you stare down at your damaged hands, unaware of what possessed you to cause this destruction in the first place. You move into the home and you sit amongst the piles of broken floorboards and the slivers of glass, your face streaked with the tears of a god and a fraud as the heavens release their wrath. You’re soaked in an instant, watching as your dried blood moistens and dances across the surfaces of a life left in ruins. Your bones ache as the winds cut through the skeleton of your safety and solace.

With nothing left to give you sit and you wait out the bitter cold and the brutal winds that cut through you with an intensity that leaves you breathless. You accept that there is no more hope, no more opportunity for the man who destroyed his own glass house.

But after an eternity those vicious rains subside and a single sliver of light slips through the clouds. It’s minuscule, not enough to warm you, and in your fractured mind you see it as nothing more than a taunt to a man as broken as his home, left sitting in the dirt

Then it happens.

The clouds shift again and the pinprick of light falls into a pile of broken glass, causing as flash-flood of colour to pierce your vision. A kaleidoscope of earthy browns from the soil, deep reds from your blood and gentle blues from the rains dance across your eyes and for the briefest of instants you can see the glasshouse standing in all its glory once more.

You know now what you must do; you must rebuild your home, your solace, and learn to protect yourself once more from the bitter cold of the rains. You light a fire and you gather your broken glass, heating it until it can be made whole again. You erect your walls and you replace your damaged floors, admiring the now stained surfaces of a once perfectly polished world. Your glass has been dulled, and your floorboards warped, but you would have it no other way, because this is the house that you built yourself. This is the house of a man who survived the rains.

You bandage your hands and you let your wounds heal, and soon enough the sun returns and you venture to the cliff to watch the calm blue ocean stretch endlessly before you. You spin towards the house that determination built, catching sight of the man that you hated staring back at you. He’s older now, more dishevelled; but you realise that maybe he’s not so bad after all. You take a breath and you vow to never again destroy the beautiful home at the edge of the cliff that you created. To do so would be crazy; you can’t survive those long lonely nights where the chill presses against your chest until you find yourself wishing you were dead. No, from now on if you need to feel the rains you won’t tear down the house, you’ll just take a stone and break a single window instead.

I few years ago I went through a bout of depression. I was unbelievably low and I hated myself and everything that I had become. I tore down the walls of my own psyche and I left myself exposed. But through my writing I found myself again. Writing was the pinprick of light that burst through the clouds and allowed me to see the world anew. It became my reason for rebuilding my glass house. My hands are damaged, and my once crystal clear walls are now stained with the blood and grit of my own toiling. But I would have it no other way. I wouldn’t be the writer I am now if I hadn’t sat through the rains of self-doubt and self-loathing.

For me there was no shame in being broken. There was only pride when I learned to pick myself back up. At some point in our lives we all falter. But if we embrace the better angels of our nature we can rebuild ourselves to be something far stronger than we ever believed possible.

Voice

“Fuck critics, you can kiss my whole arsehole.”
-Jay Z.

I recently caught up with a friend of mine who just like myself, is penning her way through the early stages of what she hopes to be an illustrious writing career. While our writing journeys are very similar in many ways: that is to say we seem to have catalysts and compulsions that are very akin to one another, I’m a little further along the path of completing a manuscript and seeing my work make it into print. That’s not to detract from her abilities at all. In fact, her script sounds like it’s a million times better than mine. Once it’s finished I’m sure that you’ll see her name in lights a hell of a lot quicker than you see this narcissistic arsehole’s. When I say I’m further ahead I simply mean that while she’s currently putting the finishing touches on her first draft, I’ve already had my story edited and it is currently being reviewed for potential representation by a number of agencies.

During the course of our conversation the idea of finding an editor came up. Once her manuscript is complete she’ll need to start undergoing that heinous task of refining her novel until it is perfect and ready for publication. A task that I myself have already undertaken, loathing every minute until it was finally complete. As we talked about editors the concept of the writer’s voice entered the conversation and she expressed concern that the wrong editor would destroy everything that makes her script, her script. It was an interesting point, and one that got me thinking about myself and my works.

Every writer has a unique style, a voice if you will. Just like every single man, woman, or child has their own distinct sound built up of tone, pitch, inflections, and a hundred other variables. So too does a writer have a sound that is their own. Take a second to think about the writers you admire, is it necessarily the stories that they tell that you fall in love with? We all know that there are just seven basic themes in literature (as per the theory created by Sir Arthur Thomas Quiller-Couch). Or is it the unique idiosyncrasies that the writer weaves into their tales that leaves us swan diving into their worlds of love, fantasy, ruin and woe?

For me, it’s the voice of the writer that keeps me engaged. Therefore if I hope to be successful, if I hope to become the writer I have always dreamed of being, I have to nurture the very things that make me unique. I have to (quoting myself here) become a singularity, and I have to devote all of my time and energy to honing my voice and weaving it through my works with a sleight of hand so smooth and subtle that the reader is left dumbfounded. And when working with an editor, publisher, agent, a friend, or a critic, one must learn to be acutely aware of those external influences and the damaging effect they can have on your manuscripts in their quest to be helpful. An editor or agent should seek to draw out those unique idiosyncrasies of their artist rather than manipulate and destroy them.

Thankfully when I undertook the editing process with Midas my editor did exactly that. She helped me, challenged me, and inspired me to be the best writer that I could possibly be. The result? Right now things are looking pretty damn good for my writing. So to all of you out there who are looking at entering that bastard editing stage I wish you the best. Find an editor that is right for you, let them help you find your voice, then scream your story from the fucking rooftops. Silence the critics and be the best damn writer you can be. There’s no one more qualified to tell your story than you.