Brevity and Vulgarity

“To take away our expression is to impoverish our existence.”
-Roughton Reynolds.

You may have noticed that I swear a lot in my writing. I’m not afraid to throw out a few fucks or whatever else in order to drive home my ideas and strengthen my arguments. So it probably comes as no shock to anyone that I’ve been called vulgar from time to time. It seems as though there are individuals out there who don’t necessarily resonate with my abrasive style and slightly warped world view. As a writer still very much in the infancy of my career this disconnect that some readers appear to have with my work should be concerning. It should be something that I seek to rectify in an effort to really ramp up my palatability and readership until I can confidently say that I am accomplished at my craft. It should be…. But instead I just think fuck them. If you don’t resonate with my style then go find an author who’s sensitive bullshit speaks to you.

See, my love for vulgarity all comes back to the concept of brevity. For those of you who haven’t heard the term before, brevity is essentially a noun meaning: concise and exact use of words in writing or speech. Which doesn’t really mean much on the surface does it? How can my love of the taboo be explained by concise and exact use of words? Well, to break it down in another way: I am a firm believer of the expression just fucking write what happens. In this industry readers have come to expect a certain amount of fluff in their literature. If something is considered easier to digest by the masses than it will generally find a home on bookshelves around the planet. But that’s boring. And in my opinion if we are constantly trying to create work that panders to this notion of fluff we are forever damned to consume second rate shit.

Writing is about expression. It’s about passion, love, loathing, fear, and whatever the hell else. It should never be censored and it should never contain more than the bare minimum of fluff. In my mind brevity sometimes comes from embracing what we want to say, what we want to express, and stripping it back to the bare bones so that all of its failures and faults are exposed for the reader to acknowledge and accept as their own. When I write fiction if I want someone to be punched in the fucking face I’ll write exactly that: so and so got punched in the fucking face. Clear, concise, and brutal as all hell. And you know what? I bet right now after reading that you can picture someone getting smacked in the nose.

Likewise when blogging, if I think someone is a fucking cunt I’m going to write exactly that. If I think that a concept is flawed I’ll call it. And if I feel as though my own mind is breaking apart underneath the internal pressures I place upon myself I’ll call it as I see it. And for the record, if I create a piece about tearing down a glass house and it doesn’t speak to you that’s just too damn bad. Not everything I read speaks to me either.

The point is, just because a piece of writing is vulgar it doesn’t necessarily mean that it is without merit. In fact, more often than not it hints at a deeper emotional connection between writing and writer than a piece of over-fluffed bullshit could ever hope to mimic. So, yes; I’m often offensive and abrasive in my writing. But I’m also brutally honest with myself and with my reader and that is the most beautiful thing that a writer can ever be: honest. Because through honesty brevity can be born. And through that brevity, that concise and exact writing or speech, a reader can become one with the author and they can undertake the journey of learning, pleasure, pain, triumph and tragedy together. Life is seldom perfect, so why should literature be? Cut the fluff, inject the passion. And write from the fucking heart.

Author: Chris Nicholas

Chris Nicholas is an author from Brisbane, Australia. He has published two novels, and is currently working on his third.

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