Tag: fiction

Digging up the grave

White knuckled with calloused palms and blistered fingers he drives the blade into the earth. His pencil thin spine aches as his shoulders strain to lift the heavy load. He twists at the torso and tips the blade, allowing the thick clumps of dirt to fall atop of the steadily rising pile. Sullen and withdrawn, made from sinew and ropey muscle, he toils underneath a clouded night sky. Guided only by slivers of moonlight slipping through the opaque air he drives the shovel into the earth, using his foot to help the blade penetrate the quickly hardening dirt.

Two foot wide. Six feet deep. A silence all-encompassing and beautiful awaits.

He tips a load onto his pile and flexes his aching spine. Tossing the shovel against the earth he reaches for his bottle, gritting his teeth as the lager washes across his tongue. He stands in a shallow grave, the lip resting just below his knees. His fingers ache and the bottle cools their throbbing. How disgusting he has become that he must labour through the night to bury bodies in his yard. Or maybe he should consider himself beautiful. Maybe there is something lovely in the physicality of burying the dead.

They’re lying beside him. The deceased sleep just three feet away. Wrapped in crisp white linen, they capture the light cast down from the heavens and reflect it like a series of lighthouses perched against the merciless ocean. He knows that they’re presence is a risk. The neighbours will be watching. The nosey bitch in the two story mansion beside him will undoubtedly be standing in the safety of her locked bedroom, chewing her polished fingernails as she dials the police station. That’s the problem with society nowadays. Every mother fucker is too busy peering over the fence at what their neighbour is doing that they fail to notice how fundamentally flawed they themselves really are. Let her call, he thinks, she’s done it a hundred times before. Just like the boy who cried wolf, no one believes the nosey bitch and bastard watching his backyard.

He picks up his shovel and strikes at the earth again, feeling his shoulders ache with pain before he even lifts the weighty load. It’s a risk to have the dead with him. But it’s a peril worth taking. There’s something so thrilling about having the dead lay in eternal slumber beside him while he prepares their grave.

He drives the blade into the earth again. And again. It’s becoming so dry, so hard. His blistered fingers burst and warm liquid runs down his fingertips before slipping down the timber shaft of his shovel. He grimaces in pain with every strike of the earth now, skin tearing with every blow. His brow is furrowed and lined with sweat, and the moon fades completely as the heavens take pity on him and weep with the first droplets of rain.

Two foot wide. Six feet deep. A silence all-encompassing and beautiful awaits, punctuated with the delicate pitter-patter of rain falling against the disturbed earth.

He picks up his pace, the rain slicked handle of the tool difficult to hold with his damaged hands. His boots are heavy, his shirt clings to his skin before he removes it, tossing the heavy garment in a balled heap beside the pile of dirt slowly leaking back into the earth from which it came. He digs and digs, until his spine feels fractured, his hands tremble and his mind pulses with a dull throb. Tossing his shovel to the side he climbs from his hole, staring down at the beautiful rectangle cut haphazardly into the earth.

The heavens open wider and the pitter-patter turns into a torrent of water that turns the yearning grave into a burial site with an inch deep pool at its base. He moves towards the bodies, and stares down at them with a wicked grin. He reaches for the first, that prick called Anxiety and drags it to the edge of the hole. The rain has made the body heavier than he had remembered. He can still recall the day that he killed him. He had learned that there was nothing to be fearful of in this life than the idea of fear itself. He had grown wise, no longer afraid of the crippling nature of the beast. Creeping up on the bastard he drove a blade through his spine, ripping it upwards violently to sever the spinal cord.

The fucker tumbles into the depths and he stands and watches the muddy water leach into the white sheet before moving for the next. Insecurity was a bastard child that had left him feeling damaged. He remembers the day that he outgrew his need for such a vile companion. He’d always feared his perception in the eyes of others. The way he looked at troubled him, his body shape not quite desirable. But he had ripped off his shirt at a swimming pool, paraded around half naked for the world to see. And when he realised no one was watching he took his shirt, wrapped it around the pricks’s throat and choked until Insecurity’s heart exploded.

His final victim is the heaviest. Guilt had always been his curse. He felt guilty for the choices he made, the ones he didn’t. The people he hurt and the people who had hurt him. The bloated rain soaked corpse feels like deadweight as he heaves it towards the hole. Liberation from this heinous acquaintance had been brutal and bloody. He’d taken a surgeon’s blade and cut it from his skin. His conjoined twin of regret and self-loathing had pleaded as he bled. Once the removal had been complete he’d taken the blade to his poorer half’s throat, feeling the warmth of his blood as it washed across his skin.

Three bodies lay in a mass grave slowly filling with tears from the heavens. Two foot wide. Six feet deep. A silence all-encompassing and beautiful awaits.

He strips bare, his nakedness battered by the rains. Lowering himself into the hole he shifts the victims of his rage. Lying down beside them he closes his eyes and waits. The water swells up over his chest, tickling as it fills his ears, and before he can take another breath he slips beneath the surface.

Silence. So endless and beautiful. A man and a murderer floating alongside the dead. How lovely it would be to die here. To hold himself down until his world went blank. How wonderful his demise would be, surrounded by those who spent a lifetime trying to destroy him. But alas, he cannot die today; he cannot give up so easily. He has fought too hard, spilled too much blood to simply drown alongside his regrets.

He surfaces with a gasp, stands in a waist deep pool of muddied waters, and pulls himself from the grave. The dead has risen on this stormy night. A man has been reborn while the demons of his past have been laid to rest. He takes up his shovel and fills in the hole. With every clump of rain soaked earth he feels his strength return. No longer do his shoulders ache; no longer does his spine feel broken. No longer do his blisters throb. No longer will he feel alone.

Dream on, Dreamer

Sometimes I just want to run. I just want to lace up my sneakers, pack my bags and just vanish without a trace. Sometimes I grow so tired by being me that it takes every ounce of strength just to function in the mess that we call a society, and I find myself begging for a way out. Sometimes it can become so crushing to know that I don’t fit in; I don’t belong, and that I will never be at one with my fellow man. Sometimes I wish that I had made better choices when I was younger. That I’d been more willing to accept authority, or that I’d learned to keep my mouth shut rather than constantly shooting from the hip. Sometimes I wish that I just learned to accept that neither the world, nor I, will ever live up to the unrealistic expectations I have created.

Sometimes I wish that I hadn’t screwed up my finances so bad in my youthful ignorance that I could just book a one way ticket to anywhere and leave the man I have become behind. I’m a man of contrasts, a writer of juxtapositions, and sometimes I wish that I would catch the break that I lay awake at night and pray for. I often find myself calling out to Jesus, Allah, Moses, and whoever else is listening. But every single time I do, I wish that the prophets had more to say to me than those heinous words dream on, dreamer.

For this is the life I have chosen. The life of a dreamer. A man who moves throughout the world caught between a bleak reality and a vivid imagination and ideals of what could be. I’m too old to connect with the latest trends, yet too young to admire much of the classics. Too intelligent to accept popular culture, yet not clever enough to consume more intellectual mediums. I’m too stubborn to change who I am, yet I’m far too bitter not to try. I’m too bold to know my limits, yet fear them with every ounce of my being.

So I tread the path of a dreamer; accomplishing nothing except within my own head. I dream of grandeur and a life of fulfilment. I live a life of regret. I imagine my future to be bright. I see my name on bookshelves, my life filled with art and creativity. I picture myself living in exotic lands, spending my years travelling the earth in search of continued inspiration. But my present sees me grounded. I travel the same route every day to a job that leaves me feeling incomplete. Instead of exploring new cities and countries to search for inspiration, I find myself searching my head for a way out of the rut I have created. And when I find nothing I turn to the prophets for guidance, cursing them when they whisper in response to my pleas dream on, dreamer. You haven’t earned it yet.

Sometimes I wish that it would rain. I wish that the heavens would open and cleanse my skin. I dream of that moment where I am caught in a storm so vicious that my pulse quickens and my bones feel as though the sudden chill is cutting them like glass. I pray for the destruction, for the waters to rise up against my throat. Instead I find myself surrounded by an earth so parched that every step I take causes its crust to crack and splinter. I’m wandering endlessly in a barren wasteland, driven by my thirst for something more. Something that seems forever out of reach.

I fanaticise about a world where we worship true art and its creators; where we care not for the status of celebrity, or for the shocking and creatively mundane. I pray for a life where I don’t have to loathe the works of fraudsters cashing in on trends and calling it art. I hope that we can learn to admire true beauty once again, and realise that making ourselves seem attractive on a visual level does not hide the blackness of our hearts. I wish that we could love one another for who we really are, not who we pretend to be through status updates and edited photographs.

But most of all I wish that I didn’t have to dream of these things. That the absence of happiness in my life didn’t leave me with an unending desire to vanish and start anew. I wish that I could travel forward in time and find the version of me who is content. I would ask him how he did it. How he learned to accept the flaws in himself and his world. I would take that knowledge and I would learn from it, so that I didn’t dream of packing my bags to run.

I wish that for once when I called upon the heavens for answers they didn’t mock me as they whisper dream on, dreamer. You haven’t earned it yet.

Renacer

frost-flower-
‘There is no flower like love; no misfortune like hate.’
-James ‘Buddy’ Neilsen.

I’ve really been struggling with this blog lately. After a phenomenal run a few months ago that saw me producing a continuous stream of updates, I’ve fallen back into that creative lull that sees me producing sporadic entries that aren’t necessarily my best efforts. But all hope is not lost. While I’ve been creatively stagnant on this platform, I have still been writing a lot. My novels are coming along beautifully, and I’m learning more and more about myself and my craft every time I take to my computer.

But when it comes to this page, I’ve lost my voice. My confidence has deserted me, and I’ve been left sitting alone in a wasteland of half formed ideas and unjust hate for everyone and everything. There’s blood on my hands and hate in my mind. I just don’t understand why.

Sometimes blogging feels like a dying art form. Sometimes it feels like people don’t care about real talent or grit anymore. We live in a disposable world where people want instantaneous satisfaction and don’t have the patience required to consume literature. Society would rather watch a seven second vine video and glorify the inappropriate antics of a halfwit than consume the rich and highly rewarding posts of bloggers across the globe. Some of the most incredible pieces of writing I have ever witnessed have been on blogs that receive a dismal amount of hits, while many of the most creatively void videos and photographs on social media become worldwide sensations. We live in a world where we worship instant success and fame. If someone has to strive to achieve their dreams through grit and determination, we automatically assume they just don’t have what it takes to be great.

I guess that you could say lately I’ve been feeling defeated. What’s the point of trying to produce something beautiful if people are more interested in the obscene? What’s the point of trying to redefine a world as an artist, when it is more interested in the idea of creating instantaneous celebrities with an expiry date of seven seconds?

I write for myself. I always have. And I write because it’s an incredibly cathartic process that allows me to open my heart and mind to a world that I often feel disconnected from. As paradoxical as it sounds, I isolate myself and sit at my computer lost in my own head, so that I can connect with the macrocosm surrounding me. I believe that literature and words have the power to change the world, and although I write to overcome my own insecurities, a small portion of my soul yearns to be a part of that intellectual movement.

Yesterday one of my favourite lyricists made a bold decision to open up to the world about the man he is verses the façade he has portrayed to the world for over a decade. Buddy Neilsen (the man whose name has appeared on many epigraphs on this site) revealed to the world that his sexuality cannot be clearly defined by the two poles of straight, or gay. He opened his soul and said that he has spent the best part of his life struggling to understand his sexual orientation, and as a result has struggled with depression and alcohol abuse. The revelation left me stunned. I have been a fan of his band Senses Fail for a decade. Ever since their first album Let It Enfold You (a masterful work that draws heavy influence from poetry and literature. Even the title comes from a Bukowski poem) I have felt inspired by the lyrics that Neilsen has growled, screamed and crooned.

To find that a man as talented as Neilsen could be so plagued by demons left me feeling oddly inspired. While I don’t wish to celebrate the years of emotional havoc that Neilsen endured before he found inner peace, I believe that there is something quite beautiful in knowing that someone so successful, albeit in a chaotic and somewhat destructive sense of the word, could be so human. In a world where we often place celebrities on pedestals and almost justify and encourage their destructive behaviour, it is a wonderful thing to see a man come to terms with who he truly is. To stand up and take responsibility for the self-destruction he bought upon himself and finally allow himself a chance to be at peace.

Senses Fail’s latest offering Renacer (see what I did there) takes on an even more eloquent feel now that Neilsen has accepted his own nature and felt comfortable to reveal that to the world. The title, Renacer is a Spanish word meaning to be born again, and as Neilsen growls his way through soulful lyrics denouncing himself for his own shortcomings and yearnings for inner harmony, one can feel the passion for life, for acceptance, and for his art interlaced through the often brutal screams. He really is a man, just like me, plagued by his own demons who writes and sings as a way of creating cohesion between his tortured soul and the universe.

But I digress. The point of all this is that through Buddy’s revelation, through his battles with sexuality, depression, and alcohol abuse, he has inspired me to create art of my own. And yesterday, through his willingness to stand before his legion of fans and denounce his own demons and accept his strengths he has once again inspired me to write. While I will never know the frustration of battling with sexuality, I do know the toll of fighting that most heinous of battles with mental illness and depression. It’s the kind of battle you never truly win, you’ll never wake up and realise that you no longer have an affliction for self-loathing and hate. Instead you take every day for what it is. You accept the beauty of the moments afforded to you, and you learn to push through when your mind feels like a tomb.

Art is an incredible thing. Whether you paint, sing, write, draw, build, destroy, or whatever else. Art is the glue that binds together the fabric of our souls and allows us as a society to collectively push the envelope of what we believe is possible. Through writing, singing and performing Buddy Neilsen managed to develop an understanding of who he really is, and the result of his creative process is some of the most lyrically rich music produced within the hardcore music scene. But the truth behind his new found inner peace was that he never once sought to create music for fame or success. He sought to better understand himself and grow as a human being. His honesty, imperfections and strengths shines through in his works and the fans and the fame are merely a by-product of his dedication and devotion.

So while at times it can feel like blogging is a dying art form in this era of social media and disposable content, I need to take a step back from my violent hatred of talentless consumption and realise that those mediums will never last. There will always be Facebook, Vines, Twitter, and whatever else, but their content will be consumed and disregarded by a legion of users who show indifference to their creator. But writing, and music, and art will last forever. The words that I write today will stand the test of time and be remembered forever by the people that they truly touch. When a writer becomes more concerned with competing for likes, shares, and mass consumption they risk losing sight of what really matters; and that is the catalysts and compulsions behind what they do. I write to fight off the demons of my mind, and to connect with a world that often leaves me broken and confused.

It’s not about likes; it’s not about competing with alternate mediums or artists. It’s about me and my story. It’s about creating something that I am proud of. Something that I believe in. Money, fame, and all that stuff are just potential by-products. I’ll write to the day my heart stops whether I make a million dollars or whether I make none. And when I find myself beat down and sitting in that barren wasteland of broken thoughts and ill-fated projects I’ll remember that no matter how creatively fragile I may feel, my writing is what defines me. As Buddy Neilsen says ‘it doesn’t matter if you fall down. Get the fuck back up.’

Brand

‘You want to win the war? Know what you’re fighting for’
-Corey Taylor.

It turns out that I’ve been approaching this blogging thing all wrong. Driven by emotion and relying on fits of blind rage, narcissism and brief moments of placated happiness to fuel my creativity, I’ve never really stopped to take note of the brand that I was creating. I saw myself as a singularity; an individual comprising of unique thought processes and idiosyncrasies that could never be accurately labelled through a title or brand. I mean, I’m a man goddamn it! I’m no fucking brand….

…But in the eyes of many that’s exactly what I am. See, publishers and agents are always on the hunt for new talent to represent and (hopefully) turn a profit off of their investments in. Regardless of whether I want to be typecast or not, they will forever try to pigeonhole me and my writing based off what I say and do. When my work is bought before them for review, they are not just taking a surface level look at my writing. They are assessing my character and my brand through the tales I chose to tell and the manner in which I do so. They want someone they can market, so they need to be able to define who I am and what I stand for through labelling me.

Case and point: my vulgarity. I swear a lot. And oftentimes when I do so it is to really drive home a point I’m trying to make. But for some, that vulgarity can be offensive and see me labelled as a foul mouthed kid with a lack of respect.

-Trust me. I’ve heard that before. And if we are being totally honest it’s a half truth. I’m arrogant as sin and about as foul mouthed as they come. But I’m all about respect. You’ve just got to earn it.

So then, what kind of brand have I established for myself over the duration of running this blog? Well, one that isn’t great. I’ve painted myself as an emotionally unstable narcissist with a deep routed hate for others. I’ve established myself as a wolf with a penchant for bloodlust and a tongue laced with acid. According to this site I’m an arsehole. And while my own bouts of self-loathing ultimately allow me to grow and develop as a writer, they act as a red flag to anyone considering investing in my work. I mean, if you had outlay time, money, and effort on an up and coming author or artist, would you realistically be willing to take a gamble on someone so ready to destroy everything on a whim? Shit, I wouldn’t.

Which means that it’s time to reinvent myself; time to pull on my surgeon’s mask, clasp a scalpel in my hand and intricately reshape the flesh of this page. So a few weeks ago I did exactly that, I fleshed out the best and the worst that I had to offer and I wrote pieces that took harsher and harsher views on myself until it came to a head in The Flood. I built upon Aristotle’s concepts of dramatic construction and I bought about my own assassination of character. And then I stopped and waited for the gravity of my writing to settle as the Chris Nicholas of old lay broken for the world to see. I fended off constant questioning as to whether I was feeling alright and pushed through awkward conversations about mental health with people who could never understand what I was trying to achieve. I wanted to quite literally prove that what didn’t kill me was only going to make me stronger. I just had to take myself to the edge of my own sanity one last time and know that I was crazy enough to jump, yet strong enough to walk away.

From there I waited for two weeks. Watching the number of people frequenting my site fluctuate in my absence before I finally decided to post something new. I waited because it seemed only fitting that if I was to rebrand and expand my own mind and diversify the nature of my postings that there needed to be a definitive line in the sand that noted where I was and where I am heading next.

So then the question becomes where am I heading next?

Somewhere positive. Somewhere grand. Somewhere exciting and fresh. I’m taking steps to make peace with my past so that I can move forward and enjoy my future. Someone close to me recently asked if I had ever been truly happy in life and the question hit me like a sucker punch from a heavyweight boxer. The truth is that I have known great happiness in most aspects of my existence, but I’ve always placed so much emphasis on my lack of continual successes as a writer that I’ve never been happy in my career. At times that frustration and disappointment has spilled over into other areas of my life and I’ve become bitter, twisted, and self-destructive. My brand as a writer was reflective of this for a long time. I was angry, unnecessarily aggressive, and fighting against anything I could just for the sake of fighting. I was burning myself out just to sustain the anger I thought that I needed to be creative.

I spent a long time failing to realise that the world is far larger than I can comprehend. I spent years believing that there was nothing more important than what I thought and felt, and the struggles I faced on a daily basis. I dedicated space on this site to trivial issues that seemed so grand, but were in reality just hurdles on my journey to success. But now I’m opening my eyes and seeing the world for what it really is. And by doing so, by understanding that this world owes me nothing, I’m more determined than ever to stop fighting for the sake of it and work my arse off to achieve my goals.

Whereas my brand was once disjointed, it is now focused and determined. I’m still arrogant and headstrong. But with dreams as large as mine I need every ounce of that stubbornness to succeed. I’m driven by passion, raw emotion, and the occasional spate of narcissism, but I’m no longer foolish enough to allow myself to become consumed by feelings that I ultimately must remain in control of. I’m the best writer to tell my stories; there is no one more capable and qualified to deliver the messages I have for this world. And I’m still a mother fucking wolf. But unlike the past I now realise that I’m not designed to hurt and maim. I’m not required to fight every damn fight that comes my way and I’m not stupid enough to tear myself apart out of frustration or boredom.

I’m a wolf capable of causing great destruction, but my true strength comes in my new found restraint. I know how to grab an opponent by the throat and tear the life out of them, but I chose to select my battles. I fight to protect those that are close to me or advance my own cause. There’s no honour in fighting every battle and living a life of constant anger. But there is honour in rebranding oneself as something more than the enraged boy I once was.

You can’t truly embrace the future until you can learn from the past and enjoy living in the present. So my rebranding begins now. It starts with clear, concise direction moving forward. Every post on here, every chapter I add to my novels, every damn poem or song I scribble in my notebooks hones my skills and gets me closer than ever before to becoming a published author.

There’s a line in the sand. Mark it. From this point on everything changes.

Catastrophe – The Flood

Beginning. Middle. End.

Calm. Storm. Flood.

We have now arrived at the end. We’ve been through a transition. We’ve watched the unnerving tranquillity of the calm descend into the torment of the storm, and now the levy is set to break and the flood us upon us. We have reached the point of catastrophe – the end.

Every great piece of writing has a brilliant ending. It’s simply a must in this world of literature that we live in. If you are to create something wonderful then you need to bring your story to a point of dramatic closure that leaves the reader both exhilaratingly satisfied and yearning for more. And that is no easy feat. In fact, it’s becoming increasingly difficult in this day and age to craft an ending to a story that feels authentic, original, and brilliant. We live in a society where studios, agents and publishers are more readily willing to accept something that feels tried and true, knowing it will sell than to take a gamble on a piece of writing with the potential to be a masterpiece, solely because it is unique and therefore ultimately dangerous.

But let’s not digress. My issues with the state of modern writing and publishing are well noted throughout this blog. Today we are focusing on the flood.

Everyone always sees the flood as a negative. When someone talks of a flood we imagine violent and raging torrents of water in biblical proportions. We think of an arc and a guy tasked with weathering hell on earth in order to rebuild life anew out of the devastation that is left behind. And while yes, the flood is often catastrophic it is also an opportunity to wash clean the slate of our own fears or failings and start anew.

Sadly though, the flood that I am set to wade through has no positive connotations. I’m a man laden with extreme narcissism at my best and vehement self-loathing at my worst. I hate so much about my life and fight with myself every fucking day just to keep my head above water. The floodwaters are up to my throat and the ice cold tendrils of failure are lapping at my lips. I often quote Alan Moore’s immerse yourself in the least desirable element and swim philosophy, but I’m not swimming. I’m sinking like a god-damn stone.

So let’s get this shit over with. Let’s flay open my chest and expose the twisted workings of my soul. Let’s stop fighting the floodwaters and allow the destruction to take place. Let’s be honest. Let’s be humble. And let’s fuck up every preconception you’ve ever had of me. Let’s witness the flood.

There’s a cacophony of voices tearing through my head. Jesus, I just want them to stop. I don’t want to be angry. I don’t want to hate. But all this positive shit runs incongruously to the poison in my veins. Why does the god damn wolf in me want to hunt? Why do I need to feed on the flesh of those around me? Why can’t I be placated by the success of others? Why do I feel the need to despise them for their achievements? Surely I can’t forever blame my own shortcomings on the universe at large.

I piss away my time punching in and out of a fucking nine-till-five day job that leaves me feeling like a failure. I’m not a man for what I do. I’m a mouse running on a treadmill for someone else’s amusement; and I go home every fucking day unfulfilled and aware that I’ve contributed nothing to society. People ask me what I do for a career. I don’t have a fucking career. I have a dream of being published and the nightmare of my reality. I’m creatively stifled because I can’t devote myself entirely to anything other than this shit.

I hate that I’m alone, but know deep down that this where my future lies. I’m too much of a mess to ever be loved, or to even let someone get close enough to love me. My future is clear; I was born with nothing and I’ll die alone. But I’ll learn to accept that in time. I’ll learn that sometimes the best thing a damaged soul can do is live a life without another. Why drag someone else into my perpetual downward spirals? It would seem cruel to ever expose anyone to the toxicity of my heart and soul. So I keep quiet and hold people at arm’s length. I wear my masks of the man they believe me to be, and I dance for the amusement of strangers. The worst part? I laugh at their ignorance. No one knows a fucking thing about who I am.

My writing is stuck in limbo. I’m waiting on the validation of strangers. I’m sitting on my hands while someone judges me and decides whether I am worthy of their time. Part of me is thrilled at the opportunity, but the bastard in my wants to grab them by the fucking throat and force them to make a decision. Put a gun to their head and force them to decide. Put it in print or don’t. Just quit with this jumping through hoops bullshit. I’m better than that. Fuck them. Fuck any other author. I’ll destroy the whole lot of them. I’ve crippled people before. I’m not afraid to do it again.

I want to run. Jesus Christ I want to run. Leave behind all of my fuck ups and my flaws and start over again. No debts. No failed relationships. No moronic life decisions. I’d be someone else; somebody humble and righteous. I’d leave all these fucking thoughts behind. My flood would be different. There’d be no waters fuelled by hate rag dolling my battered body. There’d be positivity washing over by skin, carrying me to places unknown. My friends would be there. My real friends. They’d actually know me. I’d be able to let them in. I wouldn’t be so fucked up and scorned by the ghosts of relationships passed.

Run… Jesus fucking Christ I want to run. But the fear of actually being happy or successful has my feet glued to the floor and my fingers reaching for a bottle.

My flood is a mess. I’m surrounded by black water and flotsam capable of breaking bones and minds alike. It will continue to gain strength. Levies will break and my mind will be destroyed. I’ll die alone. Unless I can overhaul who I am and cut the devil from my soul then I’ll never allow anyone in. I’ll live a life as a frustrated author, and I will continue to battle against the raging torrents until I can push my way upstream and achieve my dreams of being published. And will continue to fight through my calms, my storms, and my floods and their sempiternal nature for as long as I shall live. I will fight until I can create an ending worthy of literary royalty.

Catastrophe was the name Aristotle gave to his final act. It seems only fitting then that the life of someone desperate to replicate his successes be bound to experience exactly that. There is no heaven without hell. There is no success without failure. And there is no fortune without catastrophe.

Beginning. Middle. End.

Calm. Storm. Flood.

Spark. Blaze. Inferno.

Protasis. Epitasis. Catastrophe.

Call them whatever you want. Every incredible story has three very distinct components. Our job as authors and storytellers is to make them beautiful and unique. To breathe life to our characters and their journeys in such a way that the reader becomes invested in their transitions through these acts.

Epitasis – The Storm

Have you ever read a novel, watched a movie, or listened to an album that started beautifully, capturing your attention with brilliant writing, only to fall apart in the middle? Sadly it’s a common occurrence in modern day writing. Young and even more experienced authors alike construct a brilliant introduction to their work. Their premise line is jaw dropping; their protagonist set a phenomenal task, and their audience is left wetting their lips in anticipation. But the work trips and falters as the writer tries to blunder their way towards the thrilling conclusion they have been working on for months.

They have a brilliant beginning, and a masterful ending. But they’ve got no middle.

They have an unnerving calm, and a flood of catastrophic proportions. But their storm is weak and unbefitting of the destruction their impending flood will cause. The work seems unbalanced and just doesn’t sit right in the mind of their reader.

Every writer at some point has fucked up a script because their middle (or their storm) was utter shit. Myself included. It’s a common occurrence as a writer to be struck by a wave of inspiration, it hits you like a lightning bolt and sends your mind into overdrive. You can suddenly see your protagonist in all of his or her glory. You envision them standing before you, allowing you to take note of and shape their idiosyncrasies. The beginning of your story emerges, and more often than not you see the ending taking shape too. But you never see the middle. And you never will, because you’re not supposed to. You’re supposed to create it. Just as you would in the real world. You have your beginning: where you are right now. And you have your end: where you want to be. How you get there though is entirely up to you. That’s the magic of storytelling. That’s the purpose of being a writer. And that’s the purpose of this crazy thing we call life.

So why do so many of us make a mess of the middle? I mean, if we are going to continue down this path of exploring Aristotle’s rule of beginning, middle, and end, surely we should devote equal time and consideration to all three components? Why do we as writers often neglect to produce the same level of mastery in our storm as we do in the calm that comes before and the flood that follows?

For some, they deem the middle to be less important. Everyone remembers where they started and where they finished. They try to rush through it because no one ever gives a shit about anything that comes in between. True. In some cases; but not in great writing. Other writers have a relatively solid storm to begin with, but become victim to their own perfectionism. They approach a work with preconceived notions that they must adhere to industry averages in regards to word counts and take a lean, well written story and pad it out, adding filler until their once punchy script becomes lost amongst pomp and circumstance.

The middle is just as important as the beginning and the end. Just like the storm is just as integral to beautiful storytelling as the calm and the flood.

But as I said in my previous entry, I don’t think that Aristotle’s word choice is apt for today’s society. Well, certainly not in regards to the novels I create and consume. The middle and the storm are similar, yet inherently different. Each strikes at different chords of emotion within the reader’s heart and mind, soliciting a different response to the same passage of text. The middle sounds mundane, and maybe that’s where some writers go wrong. They view the middle simply as a centre point between two extremities. They view it as a bridge between the past and the future, devoting little time to fleshing it out correctly.

But the storm… The storm is the violent disturbance of the calm that leads to the torment of the flood. It’s a cacophony of disjointing noise and a flash flood of movement and light. The storm is a force to be reckoned with. It’s not simply a central point, but a devastating passage that demands its own respect. The storm is fast, brutal, and deadly. It is not something to be taken lightly.

So let’s continue on with our previous example from the calm…. Let’s talk about me.

Here’s my middle: Chris travels to New York from his home town in Brisbane Australia to chase down his dream of becoming a published author. He meets many great people and his work is accepted for review by a number of agencies. He arrives home to Brisbane and quits his job, moves into a new home and waits patiently for a phone call to say that his work has been accepted and will be put to print. After three months the call still hasn’t arrived and he grows increasingly anxious. He writes as much as he can to occupy his time and he finds himself partying more often. His heart skips a beat every time his phone goes off, praying that the call has finally arrived. And he does everything in his power to stop himself from thinking about the girl that he wants more than anything…

…my middle sucks. Once again, there’s a story to be told, it’s just not one that is going to immediately grab your attention. By viewing where I am right now as a middle, it immediately becomes mundane and reads as such. But when I start to view where I am as the storm and flesh things out a little more, we get this:

Chris travels to New York from his home town in Brisbane Australia to chase down his dream of becoming a published author. He meets many great people and his work is accepted for review by a number of agencies. He arrives home to Brisbane and quits his job, burning the last remaining tie to a failed relationship that left him broken hearted, and moves into a new home to re-establish a support network for his damaged mind. He waits for the call to say that his work has been accepted, but after three months it still hasn’t arrived. He gets close to achieving his dreams; real close. But success continues to elude him. He writes as much as he can, when he can. But it comes in waves of inspiration and shear creative desolation. He starts drinking often in order to cope with the stresses of his relationship issues and the pressure of waiting for his dreams to come to fruition. And try as he might to let go of the feelings he has for someone way out of his league, he can’t help but make an absolute fuckwit of himself over and over again in a desperate attempt to win the heart of the most beautiful girl in the world.

Better. There are issues there to be fleshed out and explored now. I’m stressed about my future as a writer, and I’m fucked up over a girl that I can’t have. So I drink hard liquor and I write. And I systematically destroy myself for fun. I go through moments of divine inspiration and moments of creative apathy where I could walk away from all of this for good. And I swing between the two at a moment’s notice.

My life is complex and there is enough happening there to build upon in order to create a beautifully disastrous flood. Which is perfect, because that is where we are headed next. The calm has given way to the storm, now the storm is building upon my issues and anxieties. The storm will build and build until we reach its eye and descend into the anarchy and chaos of the flood.

Protasis – The Calm

Remember when you were a kid in school learning the fundamentals of creative writing and you were told that every story must contain a beginning, middle and end? Your teacher stood before the classroom and explained that a successful story must comprise of these three components in order to be coherent and complete, and you blindly accepted his rule as fact. Why wouldn’t you? It’s not exactly a ground breaking concept. A story must begin and end somewhere, and within those two points a middle can be found. Well, believe it or not, in that moment you were being exposed to the teachings of the infamous Greek philosopher Aristotle for the first time. Aristotle was responsible for the idea that a whole is what has a beginning and middle and end (technically the protasis, epitasis and catastrophe).

It’s sound advice. And one of the few rules in writing that you can probably still remember from your early years. But rules are made to be broken….

…Or in this case, redefined. If we are going to get technical, the Roman drama critic Horace already fucked up the philosopher’s rule of thumb when he started advocating a limit of five acts centuries ago. But for the purpose of this post we are going to disregard all who oppose the three part dramatic structure and focus instead on pushing the creative ruling of a genius beyond its limits. Beginning, middle and end is a start. But in today’s world it just doesn’t feel adequate. Instead, I have taken it upon myself to rename them as the calm, the storm, and the flood.

Beginning. Middle. End.

The calm. The storm. The flood.

Do you follow so far? Good. Then let’s begin with the calm:

The concepts are so similar; yet so strikingly different. When someone talks of a beginning we think of happiness, of a fresh start, of possibilities. We think of a point marked in time and/or space at which something begins. There’s a great sense of optimism instilled within the phrase. A beginning is more often than not something to be celebrated; and we as readers/watchers/listeners often approach a new work with a sense of excitement and wonder. Yet when we substitute the word beginning with the calm we feel a sense of foreboding creep into our mind.

That feeling of excitement at the new and unknown becomes tainted. The calm is instantly recognised as a moment of reprieve or unnerving tranquillity that seems doomed to falter when difficult times arise. Those same possibilities provided through the beginning are still present; we can still have fresh starts and happiness, their existence is now just magnified by that sense of unease settling over everything like a fine mist.

You can see where I’m going with this can’t you? Something as simple as the phrase we choose to bestow up the opening chapters of our stories, or artworks, or our lives, can shift our perspectives and allow us to create wondrous tales of optimism or crippling tales of woe. Some people would surmise that what I am talking about is to do with mindsets and their influence on the human condition. And in some respects they would be right. Mind over matter, or positive thinking is fantastic. But we as writers and artists also owe it to ourselves to take the road less travelled and indulge our darker impulses in order to produce the excellence we often demand of ourselves.

Let’s use an example that’s all too familiar to the readers of this site. Let’s use myself… I like to break myself apart on a regular basis, so why not do it again here? Let’s view my life right now as the beginning and break down our premise line for a story:

Chris is a twenty six year old aspiring author who dreams of crafting a living through producing excellent novels. He’s single, but in love with a girl that he just can’t have. He is working in an industry that he will never fully commit to, because deep down his heart belongs in a world of fiction. He has family and friends that he loves more than anything else in the world. And while he’s unsure about what the future has in store, Chris knows that if he keeps striving towards his goals he will one day see his name on the hardcover of a novel…

…Yawn.

Don’t get me wrong. There is a story in there, it’s just ambiguous, uninteresting and probably not likely to grab the attention of anyone accustomed to fantastic literature. The beginning in this instance is vague and pretty fucking boring. No one wants to read about this version of me. No one wants to discover his middle. But if we were to shift our perception of my life and view it as the calm, it would look more like this:

Chris is a twenty six year old aspiring author who dreams of crafting a living as a novelist. Frustrated by his inability to break into the industry, he finds himself punching in and out of a day job that fails to quench his thirst for success. He’s alone; his heart belongs to a girl that he just can’t have. She’s too beautiful, too precious. He knows that no matter how badly he wants her, he would be her fall from grace if she were to ever love him. He has friends he would protect with bloody hands, and a family he would sacrifice everything for. The future scares him. He wants success so badly that he is prepared to destroy anyone who stands in his path. His mind is coiled tight like a spring twisted beyond its range. There is a storm brewing in his mind, and he’s too weak to weather it…

…The calm suggests that this state is not sustainable. Our subject is coiled, on edge, and in love with a future and a girl who continue to elude him. He’s unstable and frustrated. But most of all he’s interesting to us. The calm cannot last. We know this, a storm is coming and our subject is going to have to weather the bitter lashings of wind and rain. He’ll be soaked to the bone and forced to pit himself against forces greater than himself. And we want to witness it. We want to see him pushed and broken.

There is a storm coming. It will take what we know to be true about the middle and redefine it. Just as Horace debunked Aristotle’s theory of dramatic structure, so too will the storm warp the epitasis, or middle, we often know to be true. The calm is passing and the storm is almost at hand.

(Almost) Second & Sebring

I’ve always had this strange idea that the day I become a published author I’ll make a few phone calls to notify my loved ones of my success before sitting down with a glass of scotch, a cigar and a stereo pumping out one of my favourite songs of all time: Second and Sebring. It’s a weird little fantasy, and one that doesn’t really have any great significance other than to provide a moment of reflection and mark the moment when I transition into a new period within my life. The song itself is an obvious choice to me. With an opening line stating ‘I believe it’s time for me to be famous’, it just seems like the logical choice for an author with an ego as grand as mine. But when you start to dissect the lyrics a deeper meaning emerges as Austin Carlile and Shayley Bourget pay homage to those who raised them and allowed them to succeed.

So this time I’ll make you proud.

For the past couple of weeks I’ve been sitting on some pretty big news and was so close to having my own Second & Sebring moment. But sadly it just wasn’t meant to be. That homage to my family and friends for their refusal to give up on my stubborn arse was put on hiatus.

You may remember that a few months ago I ventured across the globe to chase down my dreams and the result was pretty damn positive. I walked away from the experience with a list of agents and film companies reviewing my work and a renewed passion for what I do. Since then I’ve been sitting on my hands awaiting feedback from those companies, twiddling my thumbs and averaging about five hours sleep a night. Then two weeks ago I got notification that my work was being presented to a board of directors for potential representation and publication. Suddenly that five hours of sleep I was averaging was cut in half and my mind went into overdrive as I started to imagine what it would be like when that phone call came through saying you’ve made it. Success was so damn close that I could taste it.

For two achingly long weeks I sat in the most fucked up version of limbo I have ever experienced. Neither a success nor a failure I moved through everyday life on autopilot, blissfully unware of anything other than my IPhone as it beeped with each call, message, or email. My phone would spring to life and my heart would skip a beat; could this be the call? And when it wasn’t a small piece of me would wither and die. Then after fifteen days of sheer hell I finally got the call every writer dreads:

We like it. It’s strong. It’s engaging. It’s just not us. Best of luck with another company.

Funnily enough I have always found positive feedback harder to take than the negative. When someone delivers the negative I feel inspired to work harder. It’s like waving a red rag to a bull. You tell me what I’ve produced is shit and I will run myself into the ground to create something better than you could ever dream of. But to be told that you are so close to everything you ever wanted is worse than being told to give up altogether. I’ve been in this situation before; a previous manuscript almost found publication, and when it fell through I crumbled. Yet this time I seem to be handling my stumble at the finish line rather well. I’m feeling inspired, confident, and grateful for the experience. It is an incredible feeling to have positive affirmations bestowed upon your work by an industry you crave to break in to.

So my gratefulness got me thinking; why do I have to wait until I’m successful or famous to pay homage to the people who have supported me throughout my journey? Why can’t I say near enough is close enough and throw out a little love to the people I would give my life to protect? Surely I can just say thankyou to my mother and father, my brothers, sister, and sister in law who have listened to my misguided tales of woe or pigheadedness over the years. And give recognition to my friends that have never given up on me when I have fallen in a heap or regressed into to a hermit like state. Surely I can have a Second & Sebring moment right now and say I’m still yet to make you proud of me, but through the positive feedback I received with my knockback I’m now more determined than ever to succeed.

Right now my work is still under review by a number of other companies and I hope and pray every single day that it will find a home with one of them. But even if it doesn’t I’m young, determined and not afraid to be knocked down anymore. If all of this fails I’ll remind myself that what doesn’t kill us only makes us stronger and rise once more to take this industry by force. Until then the scotch and cigars remain untouched, but that song of homage and my love for those who inspire me will be screamed at decibels usually reserved for the wails of the damned.

To paraphrase Carlile and Bourget, when I break through I’ll make you proud to see me overcome all day life.

Proud of who you raised.

The Damaged One

“The royalty must die like common beggars and petty thieves.”
– Rody Walker

Part of being a writer involves consuming large quantities of literature so as to forever be broadening your horizons and increasing your knowledge. Most of the time this means you get to actively search for brilliant authors and ingest rich texts. But sometimes you find yourself trawling through blog posts, manuscripts, journal articles, and everything else thinking what the fuck is this shit? You respect the author; they’re one of your favourites. But the work is just sub-par. It’s too familiar; too comfortable. You finish reading and you sit there with this fucked up taste in your mouth and a mind full of disappointment. One of your favourite writers missed the mark because they erred on the side of caution and played it safe, producing a manuscript without any real heart.

We’ve all been through this moment. A script just doesn’t feel right. A movie is just OK. A song leaves you feeling a little let down. The work the author produced before this was brilliant, but this just feels… Blah.

One of the greatest risks to any author or artist is the threat of becoming creatively stagnant. You are in a drought, desperate for a wave of pure inspiration; so you start dredging through failed ideas, or even worse, past successes in a desperate attempt to replicate some minor success. You create a script that is palatable or marketable in the eyes of the literary world and you start flogging it to anyone stupid enough to accept your second rate dribble.

It seems like a good idea at the time. And I know that every successful author bangs on about the idea of consistency, but if the best you can do is rip off your own shit, it’s time to take a break. Walk away for a bit and allow yourself time to recharge and refocus, then come back when you are ready and write your fucking heart out.

Lately I’m becoming a little disillusioned by the shear amount of second rate shit that is flooding the market. It’s incredibly disheartening to be busting your arse to try and carve out a niche within an industry notoriously difficult to enter, only to see those on the inside churning out page turners with a lacklustre plot and an achingly familiar protagonist. I’m aware that I sound like a prick here but I really don’t care. When you find yourself rife with boredom page after page you need to start asking some serious questions of the once great authors who are now plodding through their high concept action thriller like a fucking aging Clydesdale ploughing a field.

But who is at fault here? Is it the author who has found their formula for success? Or is it us as fans who become so conditioned to accepting their work as brilliant based solely on reputation that we fail to call bullshit when they start slipping? The truth is that it’s probably the latter. We’re at fault; every single one of us. Our failure to call out second rate trash has allowed an industry to fall into a rut.

But it’s not too late to turn things around. There are still some phenomenally good writers producing magnificent scripts every single day. But if things are going to change authors across the globe have to learn how to embrace their inner mongrel once more. To paraphrase an old expression, if you want to change the world you can’t do it through peace. You need do it with a knife. If peace is what you desire then you need to fight for it with every inch of your soul and you need to fucking earn it. Brilliant writing is the same. If you want to be the best then you have to fight for it. You have to spend time crafting out scenes that leave the reader shell shocked. And when you become the best; when you have usurped everyone else and stand atop of the best sellers list you have to fight twice as hard to stay there. Your success has drawn a target on your back.

I often refer to the author in me as a wolf. I’m vicious, I’m raw, cunning, and a bit of a prick. Sometimes I own that analogy, and sometimes I feel emotionally crippled by my own desire to savage any other author within my reach. Give me a chance and I’ll sink my fangs into the throat of an opponent and shake until their vertebrae snap and their blood fills my throat. I’m a wolf. And I’m the damaged one. I want to hurt, and I truly believe that’s what this industry needs right now.

We need aggression, we need raw passion, and we need writing that forces us to re-examine exactly what it means to produce brilliant work. Right now the royalty of the industry have a stranglehold over what is considered to be great, but it’s time for the royalty to be challenged and for a new wave of conquerors to rise. I’m not necessarily talking about myself here either; I mean, I’d love to see myself succeed, but I’d also love to read a fucking book that isn’t predicable dog-shit too.

So where to from here? Because I’m speaking out of place aren’t I? Let’s be honest, it’s so easy to stand on a soapbox and talk shit when you have nothing to lose. And maybe if I was standing in the shoes of a successful author I’d be singing a different tune. Sadly, I’m not. So I’ll keep screaming my lungs out until I’m heard or someone dares to silence me.

From here there are two paths for me to follow. I can keep going down this path. I push myself through passion and determination in an effort to become a force to be reckoned with within the literary industry. I’m young and I’m a cocky son of a bitch, so it could happen. Time is on my side. Or I can step down off of my soapbox, pick up a trashy page turner and concede to a life of struggling to see my work in print while a bunch of fucking has-been’s and copycats produce a bunch of shit….

….But I’m a wolf. And I’m the damaged one. I don’t want to settle. I want to fight. The royalty must die. New heroes must rise. And then in time they too need to fall. This industry will crumble unless each new wave of talent moving through it pushes the envelope of great literature just that little bit further. Show me an author with raw talent and a hunger to succeed and I will show you fifty best sellers he or she can out produce. It’s not disrespect that has been saying this it’s love and admiration of an industry. The royalty must die.

Worldeater

“I roam across the land. I wish to seek and understand the truth about life. And about who I really am…”
-Adrian Fitipaldes

Today I learned that one of my favourite lyricist/vocalists Adrian Fitipaldes has stood down as the front man of Sydney Metalcore outfit Northlane. For those of you who have been following my blog for a little while the name probably rings a bell; I’ve drawn attention to Fitipaldes’ work numerous times throughout the history of this site. The man’s brutally honest, intricate, and often raw verses form in my humble opinion, some of the most beautifully constructed pieces produced within the last decade of hardcore and metal music.

Big call. But totally justified.

Fitipaldes and the rest of Northlane completely redefined how I view music, my writing, and the world at large with their 2013 release Singularity (Yep. That’s where I first learned of the concept I consistently bang on about). Through the album’s rolling crescendos, melodic break downs and guttural vocals, the band delivered a message of positivity and ambition that captivated this struggling author and showed me that with unrelenting passion and determination I could become the architect of my own destiny. Sadly though, citing mental and physical exhaustion suffered through his art, Fitipaldes will no longer be continuing to produce the mind altering music that inspired more than a handful of posts on this site.

While I’m shattered to hear that he will no longer be fronting the metalcore outfit, I know that with a mind as chaotically creative as his, he will bounce back soon enough. Fitipaldes will return to the world of music in some capacity. You can mark my word. But his departure has got me thinking about the correlation of art and life, and how far an author, artist, lyricist, or musician can push themselves before their passion begins to become their detriment. How much suffering can one endure in the name of art? And at the end of the day is it all worth it?

The question of suffering is a moot point. Look at some of the greatest artistic minds in history and the suffering that they endured to push themselves and their respective fields forward. Vincent Van Gogh cut off his own ear and eventually killed himself. Hemmingway took his own life with a shotgun. Beethovan was condemned to a prison of silence that robbed him of hearing the beauty of his own work. The lists are endless and the point is that in this life we all suffer. But the best of us take that suffering and turn it into something beautiful and unique.

So is it worth it? Is suffering for your art really worth the hassle? You can bet your fucking arse it is. There is no better feeling in this life then seeing the joy that your words, paintings, music, thoughts, feelings and actions has on another man or woman. There is something so selfless and so intimate in reaching out to stroke the chords of a loved one or fan’s heart. There is something so humbling in being afforded the opportunity to take their hand and lead them along a path of self-discovery and enlightenment that makes all the suffering and all the torment so worthwhile. That’s why artists do what they do. They push themselves harder and harder not because they want to break (although I will occasionally do this), but so that they can have that impact on the lives of those they are fortunate enough to touch. A man like Fitipaldes quite literally exhausted his body and soul so that he could deliver a message of hope to his fans.

It’s a commendable act and one that sometimes isn’t always recognised within our modern day society. We have come to view ourselves as consumers of art rather than fans, and as such we expect and demand that level of self-sacrifice and dedication from our artists. We expect them to produce until they falter and fall, sometimes forgetting just how much enrichment they have bought into our lives before we simply discard their now fractured works in search of something new to captivate us.

I know that all of this must sound rather frivolous coming from a man who hasn’t yet had the opportunity to touch the hearts and minds of as many people that he believes he can. But I truly believe that there is something to be learned from an artist’s sacrifice and willingness to self-implode.

No successful artist has ever achieved without first experiencing some form of hardship. Be it through rejections, depression, lack of determination, or whatever else, every single one of us suffers at some point. Not because we want to, but because we have to. You can’t have a heaven without a hell. You can’t have black without white. And you can’t have the elation of success without the lows of failure or exhaustion. But the successful artists, the Hemmingway’s, the Van Gogh’s, the Fitipaldes’, they make a conscious decision to succeed. In those moments where they are stretching beyond their limits and pushing themselves to breaking point they are faced with a decision; rise up and be something. Or give up on everything you ever dreamed of. So they rise; no matter how hard they have fallen, or how insurmountable a task that may seem.

Right now, the lyricist that has inspired this author beyond all conventional measure is exhausted and stepping down from the limelight. But with a talent as bright as his, and a desire to alter the world for the better, it’s only a matter of time before Adrian Fitipaldes returns. And this author cannot wait to see what he produces when he does.

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