Memento Vivere – Memento Mori

Agh. I hate myself for doing it. Opening a post with a title written in Latin makes me feel like such a fraud. This isn’t ancient Rome, and the fact that I write from my heart, rather than my head means that I can hardly be considered to be a scholar. So to use an adage as historically significant as I have in a vain attempt to pass myself off as some kind of well-versed academic just feels wrong. And yet I did it anyway. I chose a title written in a dialect that I will never fully understand and tried to claim it as my own. Memento vivere – Memento mori.

Remember to live. Remember to die.

Lately it feels as though I’m dying. At least from a creative standpoint anyway. I have been plagued by a writer’s block so nauseating that I haven’t actually written anything for weeks. Instead I have been opening up my laptop, or staring at a blank page in one of my many notebooks and wondering where the hell my creative impulses went.

When I finished writing my sophomore novel War, I was on a high and ready to take over the literary industry by force.  Yet at some point during the editing process I lost all confidence in my ability to create and fell into a frustrating void of nothingness where it became impossible to find my creative spark. It may not seem like much to some, but it is a pretty serious issue for a writer who defines himself as being aggressively creative to suddenly suffer from an affliction that leaves you devoid of the inspiration to write. If I take away the creative, I’m just aggressive.

Writing is my passion. It’s something that I have spent a decade struggling and striving for, living and dying by my work. During that time I have experienced success: winning competitions, curating my own website, and publishing a novel. But I also know better than most what it feels like to fail. Throughout my writing life I have been overlooked for more opportunities than I can even remember. In my formative years I was repeatedly told that I wasn’t talented enough to make it as an author; nowadays I’m continuously told that that my style isn’t palatable by industry insiders and other authors. Hell, just last week I was told that I’m not marketable as an individual, and that I fail in comparison to others because of this.

While it hurts to admit, these failures have taken their toll. There have been moments where I have suffered a crisis of confidence so grand that I have given up and walked away from my dreams. I have cried in wardrobes, set fire to manuscripts and called people horrendous names while struggling through spates of depression. At times I have I felt so emotionally shattered due to circumstances beyond my control that it has been a struggle just to crawl out of bed and face another day of feeling like I wasn’t good enough. But every single time that I have failed and fallen, I have eventually picked myself up, dusted myself off, and set out to achieve my dreams all over again.

I have always assumed that I had been blessed with an iron will. I’ve spent years believing that there was something remarkable about me that allowed me to keep striving forwards even when I felt completely hopeless. But the truth is that  I’m no different to anyone else. My ‘unwavering desire to succeed’ was merely a by-product of my life moving through a series of ebbs and flows as it unconsciously followed an idiom uttered by Roman servants to remind generals that they were fallible. Memento Vivere: Remember to live. Memento Mori: remember to die.

What that means is that for every single moment of triumph in my life, there will also be a moment of great pain. Last year I received news that a health scare that had me contemplating my own morality wasn’t as serious as I originally believed, only to discover a few months later that a close friend had taken his own life. I have seen my debut novel released, and have had my writing featured on websites run by literary geniuses; only to suddenly suffer from a lack of creativity so stifling that it feels as though there is a weight is pushing down on my chest.

These transitions from success and elation to inevitable heartbreak and failure are cycles of life and death that are occurring within my own existence. I’m not referring to death in the physical sense; I haven’t met my maker just yet. But death in the sense that opportunities, circumstances and relationships come to their natural, or sometimes premature endpoint, so that I can progress onwards to the next.

At first this can be hard to accept. I’m yet to meet a man or woman who enjoys seeing their relationships falter, or who finds solace in watching circumstances and opportunities that they have fought valiantly towards fail. But these deaths are quite possibly the most integral component of the human existence. Without them, how could we ever know the wondrous ecstasy of life and success when we experience them?

It seems ridiculous that it has taken me a decade of moving through these periods of life and death within my creativity before I actually realised the importance of suffering from writer’s block and creative lapses. Without them I would never know just how amazing it is to be blessed with the ability to write in the first place. Unfortunately, I have spent the past few weeks mentally and emotionally beating the shit out of myself for not being able to create anything; when in hindsight I should have used that time to allow the journey that was writing War to come to its natural point of closure, so that the next stage of my writing career could come to fruition.

But angst and self-regret caused by retrospection is the curse of the damned. There’s no point beating myself up all over again for failing to recognise an opportunity to reflect and refocus. All I can do is move forward from here and learn to remember to live, and to die spectacularly at whatever it is that I do.

As for the industry insiders that have told me that my style of writing isn’t palatable, or that I’m not talented, or marketable enough to make it as an author… Their words may have shaken my confidence and caused me to doubt myself at times, but I’m ultimately stronger having lived through their criticisms. At twenty-seven years of age I have a published novel and a successful website which is frequented by some of the most remarkable and passionate people that I have ever had the pleasure of meeting. I have friends and family who are proud of the man that I am, and I’ve beaten depression and found happiness in myself.

My writing might not necessarily be palatable to some; but I’m not only talented, and marketable; I’m a fucking juggernaut too.

Roads

Contrary to what some readers may believe, I am a man who at times can be crippled by self-doubts. It may sound strange to hear that a writer who refers to himself as a wolf and world-eater can be emotionally fragile, but it’s easy to portray confidence when manipulation of the written word is your craft. The truth is that I’m my own harshest critic, and often find myself writing from a place of pain or discontent rather than happiness. I question myself, my decisions and my talents every single day. I ask if I am the writer and man that I long to be, and what I have to do in order to become that person. I deconstruct myself and my works over and over, constantly pushing myself to become more, and to give more of myself to my dreams and to others.

But living your life this way is foolish. When you continuously deconstruct and scrutinize every aspect of your life you either end up accomplishing nothing, or sending yourself insane. For me personally, I feel as though I’ve been spinning my wheels as of late. After finalising the editing process of my sophomore novel ‘War’ two weeks ago, I’ve struggled to find the creative drive that usually consumes me.

I’m not really surprised to find myself feeling stifled. It’s a bitter-sweet feeling to complete a manuscript that has taken almost eighteen months to create. And it’s a scary thought to think that I’ll now have to open up a blank document on my computer and start penning my way through an entirely new piece of work. And yet, I know that once I do, the creative urges that are currently escaping me will come flooding back in waves.

When I find myself stuck in a slump like this I am notorious for being abrasive and difficult to be around. I internalize conversations with myself, picking apart my life more vigorously than I already do. My self-doubts can cloud my judgement, and leave me feeling crippled with anxiety and the fear that I’m not good enough to start over again with a new creative endeavour. And yet, it’s often when I reach this point of frustration and defeated self-loathing that I find the inspiration to create once again.

…Which is exactly what happened when I found myself staring at the road.

People often tell me that the path or road that I choose to travel ultimately defines who I am. The proverb usually comes as a result of a conversation in which I try to define what it feels like to constantly be treading the fine line between being fulfilled, and feeling inadequate in one’s accomplishments. So while I know that my friends and family aren’t referring to a roadway in a literal sense (I’m not going to become a new man by taking a different route to the grocery store), the comment leaves me frustrated and often creates a point of contention between us.

Road

But as I recently sat inside a café and stared down at the roadway outside, an idea settled into the back of my mind and made me realize that maybe there is more adage than I had previously realized. The thought went like this:

At some point, every single road within the country is connected. You can choose the wrong route and find yourself lost, or at a dead-end. But with the right direction, you could end up anywhere you wanted.

In a purely physical sense, if I was to walk out onto the roadway right now and stand on the two unbroken yellow or white lines that mark the centre, I could theoretically begin a journey that took me to just about any location within the country. In a psychological sense, if I were to close my eyes and envision those same two lines as my starting point, I could embark upon a journey within myself that is limited only by my own imagination and the routes that I decide to take.

It sounds like the plot for terrible children’s movie doesn’t it? The man whose imagination allows him to follow the roads he creates within his head; all his dreams are connected and within reach. He can be anything or anyone he wants to be… If he follows the correct route.

And yet this is essentially how we all live our lives. Inside of our heads we are constantly exploring the roads of life, making decisions that have the potential to alter our psychological location just as much as our physical one. As children we walk alongside our parents and guardians, holding their hands as we take our first delicate steps and begin to map the contours and gradients of our own life maps. With their help we learn the rules of the roads of life, and understand that poor decisions can lead you down alleys and laneways of frustration, angst, heartbreak or regret.

Then as we grow older and our carers release us from their grasp, we begin to forge our own paths. We follow highways of conventional thinking, and explore side streets and back alleys that are traversed only by minds inspired to do so. We become lost, and are forced to trace our steps backwards until we become found again. And we find others to explore the land with, forming relationships that allow us to experience love and companionship.

But we can’t wander forever. There are moments when we need to stop and assess where we are on our maps, or to appreciate the beauty of the roads that we are choosing to walk upon; or maybe even to admit that we are a little lost. There is no harm in standing still. There is no problem with arriving at a fork, or a T-intersection and taking the time to understand where each decision will lead us. When I feel as though I am spinning my wheels, or I begin to over examine my talents and desires, I shouldn’t beat myself up. This is just my mind’s way of saying that it needs a moment to refocus, and see where I am verses where I want to be.

So while I may have had a couple of slow weeks creatively, my mind has consulted the map of where I am and where I want to be, and I’m ready to start following those unbroken yellow or white lines inside my head once again. I might take some detours, or end up off course, but eventually I’ll reconnect with the writer that I want to be and we’ll start creating a new story together. Until then, I’ll appreciate that no matter where I am physically or emotionally, the road beneath my feet has the ability to connect me to wherever it is that I choose to go.

Philocaly

You once told me that every single man, woman, and child lives in their own unique version of reality. You said that the way in which we interpret the world around us creates a realism that is uniquely ours. It cannot be replicated, nor shared. These idiosyncrasies of the heart and mind shape our thoughts and feelings, defining who we are. I cannot see the world through the eyes of another. I can never witness the beauty of an unfurling rose, or observe the elegance of a constellation of stars as they do. I cannot feel what they feel, love what they love, or loathe the things that they have learned to despise.

Nor would I ever want to.

For in my reality you are beautiful, and you are perfect. In my reality I could never imagine loving anyone like I love you. I have tried so many times to immortalize you in my words, spending hours trying to capture your beauty through prose. I have laboriously crafted allegories and odes written just for you, but nothing I do ever seems good enough.  How could I ever do you justice? How could the words of a man ever encapsulate your magnificence and splendor? Every time I try to write for you I conjure images of unrestrained inhibitions and lust. But my love for you runs so much deeper than flesh.

My love for you is a love of beauty; the affliction of philocaly.

I place my hand upon your cheek and feel myself becoming lost in your eyes. You are the universe; the constellation of stars that guide my heart. I am the intrepid traveler enamoured with the endlessness of your grace. No man could ever love you as much as I do. I have pined for you for so long, and yet my hunger for you has not wearied with time. With each passing embrace my hands have grown more adept at holding you, and our souls have become intertwined.

Your body has always been a curvaceous landscape that I have longed to explore. I crave your sensuality now more than I ever have before. But where my hands once trembled with excitement as I fumbled and fondled, I have learned how to kiss and tease, until exhilaration causes your skin to prickle and turn to goose bumps. I have learned how to place my hands upon your hips, and to interlock my fingers with yours as I hold them above your head. I have studied the faintness with which your breath catches in your throat as euphoria floods through you in waves.

I want to hold you, and make love to you. I want to feel your breath against my skin as you press your lips against my neck and whisper my name. I want to uncover your innermost thoughts, and take away all of your pains.  I long to feel my fingertips trace faint lines against your hips.  Let me confide in you; let me jettison all of my insecurity and fear into the cosmos until there is nothing left but you and I. Let me feel your heart beat as you writhe beneath my sheets. I want to fulfil your desires and become your reason to breathe.

In my reality you are beautiful, and you are perfect. I am a man awestruck my philocaly. You are the woman that I desire: the one who I have chosen to give my heart, and my body to for all of eternity. Do with them as you please.

 

Halcyon

He looks just like me. It’s as if we are the same. But we’re different. We are two men walking underneath a sky so polluted with halogen that there are no more stars to guide us. Our feet pound at the concrete; our hands are jammed deep into pockets and our shoulders are hunched to avoid the rain that’s already soaking through our coats. We pass so close that our shoulders almost touch. I take a sideways glance and scowl, but he smiles a smile so pure that it cuts like glass through the chambers of my soul.

We’re wearing the same coat, the same pants, and have matching rain soaked shoes. But where my brow is furrowed so deep that rain water runs through channels and leaks down my face; he grins like a Cheshire from ear to ear. It’s as though this stranger is completely oblivious to the tears of the gods splashing against his features.

We are so alike. So similar, but different. He looks happy. And I’m…

…I’m not even sure what I am anymore. But I know that I’m not like him. I didn’t get that promotion today. I never wanted the position. I just needed the money. I never even wanted to be a businessman. I never wanted to sit tethered to a desk crunching numbers or filing complaints until my hips seized up and my wrist began sounding like a cement mixer whenever I tried to move it. I wanted to be a free spirit. As a child I wanted to be an artist and an astronaut; I wanted to change the world. As a teenager I wanted to travel. I told myself that changing the world wasn’t nearly as important as walking across it with strangers by my side.

But when I became an adult I screwed everything up. I made stupid decisions, ruined friendships and accumulated debts. Before I knew it I was trying to convince my employer that I gave a damn about their strategic vision and business objectives. I started selling my soul for a paycheck that would inevitably be whittled away on material possessions or by my ever amounting irresponsible choices.

But I bet this man before me never had these problems. I bet he got the promotion. He probably didn’t go searching for happiness at the bottom of a beer glass or by eating himself into a stupor.

I raise my hand and flex my fingers, feeling the tendons in my arm pinch as he mimics the movement; except he does it pain free.  He looks like a family man. One of those successful self-driven types who manages to balance a day’s work with raising a household whilst still finding time to stay in shape. His kids would love him. They’d call him daddy and throw their arms around him when he arrived home from the office. My children don’t even exist. They’re part of a dream that I pray will one day become my reality.

He straightens his shoulders while mine hunch further to protect my tired body from the heavy rain. We’re so similar. But we’re so different. He’s just like me. But a better version. A doppelganger walking the same streets as I am, only he does so with a heart swelled by providence and emotional wealth. Whereas mine feels like a stone sinking towards the bottom of a sea so black that not even light can reach it.

‘How?’ I ask in a voice so weak that I doubt he can hear me above the sounds of pedestrians jostling around us. ‘How did you do it?’

He cocks his head and throws me another disabling grin, as though my question perplexes him.

‘You’re just like me. We look alike. We dress the same. And yet you’re happy. You’re caught in the pouring rain and you’re smiling. But I’m standing here and I can’t even tell whether the water on my cheeks is from the rain or because I can’t hold back my tears. You look so happy. I’m so fucking tired.’

I raise my hand and pull back the sopping wet fringe that has fallen against my face and try to wipe my eyes. He mimics my movements, pushing his hair from his forehead until it’s semi-styled and dries his eyes for a few precious seconds before the rain assaults them again.

‘I bet you have a great job. You probably followed your dreams and travelled the world. You’re in love. It’s obvious. There’s a euphoria in your eyes. You idolize her. She wouldn’t ever dream of loving someone else. You’re fulfilled and confident. You’re intelligent and respected by your peers. Shit, you are truly happy and I just don’t get how you did it. You found the secret to contentment and I need to know how. You have to tell me. Please, I need you tell me.’

Rain-Room-1.jpg

A passerby strikes my shoulder and causes me to stumble. My feet slip against the rain-slicked footpath and I have to use my hands to catch myself. I stand slowly, and wipe my filthy hands against my coat, catching eyes with the stranger once again. He has taken two side steps so that we are still facing one another. His smile has tightened in the corners of his mouth and he looks down at my hands. There’s blood on my left palm. I’ve grazed it trying to stop myself from colliding with the concrete.

‘Please,’ I beg again. ‘Please tell me how you did it?’

‘I didn’t do anything,’ he says slowly. ‘I work a job that leaves me unfulfilled. I have no children, and I have dreams that I have spent my life making sacrifices for. I struggle and strive, and sometimes I feel like giving up, just like you do. There’s no difference between our lives. How could there be? I am you. And you are me. I just choose to look at things differently.’

He steps towards me, and this time it is I who replicates him. We’re barely a foot apart now. We are so close that if I were to reach out we could touch each other. I give it a try and feel the coolness of his wet fingertips and the sensation of his palm press against mine.

‘I don’t focus on the negatives. I don’t look at my behind the scenes and try to compare them to the highlight reels of others. I hate my job. It hurts my hips and screws up my wrist. But I’m healthy. I have a family that loves me, and I have a roof over my head and food on my plate. I don’t have kids, and I haven’t managed to achieve all my dreams. Not yet. But I have a girl who looks at me like I’m her hero. It doesn’t matter to her whether I’m worth a ten million dollars or ten cents. She loves me. And I love her. We’ll have a family one day. I know it.’

He steps closer again, and raises his spare hand to meet mine so that we are standing palm to palm, staring one another in the eye.

‘Life is about perspectives,’ he says. ‘It’s about whether you chose to focus on the good stuff or let yourself be eaten alive by the bad. It’s about celebrating your strengths and accepting your weaknesses. And it’s about allowing yourself to be vulnerable and afraid. Those same people that love me; they love you to. They want to see you succeed. But they are there for you when you fail. You just have to be prepared to let them know when you’re not OK. If you can learn to do that you’ll be truly happy.’

I open my mouth to respond but before I get the chance a door flies open and a woman in her early forties steps out from her business and looks at me through concerned eyes.

‘Sir, are you OK? You’ve been talking to yourself for the last fifteen minutes. You’re scaring my clients.’

I turn away from her, startled by the intrusion. But the man is gone. The open door has disturbed the lighting and I can no longer see my own reflection. Instead I can see through the plate glass window where her client’s faces watch me with fearful eyes. To them I am just a crazed man with his hands pressed against the glass talking to himself while the world passes him by.

‘Sir,’ she says again. ‘Are you OK?’

‘No. No I’m not,’ I say with a smile. ‘I’m really struggling with a lot of things right now. I feel lost. And I feel alone. But I have friends and family, and a beautiful partner who will listen. They want to see me happy. More than anything, they want me to be happy. So no. I’m not OK. But I will be.’

With that I let go of the shop front window and continue my walk down the street as the woman watches me go. The rain no longer bothers me. It makes me realise how lucky I am to be alive.

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Humanism & Violence

One of the greatest curses of being a writer is that I can never accept anything at face value. I can’t read a news article about a war in a foreign land and blindly accept that my Government’s reasons for doing battle are all morally righteous. I can’t palate bullshit television shows about strangers who are married at first sight, or appreciate subpar art created for the soul purpose of marketing and product distribution. And I especially cannot tolerate, nor accept the mindset of fucking cowards who hide behind their religion or creed to spread messages of hate or fulfill selfish agendas.

Oh yes…It’s been a little while since we’ve tackled religion here on The Renegade Press. I’ve had a brief reprieve from having my face plastered across religious websites where they label me as a monster or a heathen for promoting tolerance. It’s about time that I give the close-minded another reason to vilify my work.

A religion is a set of philosophies concerning the nature, cause, and purpose of the universe. These beliefs are governed by a moral code, and include upon other things, ritual and devotional observances. Yet while we typically equate the concept of faith with a God; religion need not include a divine entity in the skies above, or buried in the earth below.

For some, their religion is science, or literature, economics, family, or any number of other credence. One of the most disheartening statements that any man or woman can make is to say that they are not religious by nature; because in doing so they are stating that they believe in nothing. And to believe in nothing is to live an existence so hollow that one can only imagine the depths of their loneliness.

But that’s enough of the fancy introductions. Let’s cut to the chase and get to the crux of what this article is meant to be about. Despite my sincere belief that the concept of faith encompasses far more than gods and deities, for the purpose of this post I am focusing primarily on society’s conventional definition of religion and taking a swipe at men and women who use their god(s) as a means of justifying their own bloodlust.

Contrary to popular belief there is not a religion on the face of this earth that wishes for its disciples to bring harm upon another being. The easy target when trying to debunk this statement in our current geopolitical climate of fear and hostility would be to target the Islamic faith. Every single day the media bombards us with stories of attacks against non-Muslims by militant forces and lone wolves. By simply watching the evening news one could easily become convinced that these entities are waging a Jihad against the western world. We are told that we are being drawn into a holy war based on ideology and extremism. And yet the word jihad has absolutely nothing to do with warfare.

In a purely linguistic sense, jihad means to struggle, or to strive. It is the practice of religion in the face of persecution and oppression; the idea of military effort and the often misquoted concept of spreading the word of Islam by sword is referenced as a means of last resort in the Quran. When we consider the manner in which western media often treats the Muslim faith, this definition of devotion in the face of adversity says more about the fortitude of the observer than it does about extremism and bloodlust.

So how is it that society has come to equate an idea of serving one’s beliefs in the face of ignorance and bigotry as extreme? Well, it’s simply a result of a few bad eggs tarnishing the name of a faith that has led us to see evil where there is none. The Quran explicitly forbids Muslims from instigating hostilities, indulging in acts of aggression, violating the rights of another human being, or harming the innocent.

When you see an act of aggression carried out in the name of Islam on the evening news, it has nothing to do with faith or religion. It’s a malicious deed committed by a morally devoid piece of shit who chooses to use a misunderstood culture as a scapegoat for their own wicked urges.

Any man or woman who thinks that their religion or their God wishes for them to harm another human being, or to inspire terror in their fellow man is a bottom feeder. Any person who believes that the best way to spread their ideology is through aggression and force, be they a Muslim, Christian, Police Officer, Politician or whatever else is not only misguided, but fundamentally and morally damaged. To judge the value of someone’s life based on their color or creed is sickening. And to target the innocent because of an ethical or political grievance you have with their country or government is the deplorable actions of a fucking pussy.

Oh shit. Did Chris just call out a bunch of overzealous religious crusaders and lend an olive branch of tolerance to a religious ideology that he has no ties to?

You better believe that I did. After spending the better part of twenty-seven years trying to understand my own religious compulsions I am coming to the realization that I am a humanist. My religion celebrates men, women, and children, valuing them based on their individual characteristics and not dogma and petty superstition.

I refuse to pigeonhole people based on their spirituality and faith. Instead I judge an individual based on their willingness to be selfless and provide benefit to the lives of their fellow man without expecting something in return. If you are a bigot, a cheat, or a liar, what faith you subscribe to has no relevance in my distaste for you. Likewise if you are an honest, caring, and compassionate human being; your creed won’t influence my admiration of the positivity of your traits.

As a humanist I deplore closed minds and struggle to associate with people who are unwilling to accept another belief structure simply because they don’t take the time to educate themselves and understand it. There is no such thing as a violent religion. But there are violent people who misconstrue their own faith and take what is supposed to be an understanding of the universe and turn it into cause for warfare.

Jihad is not a holy war. Hatred is not a viable future for mankind. And violence is portrayed by the bitter angels of our nature. Whether you choose to agree with me or not, the truth is that only a coward would dare maim another in the name of their religion.

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The Liberation of Lambs

‘Liberty for wolves is death to the lambs.’

            -Isiah Berlin

People often speak in similes and metaphors. We find comfort in symbolism and allegories, creating a sense of spatial separation in our minds from that which we desire and those that haunt us. Business men refer to themselves as lions when they wish to appear dominant or king-like; school children degrade one another by calling their peers a chicken, a dog, or a pussy. And a person of low morals can often be labelled as a rat or a snake.

Even free thinkers are not exempt from this kind of hackneyed pigeonholing of their peers; labelling those that they consider to be mindless drones suckling on the bosom of society as lambs or sheep.

It’s no coincidence that we choose animals to explain or understand our behaviours either. After all, we are merely another creature that rose from the primordial depths and evolved into the beings we are today. Though we may try to deny it, we are primitive creatures trying valiantly to adapt to a world that is developing at an ever-increasing rate before our very eyes.

In today’s modern society, with its abundance of threats (both perceived and legitimate), relating how we feel about ourselves, or how we perceive others to animals recognised as being courageous, dastardly, or cowardly, allows our brains to easily establish opinions about who to fear, and who to trust.

This act of association allows us to pursue other ventures such as art, education, business, and romance. While this may can seem like an intelligent concept; free your mind of primitive tasks to focus on modern obsessions, it is in fact fraught with risk. Why you ask? Because that thing you call an imagination; that beautiful part of the brain that allows us to dream, also causes us to fear.

Hmm. Now that there’s a little perspective around what I’m about to say next; it’s time to hit them with the sucker punch. Let me shake out my hands for a second and stretch out my wrists. Here it comes…

You’re not a lion. You’re not a dog, or a rat, a pussy, or a fucking snake. But you are a lamb. And you are surrounded by sheep. Whether you want to admit it or not, you are afraid to be the best version of you that you could possibly be. Why? Because you have been conditioned to see the weakness where there is strength, and convinced that the art of survival lies in finding safety in numbers. The great shepherds of society have created an illusion of fear that keeps you suppressed and afraid to be an individual, rather than one of many.

It’s not difficult to do this either. It’s been happening since the birth of mankind. Society is defined as an aggregate of people who function in an orderly community. What better example is there of societal order than a shepherd controlling a flock? What greater illustration of mental suppression and conditioning than a small few influencing the actions of the many? Moving them through a mundane existence and uniformity before they are finally led to the slaughter.

Controversial? Maybe. Reality? You better believe it. But we’re not quite done yet. 

Here’s the kicker: You are the shepherd of those around you; just as much as they are the shepherds that keep your own thoughts, feelings and actions in check. Our desire to be socially accepted and valued means that we are consistently watching over one another to ensure that we are subduing those that threaten to move incongruously to the flock, whilst simultaneously striving to do so ourselves.

Shepherd

We look at those who are strong and independent as threats: wolves at the door that should be feared. And we look at those beneath us as lambs who long to be led. Lambs and sheep are instinctively fearful creatures who thrive off of social awareness. They are placated when they can see the rest of their flock and are afraid when they are forced to stand alone. When we view one another in such a way, anxiety plucks at our heartstrings and inhibits us from being all that we can be. We condition ourselves to feel discontented if we lose sight of our peers, so we shepherd and we suppress.

Inversely, a wolf is a highly intelligent, fiercely loyal beast with a desire for freedom and faith in its own instincts. They roam in packs, but are comfortable in their ability to hunt alone. These are characteristics that any collective of individuals should aspire to, not quash. And yet our imaginations; the very thing that affords us the opportunity to think, feel and act, convinces us to fear a strength that we fail to acknowledge is within all of us.

Imagine if you will, a society where individuals didn’t feel the need to play shepherd over their peers. Where instead of devoting attention to watching over one another in fear of the successes of friends and strangers, we instead focused on developing and inspiring the characteristics of loyalty, intelligence, and the desire to be free within ourselves. Imagine the emancipation from an anxiety-fuelled societal philosophy as we celebrate the successes and positive attributes of others, rather than focusing on reigning them in so that we can feel a sense of control and security as we watch over our flock.

For some readers this idea is going to sound like a bunch of contrived bullshit. They’ll screw up their nose and say that a society of wolves is dangerous. They’ll argue that we equate the wolf with fear for a reason, and that we are better off as lambs and sheep. But they are wrong. They really, really, are.

I opened this post with the quote liberty for wolves is death to the lambs, and I pray with all my heart that the mindset of lambs does die within our society. It needs to. There are so many brilliantly talented people living out their lives denying themselves of the opportunity to be great because they are fearful of standing out from the flock. We have created a bizarre culture where fitting in is more important than embracing oneself.

And yet, just as sheep and lambs move in flocks, so to do wolves move in packs. The difference between the two is that the latter move according to their own whim, not at the direction of others. They move with a pride and a purpose that the lambs of the world will never understand.

Our minds are faculties of consciousness and thought that enable us to experience the world around us. But the imagination can play tricks on us. It can convince us that we are small when we are powerful beyond all measure. And it can allow us to believe that we wish to be lambs, when we would be so much stronger as a pack of wolves. Intelligence, loyalty, and a desire to be free are traits to be revered, not abhorred.

Athazagoraphobia

Let’s start this off with a fact: In The Descent of Man, Charles Darwin uses the word love ninety-five times. He uses the iconic phrase survival of the fittest just twice.

Take a moment and think about what you just read. And I mean really think about it. Let it settle in your mind. In a book that is widely recognised as being at the crux of the ideological divide between science and religion because of the writer’s notion that the development of the soul is a normal process of evolution, and not the the works of a divine being, he mentions the idea of love ninety-five times and natural selection as we perceive it only twice…

Twice. It’s mind boggling to learn that the concept that society believes to be the defining declaration of a body of work that sent a fucking firestorm through literature, science, and religion alike, is just a miniscule part of a larger knowledge of human evolution. Yet from a young age the idea of survival is bred into us; we work as individuals and in teams to win prizes or recognition. We align ourselves with strength and dispel those that we consider to be weak. And perhaps worst of all, we allow society to cultivate a belief that we are in constant competition with our fellow man and woman in our quest to be remembered and revered.

…Let’s rewind a little and start over. When I first started planning out this post it wasn’t supposed to sound like this. It was more of an expletive fuelled stab at societal flaws that capitalize on our insecurities and feed our fears. So, let’s add a little context and flesh this out some more…

That funny looking word at the top of the page has a very poignant meaning. Athazagoraphobia is the fear of forgetting; of being forgotten, replaced, or being ignored. The idea probably doesn’t seem too foreign to most readers. Unfortunately, thanks to civilization’s rather skewed modern day philosophies it is an illness that is threatening to consume the societal collectives and subcultures that define us. Someone recently wrote to me and asked what it felt like to be a social influencer. The question came from a brilliant young writer who has a great career ahead of him, and was delivered with the utmost sincerity. Yet while I should have been thrilled to be bestowed with such a title, it actually left me feeling cheap.

When I envision a social influencer I find myself conjuring up images of vanity and social media posts aimed at generating revenue for businesses through spamming newsfeeds with sponsored posts. Here’s me influencing in my new sweatpants. Here I am taking a photo of coffee, or food, or a whatever else. The product isn’t important. But the imbalance in our logic is. We equate the idea of influence with marketing and misconstrue the lines between being educated and informed, with merely being sold a product. An influencer should be someone who is stimulating creativity, or inspiring social change; not hindering individualism and authenticity by capitalising on society’s ever growing desire to be irreplaceable and unforgettable through slick marketing gimmicks.

There is a very big difference between a brand ambassador and a social influencer; or at least there should be. Because marketing and purpose driven content has its place, but our cultural inability to distinguish between the two can have damaging repercussions to our mental and societal health. The idea that we should be persuaded to not only consume, but to compete in doing so, can lead to feelings of isolation, frustration and depression. We shouldn’t be forced to feel as though we are in competition to out consume and out replicate the influencers that we aspire to. The result of this logic is that we become miserable drones blinded by own desire to maximise self interest that we can no longer see the beauty and value of the people that we see as our rivals.

Alright. Let’s get back to Darwin and the battle between love and survival.

I dream of the day where I can refer to myself as a social influencer. I really do. As a writer there a few thrills more rewarding than knowing that the workings that you have produced have the power to inspire the reader. But I want don’t want to encourage my readers to compete or consume. I want to inspire them to be great; not in the bullshit sense of greatness that is pushed upon us on a daily basis either. I don’t want people to believe that my vision of greatness has anything to do with money, or power or status. All that crap is just superficial nonsense that is keeping you distracted and diverting attention away from what is really important.

My vision of greatness is more akin to happiness. It is a life filled with love and contentedness. It is having a heart free from angst and anxiety, an open mind, and an understanding that we are all connected. We aren’t in competition with one another; we never have been. It’s just a bullshit lie that we have been spoon fed for so long now that we are actually beginning to believe it . We don’t need to subscribe to the philosophy of survival of the fittest. We need to practise love and human compassion instead. By doing so, we will find a happiness that will render any fear of being forgotten and replaced obsolete.

I spent years suffering from a form of athazagoraphobia; I have always been riddled by anxiety and depression. One of my greatest fears is that when I die, I will simply cease to exist and will eventually be forgotten. This phobia is one of the many reasons that I write. I want to be happy. I want to love, and to be loved. Yet for so long I thought that happiness would come through being the best. Just like so many others I misconstrued the idea of greatness with being better than the people that I believed myself to be in competition with. I spent years convinced that if I pushed myself  to become the best writer in existence, then people would have to love and remember me. But I was wrong.

It wasn’t until just recently when I stumbled upon the fact that opened this post that I realised that the only person I need to be great in comparison to is the person that I was yesterday. If I love, I will be loved. And if I focus on inspiring my fellow man rather than competing against them, I will touch them and I will be remembered not as the greatest writer that ever lived; but as the greatest version of me that I could have ever been. If following this logic makes me a social influencer in some respect; then I will take pride in the title bestowed upon me.

Clichés & City Lights

 

Sometimes as a writer you can’t help but feel as though your very existence is a clichéd hybrid of all those who have come before you.  You write about feeling like an outcast, both revelling in, and despising the idiosyncrasies that form the microcosm of you. You are volatile, temperamental, a deep thinker, quirky, a workhorse, a masochist, and about a million other things. You yearn to be accepted, yet when those moments of companionship with your fellow man arrive, your anxiety craves independence. You write to fight demons, to understand the world, to question the illogical and voice an opinion that needs to be heard.

You write because you are different. Yet by doing so you prove that you are ultimately the same as almost every great writer throughout history. You’re still a minority, and you deserve to be celebrated as such. But the eccentricities that define you are a collection of all those brilliant authors whose works inspired you to create and compose in the first place.

You’re nodding your head; yet you’re sceptical about where this is heading. I don’t blame you. Those opening two paragraphs are nonsensical bullshit written by an author trying to astound and astonish with his philosophical thoughts and linguistic repertoire. But, as always, there is a point to this. I promise. 

I have a confession to make. Just like literary heavyweights such as Hemmingway, Capote, Wilde, and countless others, I tend to spend a lot of time in bars.  The great Ernest Hemmingway once declared that he drank “to make other people more interesting.” While I haven’t quite reached that level of disinterest in the people around me, the truth is that actually I fit into a lot of the categories outlined above. I’m temperamental, an emotional masochist, and a deep thinker that yearns to be accepted yet thrives off of being alone.

But perhaps one of the most clichéd tendencies that I have developed throughout my life as a writer is a genuine love for the social setting of bars. While I often feel isolated and alone in this world, there is an undeniable allure to dingy dive-bars and poorly lit nightclubs that I can’t deny. The combination of people, music, and liquor, leaves me captivated. It’s not necessarily that I have a desire to drink myself into a stupor either; I could whittle away hours watching strangers hang their hopes and dreams on relationships and interactions forged on a cocktail of inebriation and camaraderie. A bar is such a unique societal backdrop that brings together men and women from various colours, creeds, socio-political, and economic backgrounds, creating a melting pot of humanity and raw human emotion that any writer would find intriguing.

I know that it must shock readers to hear that a writer finds solace in bars and nightclubs, in fact, I can imagine a few readers furrowing their brows right now. How could someone ever be drawn to such a place? Yet if it wasn’t for this love affliction with lady liquor, I never would have found the window.

There’s a window? For a moment you thought this was just about liquor and inebriation didn’t you? You thought that I was going to wrap this up by saying that I have my infatuation with the nightlife under control and that all is well in the world. But alas, there’s more to this story than you thought!

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It’s midnight. I’m in a bar with my family and closest friends. I excuse myself and walk towards the bathroom, cutting down a narrow passage beside the counter, moving past the kitchen where chefs cuss at one another over open grills as flames lick towards the ceiling. The passage continues, until I reach a single door with a sign signalling a unisex bathroom pinned haphazardly against it. I push open the door and step into a cubicle roughly the size of an airplane bathroom. There’s a toilet, a hand basin, and the tell tale smell of a public restroom. The hygiene is questionable at best; grime clings to every surface like a thin layer of film. But despite the cubicle’s terrible state, there’s also a window.

It’s roughly the size of a shoebox, and looks as though it were never meant to be more than a small section of wall removed at eyelevel to provide a source of ventilation within the cramped space. But through that window is the most beautiful view of the city that I have ever seen. The moon sits above a sprawling metropolis of lights, illuminating the city in an ambient glow. Buildings rise from the earth and form streets and suburbs, providing shelter for the millions that live within their walls. I’m supposed to be quick. There’s a line of people waiting for me to finish, but I am so captivated by the thought that there are people I have never met moving through their own existence somewhere in that sea of lights that I can’t move. Here I am standing in a dingy public restroom staring out at the cityscape feeling a sense of hope coursing through my veins.

I am incredibly hard on myself. In addition to afflictions with night clubs, being temperamental, and longing for camaraderie whilst simultaneously yearning to be an individual, I have a proclivity to push myself until breaking point on a regular basis. I want to be a great writer. I want to create a body of work that transcends time and genres, becoming part of literary history.

But sometimes my quest to constantly redefine and improve my craft can leave me blinded, bitter, and miserable. I can become so focused on achieving my dreams that I forget that there is an entire world of wonder and possibility around me. I need to constantly remind myself to stop focusing on my failure to be successful right now, and instead turn my attention to everything that I have already achieved and remember that there are millions of other men and women all around me who are desperately working towards their own dreams.

Things often sound so simple when you break them down to the ridiculous. You’re not alone. Sometimes you are just so focused on walking your own journey that you can’t see how many others are moving through theirs. We often sit at our desks, or on busses and trains, or even lie beside our partner in the dead and wonder why they can’t understand our dreams. We ask why they can’t see that we are struggling, or that we are hurting. We become so consumed with this idea of self that we don’t understand how anyone could ever care about anything but what is afflicting us. The sad part is that the person next to you is thinking the exact same thing.

I struggle every single day to fathom just why people don’t understand or appreciate the sacrifices that I have made to write. I’ve given up friends, relationships, careers, and almost everything else in my pursuit of greatness. But greatness isn’t achieved in the blink of an eye. It takes years of development and continuous redefining of what one considers to be great before such a entitlement can be reached. But we unfortunately live in an era where we bombarded with the idea that dreams and achievements are often realised overnight. But the honest to God truth is that this is rarely the case.

Clichéd or not; writers are creatures of great emotion. We break our hearts over and over again so that we can show the world our vulnerabilities and humanity. There’s nothing wrong with this. There is great beauty and release in allowing ourselves to be naked for the world to see.  But sometimes our extreme vulnerability can cause us to internalise our perspectives and forget that we are never really alone, no matter how much we believe otherwise. For me it took standing in a shitty public restroom that smelled like ammonia, beer, and regret to remember that.

The camaraderie that I chase through my writing might never come, but the intimacy I feel with strangers who I know are living through their own successes and failures is just as meaningful and rewarding. There’s a silver lining to every situation, and a lesson to be learned in every day. Sometimes you just have to shift your perspective away from the immediacy of your surroundings and ignore the filth and grime of the cubicle, and find that little shoebox sized window with the view of the entire city instead.

Redamancy

I rest my hand against your chest and feel it swell with a sharp intake of breath. Your skin is warm against my palm as I map the contours of your flesh. I marvel at the symmetry of your breasts; tracing my fingers around their curves and feel your heart beat against them. I breathe in your scent and watch you exhale as your lips break into a smile and your toes curl beneath the sheets. Your allure is intoxicating; I am inebriated by your scent. My hands tremble whenever you leave me. My soul feels bare when you are gone.

I move towards you and hold my lips an inch from yours. I want to stare into your eyes and peer into your soul. I want to understand the divinity that lies beneath the exquisiteness of your skin. Your eyes flicker across my features; your chest rises and falls with every breath. We are two lovers in the throes of passion who have become lost in each other’s eyes.

But there is more to my love than a mere carnal hunger. My yearning is far too intense to culminate in a fleeting moment of physical release. You are ingrained into my soul; as much a part of me as the hands that caress you. You are my reason to breathe. The reason to rise after I fall. To have and to hold you; to kiss you, is more than this lost soul ever deserved.

I stare into your eyes and pray for redamancy. A love returned in full. I long to know that I have captured your heart just as surely as you have captured mine.

I press my lips against yours and feel our souls collide. I pine for you. My heart skips a beat when I hear you breathe my name. I am man lost for words. How can I ever show you that you complete me? How can I ever repay you for capturing my heart and setting my soul free?

You are the exquisite landscape that I long to explore; the only woman I have ever wanted laying beneath my sheets. Our fingers interlock and you close your eyes and sigh. I kiss your neck, hold your hands above your head and feel your weight press against my hips. Let me be the man of your dreams; let me fulfil your wildest desires. I could die knowing that I had lost myself within you, never to be found again. I could spend a lifetime worshiping your flesh or studying the intricacies of your heart and mind; and when the angels come to claim my soul they would see that had never truly been mine.

I watch you sleep beside me and feel your warmth as my lips press against your spine and kiss the dimples of the slender muscles in your shoulders. You murmur and mumble, stirring lethargically as you dream. The tranquilness of slumber has never looked so divine. The peacefulness of fantasies has never been so alluring.

The act of of loving one who loves you in return. Of lying awake at night to protect you while you dream. It’s a romance that reaches beyond our physical chemistry and plucks at the mystic chords of my heart. I am a man intoxicated by your beauty and at a loss for words. I will never be able to articulate my love for you. There are no words sweet enough to capture the elegance and sophistication of your splendour. But in my romance induced drunkenness I can promise you my heart. I can give my life to you and pray for redamancy. I can hold my breath as I watch you sleep and dream of the day that I become ingrained into your soul, just as you have become ingrained into mine.

Glass Houses

I was recently told that my writing has the ability to cause great harm. According to one visitor to my site, my mindset is damaging and shows a proclivity towards destabilising social order and pushing boundaries. While it is a compelling argument, and it is true that I do try to disrupt societal preconceptions; to say that I am a destructive force within the blogging community seems a little far fetched. Don’t get me wrong, I’m flattered that my work could affect someone to such a degree that the felt the need to contact me in an effort to degrade it. I just believe that those in glass houses should not throw stones.

A hush falls over the crowd as a collective sense of anticipation builds. There was an undertone of malice laced through those words. You can almost taste the tension in the air. Hell hath no fury like a writer scorned…

…True. But a wolf doesn’t concern himself with the opinion of sheep. I’m not bothered about the judgement or belittling bestowed upon me by the ignorant or close minded. So rather than descended into a petty diatribe about why someone offering bullshit advice as a life coach should be careful about criticising others for giving people hope, I thought it would be better to take the high road and comment instead on the paradoxical logic that leads people to make such assumptions.

Telling a writer that their work is damaging to the mindset of the reader is merely a poorly conceived assumption that the writer’s purpose or intent is exactly as you perceive it. And that every single consumer views a piece just as you do.

We live in a world of unprecedented exposure to art. Gone are the days where great artists created works to hang in prestigious galleries, or musicians crafted masterpieces to be played to amphitheatres of patrons dressed in their Sunday best. Even literature has become a living, breathing entity that moves through trends and creates successes and swallows failures.

Nowadays the creative arts are just a click of a button away on our computers and phones, allowing us to constantly immerse ourselves in the new and exciting. Music and movies can be streamed, literature can be packaged as an eBook or weblog, and art can be created or captured through photo sharing applications.

The benefits of this are obvious. Creativity is all around us. One can connect with an author or artist half a world away and be educated and enlightened by the works they produce. As an artist we can accrue an audience of similar minded consumers who we would have never had met without this widespread coverage. The audience that I have amassed here at The Renegade Press would not have come to fruition without having the ability to expose my works to the world through social mediums. Yet while I am grateful for the exposure, I am also aware that we are blessed with a curse.

The abundance and availability of art has created a devaluing of the work in the eye of the patron. Society has developed an insatiable lust for the new, bold, and creatively brave, meaning that artwork doesn’t undergo the same maturation process it once did before becoming a masterpiece. A song, film, book, blog, or painting is viewed, appreciated, then forgotten with the swipe of a thumb or the refreshing of a browser. Rather than creating works to last a lifetime, we now create pieces to capture an audience for just a fleeting moment.

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This lust to discover and consume, coupled with technological advancement and mankind’s desire to feel valued has allowed anyone to create and share through social media platforms. In our efforts to fit in or perform, we have unwittingly become venomous critics and hypocrites ready to disparage others to make ourselves appear greater.

Take me for example. I am a writer/author who has created a website through which I can create pieces of social commentary for a readership that chooses to coddle my creativity. Yet there are times when I will read through the blog posts of a like-minded writer and think that their work is sub-par in comparison to my own. Sometimes I will even pass judgement on them for making a stand for what they believe in. I’m not proud of that fact; it’s hypocritical of me to make such absurd assumptions. It’s ridiculous that I could believe that no one anywhere could find value in another writer’s words, or that anyone anywhere would derive the same meaning from it that I do. In those moments I’m standing inside my own glass house constructed through creativity hurling stones at my neighbour.

Thankfully, because I refuse to voice such negative opinions, my thoughts and feelings don’t hurt anyone but myself. They make me close-minded, arrogant and a bit of an arsehole without battering the fragile individuality of the artist in question. Yet this conceited judgement is a common practice in modern day society. We critique with bias, misconstruing both our perceptions of ourselves and of others. Teenagers call their peers a slut when they post a photo in their bikini, yet litter their own social media accounts with similar pictures. Musicians call another artists music dreary while haphazardly slapping together shoddy riffs and generic lyrics of their own. And sometimes fuckwit life coaches trying to swindle people with pyramid schemes or get rich quick plots dare to deem the works of another blogger as damaging to their readership. Yep, even the snake oil peddlers in their infinite wisdom dare to throw stones from inside their own glass houses.

So how to we counteract our penchant to throw stones? How do we dispel with this mentality of mass consumption, devaluation, and our proclivity for judgement and volatile critique? It’s actually rather simple. Stop being that ignorant consumer who believes in belittling another person for pursuing their own dreams. Stop throwing stones from within the confines of your glass house. All you are going to do is break a few windows and cheapen your own image.

If you want to be an artist, be an artist. If you want to be a writer, be a writer. And if you want to be a doctor or a lawyer, then be that. Just don’t be a hypercritical arsehole who disparages others for wanting the same thing.