Tag: culture

The wolf you feed

An old Cherokee is teaching his grandson about life. “A fight is going on inside me,” he said to the boy.

“It is a terrible fight and it is between two wolves. One is evil – he is anger, envy, sorrow, regret, greed, arrogance, self-pity, guilt, resentment, inferiority, lies, false pride, superiority, and ego.” He continued, “The other is good – he is joy, peace, love, hope, serenity, humility, kindness, benevolence, empathy, generosity, truth, compassion, and faith. The same fight is going on inside you – and inside every other person too.”

The grandson thought about it for a minute and then asked his grandfather, “Which wolf will win?”

The old Cherokee simply replied, “The one you feed.”

It turns out that I’ve been feeding the wrong wolf for a long, long time. In my haste to transcend beyond my own limitations as an author and man, I starved the wrong damn wolf and allowed the other to grow fat with the spoils of a one sided war. I’ve always seen myself as different from my fellow man, and I always will. But for a time I thought that because of this altered perspective I needed to fuel my creativity with an abundance of anger, greed, arrogance and resentment. I pushed myself to become a real arsehole because I thought that if I wanted to be more than I currently am I had to really drive home that disconnect between myself and society as a whole. I didn’t just want to be an eccentric and offensive writer. I wanted to redefine what it meant to be different. I wanted people to begrudgingly admire the bastard that I had become.

Jesus, didn’t I mess that up…

I mean what kind of moron not only feeds the wrong wolf but actively goes out of his way to hinder the better angel of his nature? I may as well have pinned the compassionate wolf to the damn floor and exposed his jugular. I’m talking in riddles I know. So let me just say this: I’m tired of being angry. I’m tired of pushing others away. And I’m damn tired of actively going out of my way to become that disgruntled, reclusive writer stereotype who is a real arrogant piece of work. You may have noticed that my blogging has been more regular as of late, more focused too – and it’s purely because I’ve learned that feeding the wolf of pure evil has bought me nothing but frustration and heartbreak. So I’ve changed tact, and now I’m focusing more on the beauty in this world and as a result my mind is clearer than it has ever been.

What bought about this change? Well, it’s a long and complicated story made up of many complexities and variables, so much so that I’m not even sure that I understand it myself. So let’s simplify it and say that I starved the compassionate wolf for so long that it did what any other frightened animal would do: it came out fighting. With nothing left to lose and a whole world of inspiration to gain, that sickly side of my heart and mind that I had left neglected limped onto the battlefield and faced off against a stronger wolf comprising of twisted intentions and idiotic arrogance, and kicked its fucking arse. The hatred in me had grown complacent and weak, leaving both itself and me totally vulnerable to a hostile takeover.

But this isn’t the end of my two wolves and their fighting. It’s a never ending battle, just as the old Cherokee told his grandson. I’ve said it once, and I’ll say it again. Life is sempiternal. So while right now the compassionate wolf reigns supreme in my mind, the wolf of pure evil has slunk away to lick its wounds and plan its next attack. But unlike my past where I actively fueled the bastard in me, I’m learning to let it fend for itself. That’s not to say that I will starve him though. Because if my current brevity has taught me anything it’s that an animal with nothing left to lose is too powerful to ignore. I’ll always be jealous of the writer who strikes it rich while I still toil away at my manuscripts. That’s human nature, and nothing to be ashamed of. But I will no longer actively feed those negative thought processes. That jealousy will be a result of respect, not abhorrence and hate.

Life really is a beautiful thing, and to be blessed with the gift to breathe a second life to it through literature is something that I will cherish until the end of time. So while I was once fueled by the bitter wolf of greed and hate, wanting only to transcend beyond the man that I am now; I now want to create something that transcends beyond myself and becomes an entity unto itself. I don’t want to be an overzealous and aggressive genius anymore. I simply want to be the man who fell in love with the world and used that inspiration to make beautiful literature.

Horizons

prove wrong
“Oh, you’re only twenty five?”

Yeah I am. Big fucking deal. Just because I’m a little young to be doing this writing thing it doesn’t mean I’m not ahead of the curb. In fact, for someone my age to be as articulate as I am is a rarity and something that should be celebrated, not looked down upon. Yet for some crazy reason my worth as an author is often judged based on my age rather than its overall merit. People seem all too happy to have me pigeon-holed and compared to their idea of your arch-typical twenty five year old knuckle-dragger, but in reality I am so much more than that guy could ever dream of being. I may seem like a toddler in this industry compared to everyone else and their preconceptions of what an author should be. But I’m not here to play games. I’m here to break open your mind, tear down the walls guarding your heart, and expose you a world that you never even knew existed.

OK. Let’s stop for a second. Because it’s been a little while since I’ve broken into a rant on here and I don’t want to leave any of my readership feeling scorned. So before I descend into a rebellious string of fucks and poorly formulated ideas, I’ll say this: bear with me. There’s a point to all of this… Kind of.

Last month I attended a writing conference in New York City where I met many aspiring authors just like myself who are fighting that seemingly endless struggle to see their work in print. And although our catalysts and compulsions were similar, I was half the age of everyone else in attendance. To me this wasn’t an issue. I’ve always been an old soul; someone more comfortable in a lengthy discussion about the complexities of human nature than I am waiting in line for an overpriced drink in some fucking shit-box of a bar. But for the rest of the attendees at the conference I was somewhat of a side show. You’re how old dear? Oh, still a child! You still have so much to learn about writing, they would say. The truth however is that just because it took them a lifetime to learn how to string a sentence together it doesn’t mean that I’m the same.

So I rode out my time as a sideshow. Smiling politely as they respectfully teased about my age, blissfully unaware that I am ten times the writer that they ever were, or will ever be. They called me dear, and they spoke to me like I was their child (most of whom were older than I am), and I just nodded my head and played the part for their amusement. But by the end of the trip when the golden oldies slunk away from the conference having learned something to improve their craft I had a fucking scrap book full of agents contact details and verbal agreements to have my work to them asap. The point is this: age is a terrible indicator of a person’s catalysts, compulsions, talent or mindset. And to limit your perceptions of me that younger guy who writes is just fucking stupid. Because I’m a hell of a lot better than that; and for me, this is only the beginning of my journey.

Oftentimes when I tell people that I write I’m met with scepticism. It’s nothing much; usually a barely perceptible flaring of the nostrils and the squint of a cynic as people assess my character and my fortitude on the fact that I still look a little young. But you’re so young! They say. What possible life experience could you draw upon to craft something wonderful through literature? Jesus, sometimes it feels as though my whole life is a fucking repeat of that damn conference, even though I’ve got more life experience than most people twice my age. That’s not to say I’ve run the gamut of life and witnessed it all; I’ve definitely seen some shit. But there’s still a big world out there for me to discover and conquer. All I’m saying is that I’m cluey enough to take on board the experiences that I have been fortunate enough to have and learn from them.

So yes. I’m twenty five and an aspiring author. Yes, I’m younger than your average writer by a decade or two. And yes I’ve fucked up a lot of things in the past as you all know through this blog. I’ve thrown away careers, buried friendships, and pushed myself beyond breaking point in order to produce better quality work, but to assess me or my work based on something as trivial as the year I was born seems not only unfair but also a little ignorant. I’m brash, I’m headstrong, opinionated, and when you put a pen in my hand I’m a narcissist in every sense of the word. But I’m also a phenomenal writer and the best damn thing that is going to happen to literature in my lifetime (seriously, watch this space).

So to everyone out there who takes issue with the fact that I am a little under the median age in this business I’ll say this: broaden your horizons, take a chance on a younger author and allow me the opportunity to do everything that I said I would. Let me reach inside your mind and show you a new way of thinking. Let me climb inside your heart and show you love, fear, hatred and compassion in ways that you never believed possible. Lend me your eyes and let me show you a world so inherently different to this one that you will learn to redefine just how beautiful literature can be. Stop judging my work based on my age, because it really can speak for itself. I may be young by writing standards, but my youth provides me the time to grow and develop upon the skillset that is gaining interest.

Frantic Inspiration

“I’ve never wanted anybody more than I wanted you. The only thing I ever really loved, was hurting you.”
-Corey Taylor

Inspiration often strikes at the most inopportune moments. As a writer or artist you can spend weeks floating through life on autopilot trying to piece together where you take a story next, or even what story you wish to tackle next. Then, you’ll find yourself sitting in your work space with an eight hour day stretched out before you when suddenly everything just falls into place and all you want to do is start putting pen to paper and catching the fire burning inside of you.

Today was one of those days. And it all started with the opening lines of this post by vocalist Corey Taylor. The lyrics are ripped from a song released in 2004 by Slipknot titled The Nameless (yep. It’s a music post today), and for the past ten years I’ve found myself continuously returning to this track with a sense of wonder and the thought that there was something I was missing in its construction. On the surface level the song is grotesque. It swings wildly between the adoration and loathing of a lover. Lines of obsession and abhorrence collide in a frenzied cacophony of sound that builds to multiple crescendos before giving way to Taylor lovingly singing the lines above before the frenzy erupts all over again.

It’s frantic, it’s unpredictable, and with the exception of those two lines it’s so conventionally Slipknot that their very inclusion has played at my mind for a decade. Then today as I sat at my desk humming them to myself on repeat and debating where to head next in my creative endeavours they suddenly made sense. There is no lover. Taylor’s not singing about anyone other than himself, or at least in my interpretation he’s not. To me, the song is about a relationship between Taylor and the creative genius in him. It’s almost as though he’s referencing the earliest inclinations of the genius concept, in which one was believed not to be a genius, but to have a genius: a divine entity external to their own being that helped them in their creative practices. Seriously, look it up. A genius in its purest form isn’t a human being, it’s an entity separate to us; a concept that allowed early artists and writers to maintain their own humility when admiration was bestowed upon their work.

But I digress…. Here I was sitting at work with a storm surging through my head as a decade of thought patterns collided and made perfect sense. Taylor’s singing to his genius. He’s crafted an entire song around the loving and loathing that takes place within his mind’s eye as he creates. Here is a man torn between the idea that he wants to create. He wants it more than anything in the world. But he also wants to hurt and destroy the genius inside his head that often leaves him so isolated and distressed. It’s a tragic love story told by a man totally aware of his own shortcomings and one that resonates all too well with me.

I often find myself in a similar headspace. I want to create. I want to write. And I want it more than anything in the world. I’d give anything to carve out a place in the literary world and spend my days crafting literature. Yet at times all I want to do is tear apart everything that I have created and hurt the writer in me. Sadly I’m not yet at that point in my career where writing is my livelihood. I’d love it to be, but I’ve got a long road ahead of me yet. Until that time I’ll continuously work at my craft and I’ll ride out those moments of destructive indifference to my own genius. But thanks to the most unlikely of sources, I’m now more aware of my own inner torments. And I’m thankful that I’m not alone.

Brevity and Vulgarity

“To take away our expression is to impoverish our existence.”
-Roughton Reynolds.

You may have noticed that I swear a lot in my writing. I’m not afraid to throw out a few fucks or whatever else in order to drive home my ideas and strengthen my arguments. So it probably comes as no shock to anyone that I’ve been called vulgar from time to time. It seems as though there are individuals out there who don’t necessarily resonate with my abrasive style and slightly warped world view. As a writer still very much in the infancy of my career this disconnect that some readers appear to have with my work should be concerning. It should be something that I seek to rectify in an effort to really ramp up my palatability and readership until I can confidently say that I am accomplished at my craft. It should be…. But instead I just think fuck them. If you don’t resonate with my style then go find an author who’s sensitive bullshit speaks to you.

See, my love for vulgarity all comes back to the concept of brevity. For those of you who haven’t heard the term before, brevity is essentially a noun meaning: concise and exact use of words in writing or speech. Which doesn’t really mean much on the surface does it? How can my love of the taboo be explained by concise and exact use of words? Well, to break it down in another way: I am a firm believer of the expression just fucking write what happens. In this industry readers have come to expect a certain amount of fluff in their literature. If something is considered easier to digest by the masses than it will generally find a home on bookshelves around the planet. But that’s boring. And in my opinion if we are constantly trying to create work that panders to this notion of fluff we are forever damned to consume second rate shit.

Writing is about expression. It’s about passion, love, loathing, fear, and whatever the hell else. It should never be censored and it should never contain more than the bare minimum of fluff. In my mind brevity sometimes comes from embracing what we want to say, what we want to express, and stripping it back to the bare bones so that all of its failures and faults are exposed for the reader to acknowledge and accept as their own. When I write fiction if I want someone to be punched in the fucking face I’ll write exactly that: so and so got punched in the fucking face. Clear, concise, and brutal as all hell. And you know what? I bet right now after reading that you can picture someone getting smacked in the nose.

Likewise when blogging, if I think someone is a fucking cunt I’m going to write exactly that. If I think that a concept is flawed I’ll call it. And if I feel as though my own mind is breaking apart underneath the internal pressures I place upon myself I’ll call it as I see it. And for the record, if I create a piece about tearing down a glass house and it doesn’t speak to you that’s just too damn bad. Not everything I read speaks to me either.

The point is, just because a piece of writing is vulgar it doesn’t necessarily mean that it is without merit. In fact, more often than not it hints at a deeper emotional connection between writing and writer than a piece of over-fluffed bullshit could ever hope to mimic. So, yes; I’m often offensive and abrasive in my writing. But I’m also brutally honest with myself and with my reader and that is the most beautiful thing that a writer can ever be: honest. Because through honesty brevity can be born. And through that brevity, that concise and exact writing or speech, a reader can become one with the author and they can undertake the journey of learning, pleasure, pain, triumph and tragedy together. Life is seldom perfect, so why should literature be? Cut the fluff, inject the passion. And write from the fucking heart.

Those in glass houses…

…Should not throw stones. That’s what they told you. So you use your fists instead. You’re so angry, so confused and afraid. The only thing that helps you through is the idea of tearing down everything that you have built. The beautiful glass house on the edge of a scenic cliff becomes a twisted prison where you catch the reflection of the person you’ve grown to hate in every surface. So the smashing begins. It hurts at first. Your fist shatters the glass and your knuckles split and spill blood. Your nerve endings sting and your mind screams at you to stop. But you can’t. Not now. Not when there is still so much damage to be done.

You strike another surface, the cuts grow deeper, but soon the shock takes over and you’ve torn away the flesh leaving nothing but exposed bone, making those thick panes easier to crack. You tear down the walls and rip down the roof, until all that remains is the skeletal frame of a once stunning home. You’re bloody and tired, but still you’re not done. Just because there is nothing left standing it does not mean there is nothing left to destroy.

You drop to your knees and you rip the floorboards free. The torn flesh of your fingers catches on the splinters and nails. It hurts; oh god does it hurt. But you want to see your glass sink into the dirt and these goddamn floorboards are preventing the indignity. You toil until the boards are gone, but you can still see the reflection of the man you hate in the shards now lying in the soil, smiling manically at you as though he is somehow in control. So you punch. You punch and you punch, caving in the reflective skull of that piece of shit until his face is lost in the splinters of glass and your blood soaks into the dirt. He’s gone. That man you hated is finally gone.

So you rise and you walk to the edge of the cliff thinking that your troubles are over; and not a single stone was thrown. But your stomach drops when you see that the once calm blue waters of the ocean before you are now ink black and brooding. The storms are coming and you’ve just torn down the only shelter you’ve ever known. You realise then in that bitter sweet moment of triumph that all you have succeeded in doing by tearing down everything you’ve ever owned, is exposing yourself to the unrelenting touch of a winter’s chill.

You turn to your broken house of glass just as the first whip-crack of thunder echoes overhead, and you stare down at your damaged hands, unaware of what possessed you to cause this destruction in the first place. You move into the home and you sit amongst the piles of broken floorboards and the slivers of glass, your face streaked with the tears of a god and a fraud as the heavens release their wrath. You’re soaked in an instant, watching as your dried blood moistens and dances across the surfaces of a life left in ruins. Your bones ache as the winds cut through the skeleton of your safety and solace.

With nothing left to give you sit and you wait out the bitter cold and the brutal winds that cut through you with an intensity that leaves you breathless. You accept that there is no more hope, no more opportunity for the man who destroyed his own glass house.

But after an eternity those vicious rains subside and a single sliver of light slips through the clouds. It’s minuscule, not enough to warm you, and in your fractured mind you see it as nothing more than a taunt to a man as broken as his home, left sitting in the dirt

Then it happens.

The clouds shift again and the pinprick of light falls into a pile of broken glass, causing as flash-flood of colour to pierce your vision. A kaleidoscope of earthy browns from the soil, deep reds from your blood and gentle blues from the rains dance across your eyes and for the briefest of instants you can see the glasshouse standing in all its glory once more.

You know now what you must do; you must rebuild your home, your solace, and learn to protect yourself once more from the bitter cold of the rains. You light a fire and you gather your broken glass, heating it until it can be made whole again. You erect your walls and you replace your damaged floors, admiring the now stained surfaces of a once perfectly polished world. Your glass has been dulled, and your floorboards warped, but you would have it no other way, because this is the house that you built yourself. This is the house of a man who survived the rains.

You bandage your hands and you let your wounds heal, and soon enough the sun returns and you venture to the cliff to watch the calm blue ocean stretch endlessly before you. You spin towards the house that determination built, catching sight of the man that you hated staring back at you. He’s older now, more dishevelled; but you realise that maybe he’s not so bad after all. You take a breath and you vow to never again destroy the beautiful home at the edge of the cliff that you created. To do so would be crazy; you can’t survive those long lonely nights where the chill presses against your chest until you find yourself wishing you were dead. No, from now on if you need to feel the rains you won’t tear down the house, you’ll just take a stone and break a single window instead.

I few years ago I went through a bout of depression. I was unbelievably low and I hated myself and everything that I had become. I tore down the walls of my own psyche and I left myself exposed. But through my writing I found myself again. Writing was the pinprick of light that burst through the clouds and allowed me to see the world anew. It became my reason for rebuilding my glass house. My hands are damaged, and my once crystal clear walls are now stained with the blood and grit of my own toiling. But I would have it no other way. I wouldn’t be the writer I am now if I hadn’t sat through the rains of self-doubt and self-loathing.

For me there was no shame in being broken. There was only pride when I learned to pick myself back up. At some point in our lives we all falter. But if we embrace the better angels of our nature we can rebuild ourselves to be something far stronger than we ever believed possible.

Voice

“Fuck critics, you can kiss my whole arsehole.”
-Jay Z.

I recently caught up with a friend of mine who just like myself, is penning her way through the early stages of what she hopes to be an illustrious writing career. While our writing journeys are very similar in many ways: that is to say we seem to have catalysts and compulsions that are very akin to one another, I’m a little further along the path of completing a manuscript and seeing my work make it into print. That’s not to detract from her abilities at all. In fact, her script sounds like it’s a million times better than mine. Once it’s finished I’m sure that you’ll see her name in lights a hell of a lot quicker than you see this narcissistic arsehole’s. When I say I’m further ahead I simply mean that while she’s currently putting the finishing touches on her first draft, I’ve already had my story edited and it is currently being reviewed for potential representation by a number of agencies.

During the course of our conversation the idea of finding an editor came up. Once her manuscript is complete she’ll need to start undergoing that heinous task of refining her novel until it is perfect and ready for publication. A task that I myself have already undertaken, loathing every minute until it was finally complete. As we talked about editors the concept of the writer’s voice entered the conversation and she expressed concern that the wrong editor would destroy everything that makes her script, her script. It was an interesting point, and one that got me thinking about myself and my works.

Every writer has a unique style, a voice if you will. Just like every single man, woman, or child has their own distinct sound built up of tone, pitch, inflections, and a hundred other variables. So too does a writer have a sound that is their own. Take a second to think about the writers you admire, is it necessarily the stories that they tell that you fall in love with? We all know that there are just seven basic themes in literature (as per the theory created by Sir Arthur Thomas Quiller-Couch). Or is it the unique idiosyncrasies that the writer weaves into their tales that leaves us swan diving into their worlds of love, fantasy, ruin and woe?

For me, it’s the voice of the writer that keeps me engaged. Therefore if I hope to be successful, if I hope to become the writer I have always dreamed of being, I have to nurture the very things that make me unique. I have to (quoting myself here) become a singularity, and I have to devote all of my time and energy to honing my voice and weaving it through my works with a sleight of hand so smooth and subtle that the reader is left dumbfounded. And when working with an editor, publisher, agent, a friend, or a critic, one must learn to be acutely aware of those external influences and the damaging effect they can have on your manuscripts in their quest to be helpful. An editor or agent should seek to draw out those unique idiosyncrasies of their artist rather than manipulate and destroy them.

Thankfully when I undertook the editing process with Midas my editor did exactly that. She helped me, challenged me, and inspired me to be the best writer that I could possibly be. The result? Right now things are looking pretty damn good for my writing. So to all of you out there who are looking at entering that bastard editing stage I wish you the best. Find an editor that is right for you, let them help you find your voice, then scream your story from the fucking rooftops. Silence the critics and be the best damn writer you can be. There’s no one more qualified to tell your story than you.

The purge of the aggressive creative

I’ve always struggled to define myself as a writer. I’m creative, but logical. I’m a dreamer, but my feet are still planted firmly on the ground. I’m not your typical artsy writer who spends his days in a laze contemplating the wonders of the universe and coming up with whimsical tales that highlight a deep seeded emotional turmoil or tranquility that bubbles away beneath the surface of my façade. Nor am I your boy genius. I don’t have a freakish I.Q, and my writing isn’t going to reshape the way man views the world (at least not yet). So, if I’m not the artsy writer or boy genius type, what am I?

Well, recently a co-worker of mine described me as aggressive creative, and the term somehow seemed to fit. I’m a creative perfectionist who labours over every inch of my works until I break down in tears or set the manuscript alight (and yes, both have happened multiple times). I’m confident in my works, to the point where I can become narcissistic, purely because I push myself to breaking point every single time I create. My process is self-destructive and mentally taxing, to the point where I sometimes consider myself to be an emotional masochist, deriving gratification and inspiration from my own damaged psyche.

Which would explain why I often feel the need to purge much from my life. See, I’ve been doing a bit of research just recently into my own fickle idiosyncrasies in the hopes of better understanding why I do what I do, and I’ve come to realise that on some subconscious level I don’t really like myself. Maybe I resent the fact that I chose a career with no clearly defined path; or that I spent my youth striving so hard to be fundamentally different to my peers that I now feel a complete disconnection from them. Whatever it is, I go through these moments in my life where I just want to eradicate the writer from my soul and the dreamer from my heart and move forward as just another ordinary person frittering through life blissfully unaware of his many short comings.

During these times I want to completely start again. It takes every ounce of strength not to throw away my job, my writing, and my relationships and simply wander into the sunset in a quest to be reborn as something other than a tormented writer, emotional loner, and arsehole. I move throughout the world wearing a mask of composure, when inside my mind is tearing itself in two as every single component of my life is called into question and judged against my current spate of self-loathing. The aggressive creative in me sees the failures, missed opportunities and shortcomings that have befallen me and seeks to purge the weakness from my mind and flesh.

The funniest thing about these purges that occur is that people often fail to notice the cracks in the masks that I wear, and I force myself to suffer alone. I suffer alone because long ago I learned something about myself that allows it: and that is that I am an excellent liar. And I lie a lot. There are just a handful of people in this world that actually know me. And by that I mean really know me. They understand my thoughts and feelings and recognise the signs that I’m sinking into a downward spiral while everyone else sees what I lead them to believe. Call it a slate of hand, call it a fear of intimacy, call it whatever you want. I keep people at arm’s length because I don’t want to them to see the instabilities and shortcomings of a man who wishes to be so much more than he actually is.

It’s a rather interesting predicament that I find myself in. I can convince everyone around me that I am ordinary, that I am normal, when the reality is that I’m anything but. The mundane scares me, and the fear of spending my whole life in a state of perpetual torment like this causes my pulse to spike. I want to be different, and I want to be able to accept that. But the crippling loneliness that accompanies the differentiation of myself to my brethren leaves me desperate to be regular. So I try to force myself to conform to what I believe to be normal, simply because it would be easier if I could be like everyone else.

But if that’s the case then why am I writing this? Why am I pouring my heart out to readers across the globe that I have never even met? Well, because I have to. I have to change the person that I am; the aggressive creative who piles so much pressure onto himself knowing that he will eventually crumble. I have to purge him from my soul and allow myself to re-enter the world I’ve spent so long trying to differentiate myself from. I have to form friendships that are more than just a façade, and I have to do it so that I can continue to grow as a writer and as a man. I once wrote that life is sempiternal; that I will forever ride a wave of emotion that rises and falls from elation to bitter depression, but I’m not prepared to accept that anymore.

I’m not prepared to accept that I will forever feel the need to undergo the eradication of the writer and dreamer simply because I wish to feel normal in those moments where I believe I’m failing. Screw that. I shouldn’t have to give up who I am just because I’m different. Instead I must seek to purge myself of the emotional masochist and neurotic mess that dwells within me. They say nothing positive was ever achieved with a negative mindset, so until I can remove those demons plucking at the chords of my heart how can I ever achieve something incredible?

It’s time to ease up on the pressure. Accept myself for what I truly am: a writer, a dreamer, a success and a failure, and embrace everything that I am still yet to be. By doing that I can be both different and normal at the same time. My acceptance of my uniqueness and my ability to accept my failings will see a normality in my life that has been absent for so long. Purge the toxicity from my soul and embrace myself. Only then can I calm my tormented mind.

Two Weeks

“Fuck what you know. Fuck what you believe. I am the architect of my destiny.”
-James “Buddy” Neilsen.

With language like that in the epigraph, I think that it’s fair to say that this post won’t ever be making an appearance on the freshly pressed page. But then, my language is abrasive at the best of times, so I guess I’ll have to live without the vindication of being a pressed writer for a little while yet. Nevertheless, let’s kick this off and get down to why I’ve chosen to feature the lyrics of a post-hardcore band in my epigraph, and what it has to do with a page dedicated to the trials and tribulations of my writing career.

Well, the simple answer as to why I chose Neilsen’s lyrics is this: I like them. And I like hardcore music, so I thought that I would feature them just as I have before with artists like Adrian Fitiplades and Max Bemis. But the more in depth answer, the one that actually makes this whole post worthwhile is that right now those three little phrases resonate with me more than anyone could ever truly understand. In fact, the lyrics of the entire album the epigraph was chosen from resonate with me to such an extent that I spent the better part of two hours today deciding between the lines I chose to use and the following:

When you look in the mirror
Are you proud of what you see?
When you look in the mirror
Are you the person you thought you’d be?

The truth is that I’m not quite the person that I thought I’d be right now. I thought that a few things in my personal life would have panned out a little differently than how they have. I’ve been a little emotionally fragile lately, and thankfully I’ve had something constructive to focus my time on…But on a writing front, I’m more than I ever thought possible. That’s right; with less than two weeks to go until I head to New York, I’m so fucking confident in myself and what I have created that I can’t wait to pitch my heart out. Right now when I look in the mirror, I’m damned proud of what I see. I’m a writer with passion and a goal. And regardless of whether I secure a contract in the USA, I know that I’m taking positive steps in the right direction for my career.

Just as Neilsen growls in the song Canine, I am the architect of my destiny. Every single time I sit down and put pen to page I am constructing the blueprints of not just a tale of fiction, but of my life and how I want it to be. When I submit those blueprints to an editor for revision they are given the opportunity to improve and come one step closer to being completed. And when I pitch my story to agents in a foreign city I’ll have the opportunity to see those blueprints come to life. All I need is for one person to say yes and the foundation of my story and my vision will come to life.

But if I’m feeling so confident, and so enthused, why did I chose lyrics that are so explicit? Well, because that’s just who I am. When I’m confident I feel indestructible. And in true Chris Nicholas fashion I have constructed a novel and a pitch that defies what is considered the norm within the publishing industry. When I start my pitch I don’t want to be perceived as just another aspiring author; I want to be seen as a force to be reckoned with. I want to be seen as a man capable of rising above the slush pile with a story to tell and the fire in his stomach to do it. So fuck what you know about publishing. And fuck what you believe is acceptable within the industry. Life begins at the end of your comfort zone.

Two weeks. That’s how long I have to wait until I can pitch myself against the best in the industry and see how I compare. And for all of my bravado I am fully aware that I could walk away from the whole experience with nothing. But even if I do, just by making it this far I have achieved something incredible.

An unconventional mission statement

“All I want is to dethrone God so that I can be crucified.”
-Max Bemis.

With just over three weeks remaining until I head to New York and pitch my heart out to dozens of publishers and agents, I haven’t really had a great deal of time to blog. I’ve been so busy brushing up on my pitch and tweaking my manuscript that this poor page has sat dormant, its daily hit count slowly withering away until all that I have worked so hard to create seems forgotten. I’m not sorry though. The past couple of weeks have been integral to my preparation and I’ve grown so much as a writer in such a short time that it feels refreshing to be able to step back into the world of weblogs once more.

In addition to the hours spent labouring over my manuscript and pitch, I have also devoted a fair amount of time to gaining a better understanding of myself as a writer. I mean, I know that I started doing this to cope with the demons inside my head, but I started to realise that what was once my motivation to create wasn’t necessarily the reason I put pen to page anymore. That’s not to say I don’t still have a few issues; I can assure you that my head is just as fucked up now as it has ever been, I’ve just learned to accept my fractured perception of normality for what it is.

So while I was trying to rediscover who I am as a writer I stopped and started to catalogue what defines me an aspiring author, and I came up with a rather obscure little list.
• I’ve fought depression a few times. Writing helps clear my head.
• I’m arrogant and over opinionated. But I’m OK with that.
• I want to be published. Not because I want to make millions of dollars (although it would be nice). But because I want to reach inside the mind of my reader and alter their perceptions on art and the world at large.
• I tend to write about characters that I aspire to be like. But they are often incredibly flawed narcissists and megalomaniacs.

It’s a bit of a strange list. But nevertheless those four points define me as an author. I’m egotistical, yet my own toughest critic. I’m a narcissist but only because I believe that I can open the reader’s eyes to new concepts and ideas. And just like Max Bemis above, I’ve recently decided that I want to dethrone God so that I can be crucified.

Obviously I’m not talking about this in a literal sense. If anyone shows up at my house with a bucket of nails and a cross I’d be less than impressed. And I’m not even talking about God as the omnipresent being mankind believes to be above us. I’m no Aleister Crowley, and there will be no bathing in blood. But I’m talking about the gods of literature. The big name authors who have transcended the medium and become ingrained into the fabric of our society. I want to be one of them. I want to be better than them. But only because I want to know what it feels like to be crucified for my work. I want feel the elation of success, so that I can also feel the crippling sensation of failure.

It sounds counter intuitive doesn’t it? My mission statement as a writer is to become immensely successful so that I can fail. And I want to do this so that I can peel back the layers of my soul and examine where I went wrong so that I can rebuild myself as a more formidable writer once again. I actually don’t expect anyone to understand this. How could they? I, Chris Nicholas, the narcissistic writer, want to succeed so that I can fail. But that’s not to say I will ever intentionally produce a piece of work of substandard quality in order to taste failure. Rather I want produce something so fantastic that whatever comes next fails in comparison. Only then will I ever be able to truly test myself as a writer as I try to do the impossible and out do myself.

So there it is: my unconventional mission statement. I want to become so good at what I do that I spend my entire life competing with myself; constantly striving to outperform the person that I was yesterday. I want to dethrone god, and I want to be crucified so that I can rise again and continue to grow.