Tag: blog writing

God and the Devil

A few years ago one of my favourite bands released an album entitled God and the Devil are raging inside me and right from the moment I first laid eyes on the cover jacket I fell in love. The very idea portrayed in the title was so beautifully macabre that I couldn’t help but be moved by the complexities of human emotion those eight short words could convey. While you’re probably thinking I’m about to slip into another diatribe about my own inner thought processes and compulsions, I’m going to have to say that you’re wrong. We’re not here to rehash just how misguided my head often is, but rather we are going to touch on sometime I started a long, long time ago.

For those of you that have been with me for a while you may remember that in the early days of this blog I regurgitated a quote by comic book writer Alan Moore (I do tend to use quotes a bit in my works). The quote was taken from a short thesis Moore constructed about writing, in which he posited that if a writer wants to continuously improve at their craft they must learn to immerse themselves in the least desirable element and swim. At the time of writing I proposed that if I wanted to continue to grow as a writer I had to venture into a realm that left me with a sense of dread: I wanted to write a love story.

Ever since that post I’ve had a few different attempts at creating a love story, but every time I’ve tried to produce something of quality I’ve found myself with a protagonist who is a real piece of shit. Arrogance, narcissism, and ego seemed to be a common trait in my male leads and the stories would usually crumble pretty damn quickly, and rightly so. Who could fall in love with someone so abrasive? Nevertheless the idea of producing my love story has always been at the forefront of my creative endeavours, becoming the God in my own mental raging when compared to the Devil of my thriller writing.

Lately I’ve been sitting on my hands waiting to see what becomes of my high concept thriller novel Midas, and have been floundering between devoting time to its sequel and this blog. It’s a weird feeling to be creating a sequel to a novel that may fail to become anything more than a document on my laptop, so every time I try to produce a decent follow up I find myself giving up after an hour or two of second guessing and endless self-critique having accomplished very little.

Last night I was determined to write something, so I took to crafting another attempt at my love story rather than screwing around on my sequel once again. I opened up a blank document and started with the word vulnerable as a title. I don’t really know what made me chose the title. Nor do I really know why I chose to start my story in the arm chair of a phycologists office, but over the next few hours I punched out thousands of well thought out words that would become the introduction of my story.

Usually when I write I spend a an hour or two labouring over a thousand words or so before I give up and collapse in an exhausted heap or decide to go shoot hoops. Yet last night I just found myself pouring my soul into the first few scenes of something that actually sounded fucking good. By the time I came up for air I’d plowed through almost five thousand words and blown away any previous records I’d held for productivity. Those words were the most harrowingly honest writing I have ever produced as I created a protagonist whose catalysts and compulsions are similar to my own…

…Stop. Chris just stop. You should never create characters based on yourself. It’s toxic. It’s arrogant, it’s-

-Shut the fuck up. While that’s true, and you should never attempt to create characters in the image of how you perceive yourself this was actually cathartic. I took a long hard look at myself, my failings, and idiosyncrasies and I poured them into a script until I felt something inside me release; as if by unburdening my heart of its own negative inclinations of itself, I had untied the knot in my chest and allowed it relief. Somehow playing phycologist with myself and pressing my mind to answer the questions I’ve spent years trying to avoid allowed me to create something that I felt truly proud of.

While this latest version of my love story is still in its infancy, and still a long way from being well thought out or even remotely ready to present to anyone, there is something quite humbling in the lines I have produced. With a title like vulnerable I decided that I had to be exactly that if I was going to attempt to immerse myself once more in that least desirable element. If I’m going to swim then I need to do it untethered.

So just as God and the Devil are raging inside of all of us, so too are they now raging inside my creative mind once again. I have the God of romance trying to bid for my attention and the Devil of ruin and woe pulling me back to my true passion of thriller writing. Only time will tell if I can sustain the opening pace of my new script, but even if I can’t, just being able to unburden my soul in those opening few thousand words last night was an experience I won’t soon forget. Through my own honesty and self-reflection I now know a different side to myself and have a character that for once doesn’t sound like a fucking dick.

A bullet with butterfly wings

“It doesn’t matter if you fall down; get the fuck back up.”
– James “Buddy” Neilsen.

This post originally came to life a few weeks ago under the title of Trust in Fear. But as the weeks progressed and I procrastinated over whether or not upload it, the premise altered and the original title seemed somewhat counterintuitive. So I sat on the idea and fumbled my way through a few redrafts until very little of the original entry remained and I finally thought fuck it, let’s just bang this out and see what happens. So without further ado, ladies and gentlemen, today we are talking about dreams.

As you are probably well aware, last month I embarked on a journey halfway around the world to pitch my heart out to the men and women who could ultimately make my dreams of becoming a published author a reality. And, if you were kind enough (or potentially bored enough) to sift through my second to last post you are probably aware that the whole process went pretty damn well. Right now my work is with a number of agencies throughout the United States, and I’m sitting on my hands awaiting a response that could potentially alter the course of my life. I have a dream of being published, and last month I took action.

I can see you rolling your eyes right about now thinking yeah, yeah. I’ve heard it all before. Your dreams don’t work unless you do, Chris. So what?

Well, maybe it was incorrect of me to say we are talking about dreams per say. Maybe I would have been better off opening with an impassioned speech about failure, because the duo really are inseparable. Just like there would be no heaven without hell, or no light without dark, there can be no dreams or success without the very real possibility of failure. And it’s because of this rather simple analogy that I have come to see everything I ever dream of as a bullet with butterfly wings…

…It sounds poetic doesn’t it? A bullet with butterfly wings; I wish I could take ownership for coining the phrase but I can’t. Close your eyes for a moment and imagine it, two big beautiful wings that unfurl into a glorious kaleidoscope of colour from a hideously dull shell casing with so much potential to maim. It’s beautiful, it’s dangerous, it’s wondrous, and macabre.

Nevertheless I’m learning that just as every cloud has a silver lining, so does every dream of beauty and success have the potential to blow up in your face. Sometimes we take risks to chase down everything we’ve ever dreamed of (like landing a book deal, snagging our dream job, finding a partner, or buying that new car), knowing that the reward if we are successful far outweighs the harm presented to us by that dull shell casing standing in our path. Sometimes we trust in fear and take a leap of faith, because if we don’t; then we’ll spend our whole lives wondering what could have been.

I recently took a leap of faith like this. I’ve taken a couple actually. The New York trip was one that went surprisingly well. But on this particular occasion I found myself attempting to capture the beauty of a bullet with butterfly wings, only for it blow up in my face. In layman’s terms: I fucked up. I took a risk and it backfired, seemingly costing me something rather incredible.

But as much as the wounds from the bullet that pierced my flesh sting right now – in fact it’s my ego that’s hurting the most. There is still always the slightest of chances that the bullet that struck you can still become something beautiful again. Sure, right now it’s damaged, but those big beautiful wings are still there just waiting to unfurl and show you magnificence beyond your wildest imagination. That’s the allure of dreams, and that’s the beauty of failure. Just because we fall, just because we fail or fuck up, it doesn’t mean that we have to give up. In life we are always afforded the opportunity to pick ourselves up off the floor, brush of the dirt that reminds us of our tumble and try again, armed with the knowledge of where we went wrong the first time.

It’s a rather warped analogy I know. But to me as I sit here and lick my wounds and learn from my mistakes, I have the chance to understand just what failure tastes like and how to better prepare myself for the next fall. If my manuscript appraisals amount to nothing and I’m left sitting in the dirt once more I will have the experience to pick myself back up and try again. Dreams only work as hard as you do. And sometimes trusting in fear and taking a leap of faith is worth it, even if you fall and all you achieve is just letting your dreams know exactly what your intentions are. Or even that they are dreams in the first place.

The wolf you feed

An old Cherokee is teaching his grandson about life. “A fight is going on inside me,” he said to the boy.

“It is a terrible fight and it is between two wolves. One is evil – he is anger, envy, sorrow, regret, greed, arrogance, self-pity, guilt, resentment, inferiority, lies, false pride, superiority, and ego.” He continued, “The other is good – he is joy, peace, love, hope, serenity, humility, kindness, benevolence, empathy, generosity, truth, compassion, and faith. The same fight is going on inside you – and inside every other person too.”

The grandson thought about it for a minute and then asked his grandfather, “Which wolf will win?”

The old Cherokee simply replied, “The one you feed.”

It turns out that I’ve been feeding the wrong wolf for a long, long time. In my haste to transcend beyond my own limitations as an author and man, I starved the wrong damn wolf and allowed the other to grow fat with the spoils of a one sided war. I’ve always seen myself as different from my fellow man, and I always will. But for a time I thought that because of this altered perspective I needed to fuel my creativity with an abundance of anger, greed, arrogance and resentment. I pushed myself to become a real arsehole because I thought that if I wanted to be more than I currently am I had to really drive home that disconnect between myself and society as a whole. I didn’t just want to be an eccentric and offensive writer. I wanted to redefine what it meant to be different. I wanted people to begrudgingly admire the bastard that I had become.

Jesus, didn’t I mess that up…

I mean what kind of moron not only feeds the wrong wolf but actively goes out of his way to hinder the better angel of his nature? I may as well have pinned the compassionate wolf to the damn floor and exposed his jugular. I’m talking in riddles I know. So let me just say this: I’m tired of being angry. I’m tired of pushing others away. And I’m damn tired of actively going out of my way to become that disgruntled, reclusive writer stereotype who is a real arrogant piece of work. You may have noticed that my blogging has been more regular as of late, more focused too – and it’s purely because I’ve learned that feeding the wolf of pure evil has bought me nothing but frustration and heartbreak. So I’ve changed tact, and now I’m focusing more on the beauty in this world and as a result my mind is clearer than it has ever been.

What bought about this change? Well, it’s a long and complicated story made up of many complexities and variables, so much so that I’m not even sure that I understand it myself. So let’s simplify it and say that I starved the compassionate wolf for so long that it did what any other frightened animal would do: it came out fighting. With nothing left to lose and a whole world of inspiration to gain, that sickly side of my heart and mind that I had left neglected limped onto the battlefield and faced off against a stronger wolf comprising of twisted intentions and idiotic arrogance, and kicked its fucking arse. The hatred in me had grown complacent and weak, leaving both itself and me totally vulnerable to a hostile takeover.

But this isn’t the end of my two wolves and their fighting. It’s a never ending battle, just as the old Cherokee told his grandson. I’ve said it once, and I’ll say it again. Life is sempiternal. So while right now the compassionate wolf reigns supreme in my mind, the wolf of pure evil has slunk away to lick its wounds and plan its next attack. But unlike my past where I actively fueled the bastard in me, I’m learning to let it fend for itself. That’s not to say that I will starve him though. Because if my current brevity has taught me anything it’s that an animal with nothing left to lose is too powerful to ignore. I’ll always be jealous of the writer who strikes it rich while I still toil away at my manuscripts. That’s human nature, and nothing to be ashamed of. But I will no longer actively feed those negative thought processes. That jealousy will be a result of respect, not abhorrence and hate.

Life really is a beautiful thing, and to be blessed with the gift to breathe a second life to it through literature is something that I will cherish until the end of time. So while I was once fueled by the bitter wolf of greed and hate, wanting only to transcend beyond the man that I am now; I now want to create something that transcends beyond myself and becomes an entity unto itself. I don’t want to be an overzealous and aggressive genius anymore. I simply want to be the man who fell in love with the world and used that inspiration to make beautiful literature.

Horizons

prove wrong
“Oh, you’re only twenty five?”

Yeah I am. Big fucking deal. Just because I’m a little young to be doing this writing thing it doesn’t mean I’m not ahead of the curb. In fact, for someone my age to be as articulate as I am is a rarity and something that should be celebrated, not looked down upon. Yet for some crazy reason my worth as an author is often judged based on my age rather than its overall merit. People seem all too happy to have me pigeon-holed and compared to their idea of your arch-typical twenty five year old knuckle-dragger, but in reality I am so much more than that guy could ever dream of being. I may seem like a toddler in this industry compared to everyone else and their preconceptions of what an author should be. But I’m not here to play games. I’m here to break open your mind, tear down the walls guarding your heart, and expose you a world that you never even knew existed.

OK. Let’s stop for a second. Because it’s been a little while since I’ve broken into a rant on here and I don’t want to leave any of my readership feeling scorned. So before I descend into a rebellious string of fucks and poorly formulated ideas, I’ll say this: bear with me. There’s a point to all of this… Kind of.

Last month I attended a writing conference in New York City where I met many aspiring authors just like myself who are fighting that seemingly endless struggle to see their work in print. And although our catalysts and compulsions were similar, I was half the age of everyone else in attendance. To me this wasn’t an issue. I’ve always been an old soul; someone more comfortable in a lengthy discussion about the complexities of human nature than I am waiting in line for an overpriced drink in some fucking shit-box of a bar. But for the rest of the attendees at the conference I was somewhat of a side show. You’re how old dear? Oh, still a child! You still have so much to learn about writing, they would say. The truth however is that just because it took them a lifetime to learn how to string a sentence together it doesn’t mean that I’m the same.

So I rode out my time as a sideshow. Smiling politely as they respectfully teased about my age, blissfully unaware that I am ten times the writer that they ever were, or will ever be. They called me dear, and they spoke to me like I was their child (most of whom were older than I am), and I just nodded my head and played the part for their amusement. But by the end of the trip when the golden oldies slunk away from the conference having learned something to improve their craft I had a fucking scrap book full of agents contact details and verbal agreements to have my work to them asap. The point is this: age is a terrible indicator of a person’s catalysts, compulsions, talent or mindset. And to limit your perceptions of me that younger guy who writes is just fucking stupid. Because I’m a hell of a lot better than that; and for me, this is only the beginning of my journey.

Oftentimes when I tell people that I write I’m met with scepticism. It’s nothing much; usually a barely perceptible flaring of the nostrils and the squint of a cynic as people assess my character and my fortitude on the fact that I still look a little young. But you’re so young! They say. What possible life experience could you draw upon to craft something wonderful through literature? Jesus, sometimes it feels as though my whole life is a fucking repeat of that damn conference, even though I’ve got more life experience than most people twice my age. That’s not to say I’ve run the gamut of life and witnessed it all; I’ve definitely seen some shit. But there’s still a big world out there for me to discover and conquer. All I’m saying is that I’m cluey enough to take on board the experiences that I have been fortunate enough to have and learn from them.

So yes. I’m twenty five and an aspiring author. Yes, I’m younger than your average writer by a decade or two. And yes I’ve fucked up a lot of things in the past as you all know through this blog. I’ve thrown away careers, buried friendships, and pushed myself beyond breaking point in order to produce better quality work, but to assess me or my work based on something as trivial as the year I was born seems not only unfair but also a little ignorant. I’m brash, I’m headstrong, opinionated, and when you put a pen in my hand I’m a narcissist in every sense of the word. But I’m also a phenomenal writer and the best damn thing that is going to happen to literature in my lifetime (seriously, watch this space).

So to everyone out there who takes issue with the fact that I am a little under the median age in this business I’ll say this: broaden your horizons, take a chance on a younger author and allow me the opportunity to do everything that I said I would. Let me reach inside your mind and show you a new way of thinking. Let me climb inside your heart and show you love, fear, hatred and compassion in ways that you never believed possible. Lend me your eyes and let me show you a world so inherently different to this one that you will learn to redefine just how beautiful literature can be. Stop judging my work based on my age, because it really can speak for itself. I may be young by writing standards, but my youth provides me the time to grow and develop upon the skillset that is gaining interest.

Frantic Inspiration

“I’ve never wanted anybody more than I wanted you. The only thing I ever really loved, was hurting you.”
-Corey Taylor

Inspiration often strikes at the most inopportune moments. As a writer or artist you can spend weeks floating through life on autopilot trying to piece together where you take a story next, or even what story you wish to tackle next. Then, you’ll find yourself sitting in your work space with an eight hour day stretched out before you when suddenly everything just falls into place and all you want to do is start putting pen to paper and catching the fire burning inside of you.

Today was one of those days. And it all started with the opening lines of this post by vocalist Corey Taylor. The lyrics are ripped from a song released in 2004 by Slipknot titled The Nameless (yep. It’s a music post today), and for the past ten years I’ve found myself continuously returning to this track with a sense of wonder and the thought that there was something I was missing in its construction. On the surface level the song is grotesque. It swings wildly between the adoration and loathing of a lover. Lines of obsession and abhorrence collide in a frenzied cacophony of sound that builds to multiple crescendos before giving way to Taylor lovingly singing the lines above before the frenzy erupts all over again.

It’s frantic, it’s unpredictable, and with the exception of those two lines it’s so conventionally Slipknot that their very inclusion has played at my mind for a decade. Then today as I sat at my desk humming them to myself on repeat and debating where to head next in my creative endeavours they suddenly made sense. There is no lover. Taylor’s not singing about anyone other than himself, or at least in my interpretation he’s not. To me, the song is about a relationship between Taylor and the creative genius in him. It’s almost as though he’s referencing the earliest inclinations of the genius concept, in which one was believed not to be a genius, but to have a genius: a divine entity external to their own being that helped them in their creative practices. Seriously, look it up. A genius in its purest form isn’t a human being, it’s an entity separate to us; a concept that allowed early artists and writers to maintain their own humility when admiration was bestowed upon their work.

But I digress…. Here I was sitting at work with a storm surging through my head as a decade of thought patterns collided and made perfect sense. Taylor’s singing to his genius. He’s crafted an entire song around the loving and loathing that takes place within his mind’s eye as he creates. Here is a man torn between the idea that he wants to create. He wants it more than anything in the world. But he also wants to hurt and destroy the genius inside his head that often leaves him so isolated and distressed. It’s a tragic love story told by a man totally aware of his own shortcomings and one that resonates all too well with me.

I often find myself in a similar headspace. I want to create. I want to write. And I want it more than anything in the world. I’d give anything to carve out a place in the literary world and spend my days crafting literature. Yet at times all I want to do is tear apart everything that I have created and hurt the writer in me. Sadly I’m not yet at that point in my career where writing is my livelihood. I’d love it to be, but I’ve got a long road ahead of me yet. Until that time I’ll continuously work at my craft and I’ll ride out those moments of destructive indifference to my own genius. But thanks to the most unlikely of sources, I’m now more aware of my own inner torments. And I’m thankful that I’m not alone.

Brevity and Vulgarity

“To take away our expression is to impoverish our existence.”
-Roughton Reynolds.

You may have noticed that I swear a lot in my writing. I’m not afraid to throw out a few fucks or whatever else in order to drive home my ideas and strengthen my arguments. So it probably comes as no shock to anyone that I’ve been called vulgar from time to time. It seems as though there are individuals out there who don’t necessarily resonate with my abrasive style and slightly warped world view. As a writer still very much in the infancy of my career this disconnect that some readers appear to have with my work should be concerning. It should be something that I seek to rectify in an effort to really ramp up my palatability and readership until I can confidently say that I am accomplished at my craft. It should be…. But instead I just think fuck them. If you don’t resonate with my style then go find an author who’s sensitive bullshit speaks to you.

See, my love for vulgarity all comes back to the concept of brevity. For those of you who haven’t heard the term before, brevity is essentially a noun meaning: concise and exact use of words in writing or speech. Which doesn’t really mean much on the surface does it? How can my love of the taboo be explained by concise and exact use of words? Well, to break it down in another way: I am a firm believer of the expression just fucking write what happens. In this industry readers have come to expect a certain amount of fluff in their literature. If something is considered easier to digest by the masses than it will generally find a home on bookshelves around the planet. But that’s boring. And in my opinion if we are constantly trying to create work that panders to this notion of fluff we are forever damned to consume second rate shit.

Writing is about expression. It’s about passion, love, loathing, fear, and whatever the hell else. It should never be censored and it should never contain more than the bare minimum of fluff. In my mind brevity sometimes comes from embracing what we want to say, what we want to express, and stripping it back to the bare bones so that all of its failures and faults are exposed for the reader to acknowledge and accept as their own. When I write fiction if I want someone to be punched in the fucking face I’ll write exactly that: so and so got punched in the fucking face. Clear, concise, and brutal as all hell. And you know what? I bet right now after reading that you can picture someone getting smacked in the nose.

Likewise when blogging, if I think someone is a fucking cunt I’m going to write exactly that. If I think that a concept is flawed I’ll call it. And if I feel as though my own mind is breaking apart underneath the internal pressures I place upon myself I’ll call it as I see it. And for the record, if I create a piece about tearing down a glass house and it doesn’t speak to you that’s just too damn bad. Not everything I read speaks to me either.

The point is, just because a piece of writing is vulgar it doesn’t necessarily mean that it is without merit. In fact, more often than not it hints at a deeper emotional connection between writing and writer than a piece of over-fluffed bullshit could ever hope to mimic. So, yes; I’m often offensive and abrasive in my writing. But I’m also brutally honest with myself and with my reader and that is the most beautiful thing that a writer can ever be: honest. Because through honesty brevity can be born. And through that brevity, that concise and exact writing or speech, a reader can become one with the author and they can undertake the journey of learning, pleasure, pain, triumph and tragedy together. Life is seldom perfect, so why should literature be? Cut the fluff, inject the passion. And write from the fucking heart.

Voice

“Fuck critics, you can kiss my whole arsehole.”
-Jay Z.

I recently caught up with a friend of mine who just like myself, is penning her way through the early stages of what she hopes to be an illustrious writing career. While our writing journeys are very similar in many ways: that is to say we seem to have catalysts and compulsions that are very akin to one another, I’m a little further along the path of completing a manuscript and seeing my work make it into print. That’s not to detract from her abilities at all. In fact, her script sounds like it’s a million times better than mine. Once it’s finished I’m sure that you’ll see her name in lights a hell of a lot quicker than you see this narcissistic arsehole’s. When I say I’m further ahead I simply mean that while she’s currently putting the finishing touches on her first draft, I’ve already had my story edited and it is currently being reviewed for potential representation by a number of agencies.

During the course of our conversation the idea of finding an editor came up. Once her manuscript is complete she’ll need to start undergoing that heinous task of refining her novel until it is perfect and ready for publication. A task that I myself have already undertaken, loathing every minute until it was finally complete. As we talked about editors the concept of the writer’s voice entered the conversation and she expressed concern that the wrong editor would destroy everything that makes her script, her script. It was an interesting point, and one that got me thinking about myself and my works.

Every writer has a unique style, a voice if you will. Just like every single man, woman, or child has their own distinct sound built up of tone, pitch, inflections, and a hundred other variables. So too does a writer have a sound that is their own. Take a second to think about the writers you admire, is it necessarily the stories that they tell that you fall in love with? We all know that there are just seven basic themes in literature (as per the theory created by Sir Arthur Thomas Quiller-Couch). Or is it the unique idiosyncrasies that the writer weaves into their tales that leaves us swan diving into their worlds of love, fantasy, ruin and woe?

For me, it’s the voice of the writer that keeps me engaged. Therefore if I hope to be successful, if I hope to become the writer I have always dreamed of being, I have to nurture the very things that make me unique. I have to (quoting myself here) become a singularity, and I have to devote all of my time and energy to honing my voice and weaving it through my works with a sleight of hand so smooth and subtle that the reader is left dumbfounded. And when working with an editor, publisher, agent, a friend, or a critic, one must learn to be acutely aware of those external influences and the damaging effect they can have on your manuscripts in their quest to be helpful. An editor or agent should seek to draw out those unique idiosyncrasies of their artist rather than manipulate and destroy them.

Thankfully when I undertook the editing process with Midas my editor did exactly that. She helped me, challenged me, and inspired me to be the best writer that I could possibly be. The result? Right now things are looking pretty damn good for my writing. So to all of you out there who are looking at entering that bastard editing stage I wish you the best. Find an editor that is right for you, let them help you find your voice, then scream your story from the fucking rooftops. Silence the critics and be the best damn writer you can be. There’s no one more qualified to tell your story than you.

The purge of the aggressive creative

I’ve always struggled to define myself as a writer. I’m creative, but logical. I’m a dreamer, but my feet are still planted firmly on the ground. I’m not your typical artsy writer who spends his days in a laze contemplating the wonders of the universe and coming up with whimsical tales that highlight a deep seeded emotional turmoil or tranquility that bubbles away beneath the surface of my façade. Nor am I your boy genius. I don’t have a freakish I.Q, and my writing isn’t going to reshape the way man views the world (at least not yet). So, if I’m not the artsy writer or boy genius type, what am I?

Well, recently a co-worker of mine described me as aggressive creative, and the term somehow seemed to fit. I’m a creative perfectionist who labours over every inch of my works until I break down in tears or set the manuscript alight (and yes, both have happened multiple times). I’m confident in my works, to the point where I can become narcissistic, purely because I push myself to breaking point every single time I create. My process is self-destructive and mentally taxing, to the point where I sometimes consider myself to be an emotional masochist, deriving gratification and inspiration from my own damaged psyche.

Which would explain why I often feel the need to purge much from my life. See, I’ve been doing a bit of research just recently into my own fickle idiosyncrasies in the hopes of better understanding why I do what I do, and I’ve come to realise that on some subconscious level I don’t really like myself. Maybe I resent the fact that I chose a career with no clearly defined path; or that I spent my youth striving so hard to be fundamentally different to my peers that I now feel a complete disconnection from them. Whatever it is, I go through these moments in my life where I just want to eradicate the writer from my soul and the dreamer from my heart and move forward as just another ordinary person frittering through life blissfully unaware of his many short comings.

During these times I want to completely start again. It takes every ounce of strength not to throw away my job, my writing, and my relationships and simply wander into the sunset in a quest to be reborn as something other than a tormented writer, emotional loner, and arsehole. I move throughout the world wearing a mask of composure, when inside my mind is tearing itself in two as every single component of my life is called into question and judged against my current spate of self-loathing. The aggressive creative in me sees the failures, missed opportunities and shortcomings that have befallen me and seeks to purge the weakness from my mind and flesh.

The funniest thing about these purges that occur is that people often fail to notice the cracks in the masks that I wear, and I force myself to suffer alone. I suffer alone because long ago I learned something about myself that allows it: and that is that I am an excellent liar. And I lie a lot. There are just a handful of people in this world that actually know me. And by that I mean really know me. They understand my thoughts and feelings and recognise the signs that I’m sinking into a downward spiral while everyone else sees what I lead them to believe. Call it a slate of hand, call it a fear of intimacy, call it whatever you want. I keep people at arm’s length because I don’t want to them to see the instabilities and shortcomings of a man who wishes to be so much more than he actually is.

It’s a rather interesting predicament that I find myself in. I can convince everyone around me that I am ordinary, that I am normal, when the reality is that I’m anything but. The mundane scares me, and the fear of spending my whole life in a state of perpetual torment like this causes my pulse to spike. I want to be different, and I want to be able to accept that. But the crippling loneliness that accompanies the differentiation of myself to my brethren leaves me desperate to be regular. So I try to force myself to conform to what I believe to be normal, simply because it would be easier if I could be like everyone else.

But if that’s the case then why am I writing this? Why am I pouring my heart out to readers across the globe that I have never even met? Well, because I have to. I have to change the person that I am; the aggressive creative who piles so much pressure onto himself knowing that he will eventually crumble. I have to purge him from my soul and allow myself to re-enter the world I’ve spent so long trying to differentiate myself from. I have to form friendships that are more than just a façade, and I have to do it so that I can continue to grow as a writer and as a man. I once wrote that life is sempiternal; that I will forever ride a wave of emotion that rises and falls from elation to bitter depression, but I’m not prepared to accept that anymore.

I’m not prepared to accept that I will forever feel the need to undergo the eradication of the writer and dreamer simply because I wish to feel normal in those moments where I believe I’m failing. Screw that. I shouldn’t have to give up who I am just because I’m different. Instead I must seek to purge myself of the emotional masochist and neurotic mess that dwells within me. They say nothing positive was ever achieved with a negative mindset, so until I can remove those demons plucking at the chords of my heart how can I ever achieve something incredible?

It’s time to ease up on the pressure. Accept myself for what I truly am: a writer, a dreamer, a success and a failure, and embrace everything that I am still yet to be. By doing that I can be both different and normal at the same time. My acceptance of my uniqueness and my ability to accept my failings will see a normality in my life that has been absent for so long. Purge the toxicity from my soul and embrace myself. Only then can I calm my tormented mind.

Two Weeks

“Fuck what you know. Fuck what you believe. I am the architect of my destiny.”
-James “Buddy” Neilsen.

With language like that in the epigraph, I think that it’s fair to say that this post won’t ever be making an appearance on the freshly pressed page. But then, my language is abrasive at the best of times, so I guess I’ll have to live without the vindication of being a pressed writer for a little while yet. Nevertheless, let’s kick this off and get down to why I’ve chosen to feature the lyrics of a post-hardcore band in my epigraph, and what it has to do with a page dedicated to the trials and tribulations of my writing career.

Well, the simple answer as to why I chose Neilsen’s lyrics is this: I like them. And I like hardcore music, so I thought that I would feature them just as I have before with artists like Adrian Fitiplades and Max Bemis. But the more in depth answer, the one that actually makes this whole post worthwhile is that right now those three little phrases resonate with me more than anyone could ever truly understand. In fact, the lyrics of the entire album the epigraph was chosen from resonate with me to such an extent that I spent the better part of two hours today deciding between the lines I chose to use and the following:

When you look in the mirror
Are you proud of what you see?
When you look in the mirror
Are you the person you thought you’d be?

The truth is that I’m not quite the person that I thought I’d be right now. I thought that a few things in my personal life would have panned out a little differently than how they have. I’ve been a little emotionally fragile lately, and thankfully I’ve had something constructive to focus my time on…But on a writing front, I’m more than I ever thought possible. That’s right; with less than two weeks to go until I head to New York, I’m so fucking confident in myself and what I have created that I can’t wait to pitch my heart out. Right now when I look in the mirror, I’m damned proud of what I see. I’m a writer with passion and a goal. And regardless of whether I secure a contract in the USA, I know that I’m taking positive steps in the right direction for my career.

Just as Neilsen growls in the song Canine, I am the architect of my destiny. Every single time I sit down and put pen to page I am constructing the blueprints of not just a tale of fiction, but of my life and how I want it to be. When I submit those blueprints to an editor for revision they are given the opportunity to improve and come one step closer to being completed. And when I pitch my story to agents in a foreign city I’ll have the opportunity to see those blueprints come to life. All I need is for one person to say yes and the foundation of my story and my vision will come to life.

But if I’m feeling so confident, and so enthused, why did I chose lyrics that are so explicit? Well, because that’s just who I am. When I’m confident I feel indestructible. And in true Chris Nicholas fashion I have constructed a novel and a pitch that defies what is considered the norm within the publishing industry. When I start my pitch I don’t want to be perceived as just another aspiring author; I want to be seen as a force to be reckoned with. I want to be seen as a man capable of rising above the slush pile with a story to tell and the fire in his stomach to do it. So fuck what you know about publishing. And fuck what you believe is acceptable within the industry. Life begins at the end of your comfort zone.

Two weeks. That’s how long I have to wait until I can pitch myself against the best in the industry and see how I compare. And for all of my bravado I am fully aware that I could walk away from the whole experience with nothing. But even if I do, just by making it this far I have achieved something incredible.

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