Tag: The Craft of Writing

Voice

“Fuck critics, you can kiss my whole arsehole.”
-Jay Z.

I recently caught up with a friend of mine who just like myself, is penning her way through the early stages of what she hopes to be an illustrious writing career. While our writing journeys are very similar in many ways: that is to say we seem to have catalysts and compulsions that are very akin to one another, I’m a little further along the path of completing a manuscript and seeing my work make it into print. That’s not to detract from her abilities at all. In fact, her script sounds like it’s a million times better than mine. Once it’s finished I’m sure that you’ll see her name in lights a hell of a lot quicker than you see this narcissistic arsehole’s. When I say I’m further ahead I simply mean that while she’s currently putting the finishing touches on her first draft, I’ve already had my story edited and it is currently being reviewed for potential representation by a number of agencies.

During the course of our conversation the idea of finding an editor came up. Once her manuscript is complete she’ll need to start undergoing that heinous task of refining her novel until it is perfect and ready for publication. A task that I myself have already undertaken, loathing every minute until it was finally complete. As we talked about editors the concept of the writer’s voice entered the conversation and she expressed concern that the wrong editor would destroy everything that makes her script, her script. It was an interesting point, and one that got me thinking about myself and my works.

Every writer has a unique style, a voice if you will. Just like every single man, woman, or child has their own distinct sound built up of tone, pitch, inflections, and a hundred other variables. So too does a writer have a sound that is their own. Take a second to think about the writers you admire, is it necessarily the stories that they tell that you fall in love with? We all know that there are just seven basic themes in literature (as per the theory created by Sir Arthur Thomas Quiller-Couch). Or is it the unique idiosyncrasies that the writer weaves into their tales that leaves us swan diving into their worlds of love, fantasy, ruin and woe?

For me, it’s the voice of the writer that keeps me engaged. Therefore if I hope to be successful, if I hope to become the writer I have always dreamed of being, I have to nurture the very things that make me unique. I have to (quoting myself here) become a singularity, and I have to devote all of my time and energy to honing my voice and weaving it through my works with a sleight of hand so smooth and subtle that the reader is left dumbfounded. And when working with an editor, publisher, agent, a friend, or a critic, one must learn to be acutely aware of those external influences and the damaging effect they can have on your manuscripts in their quest to be helpful. An editor or agent should seek to draw out those unique idiosyncrasies of their artist rather than manipulate and destroy them.

Thankfully when I undertook the editing process with Midas my editor did exactly that. She helped me, challenged me, and inspired me to be the best writer that I could possibly be. The result? Right now things are looking pretty damn good for my writing. So to all of you out there who are looking at entering that bastard editing stage I wish you the best. Find an editor that is right for you, let them help you find your voice, then scream your story from the fucking rooftops. Silence the critics and be the best damn writer you can be. There’s no one more qualified to tell your story than you.

The purge of the aggressive creative

I’ve always struggled to define myself as a writer. I’m creative, but logical. I’m a dreamer, but my feet are still planted firmly on the ground. I’m not your typical artsy writer who spends his days in a laze contemplating the wonders of the universe and coming up with whimsical tales that highlight a deep seeded emotional turmoil or tranquility that bubbles away beneath the surface of my façade. Nor am I your boy genius. I don’t have a freakish I.Q, and my writing isn’t going to reshape the way man views the world (at least not yet). So, if I’m not the artsy writer or boy genius type, what am I?

Well, recently a co-worker of mine described me as aggressive creative, and the term somehow seemed to fit. I’m a creative perfectionist who labours over every inch of my works until I break down in tears or set the manuscript alight (and yes, both have happened multiple times). I’m confident in my works, to the point where I can become narcissistic, purely because I push myself to breaking point every single time I create. My process is self-destructive and mentally taxing, to the point where I sometimes consider myself to be an emotional masochist, deriving gratification and inspiration from my own damaged psyche.

Which would explain why I often feel the need to purge much from my life. See, I’ve been doing a bit of research just recently into my own fickle idiosyncrasies in the hopes of better understanding why I do what I do, and I’ve come to realise that on some subconscious level I don’t really like myself. Maybe I resent the fact that I chose a career with no clearly defined path; or that I spent my youth striving so hard to be fundamentally different to my peers that I now feel a complete disconnection from them. Whatever it is, I go through these moments in my life where I just want to eradicate the writer from my soul and the dreamer from my heart and move forward as just another ordinary person frittering through life blissfully unaware of his many short comings.

During these times I want to completely start again. It takes every ounce of strength not to throw away my job, my writing, and my relationships and simply wander into the sunset in a quest to be reborn as something other than a tormented writer, emotional loner, and arsehole. I move throughout the world wearing a mask of composure, when inside my mind is tearing itself in two as every single component of my life is called into question and judged against my current spate of self-loathing. The aggressive creative in me sees the failures, missed opportunities and shortcomings that have befallen me and seeks to purge the weakness from my mind and flesh.

The funniest thing about these purges that occur is that people often fail to notice the cracks in the masks that I wear, and I force myself to suffer alone. I suffer alone because long ago I learned something about myself that allows it: and that is that I am an excellent liar. And I lie a lot. There are just a handful of people in this world that actually know me. And by that I mean really know me. They understand my thoughts and feelings and recognise the signs that I’m sinking into a downward spiral while everyone else sees what I lead them to believe. Call it a slate of hand, call it a fear of intimacy, call it whatever you want. I keep people at arm’s length because I don’t want to them to see the instabilities and shortcomings of a man who wishes to be so much more than he actually is.

It’s a rather interesting predicament that I find myself in. I can convince everyone around me that I am ordinary, that I am normal, when the reality is that I’m anything but. The mundane scares me, and the fear of spending my whole life in a state of perpetual torment like this causes my pulse to spike. I want to be different, and I want to be able to accept that. But the crippling loneliness that accompanies the differentiation of myself to my brethren leaves me desperate to be regular. So I try to force myself to conform to what I believe to be normal, simply because it would be easier if I could be like everyone else.

But if that’s the case then why am I writing this? Why am I pouring my heart out to readers across the globe that I have never even met? Well, because I have to. I have to change the person that I am; the aggressive creative who piles so much pressure onto himself knowing that he will eventually crumble. I have to purge him from my soul and allow myself to re-enter the world I’ve spent so long trying to differentiate myself from. I have to form friendships that are more than just a façade, and I have to do it so that I can continue to grow as a writer and as a man. I once wrote that life is sempiternal; that I will forever ride a wave of emotion that rises and falls from elation to bitter depression, but I’m not prepared to accept that anymore.

I’m not prepared to accept that I will forever feel the need to undergo the eradication of the writer and dreamer simply because I wish to feel normal in those moments where I believe I’m failing. Screw that. I shouldn’t have to give up who I am just because I’m different. Instead I must seek to purge myself of the emotional masochist and neurotic mess that dwells within me. They say nothing positive was ever achieved with a negative mindset, so until I can remove those demons plucking at the chords of my heart how can I ever achieve something incredible?

It’s time to ease up on the pressure. Accept myself for what I truly am: a writer, a dreamer, a success and a failure, and embrace everything that I am still yet to be. By doing that I can be both different and normal at the same time. My acceptance of my uniqueness and my ability to accept my failings will see a normality in my life that has been absent for so long. Purge the toxicity from my soul and embrace myself. Only then can I calm my tormented mind.

Two Weeks

“Fuck what you know. Fuck what you believe. I am the architect of my destiny.”
-James “Buddy” Neilsen.

With language like that in the epigraph, I think that it’s fair to say that this post won’t ever be making an appearance on the freshly pressed page. But then, my language is abrasive at the best of times, so I guess I’ll have to live without the vindication of being a pressed writer for a little while yet. Nevertheless, let’s kick this off and get down to why I’ve chosen to feature the lyrics of a post-hardcore band in my epigraph, and what it has to do with a page dedicated to the trials and tribulations of my writing career.

Well, the simple answer as to why I chose Neilsen’s lyrics is this: I like them. And I like hardcore music, so I thought that I would feature them just as I have before with artists like Adrian Fitiplades and Max Bemis. But the more in depth answer, the one that actually makes this whole post worthwhile is that right now those three little phrases resonate with me more than anyone could ever truly understand. In fact, the lyrics of the entire album the epigraph was chosen from resonate with me to such an extent that I spent the better part of two hours today deciding between the lines I chose to use and the following:

When you look in the mirror
Are you proud of what you see?
When you look in the mirror
Are you the person you thought you’d be?

The truth is that I’m not quite the person that I thought I’d be right now. I thought that a few things in my personal life would have panned out a little differently than how they have. I’ve been a little emotionally fragile lately, and thankfully I’ve had something constructive to focus my time on…But on a writing front, I’m more than I ever thought possible. That’s right; with less than two weeks to go until I head to New York, I’m so fucking confident in myself and what I have created that I can’t wait to pitch my heart out. Right now when I look in the mirror, I’m damned proud of what I see. I’m a writer with passion and a goal. And regardless of whether I secure a contract in the USA, I know that I’m taking positive steps in the right direction for my career.

Just as Neilsen growls in the song Canine, I am the architect of my destiny. Every single time I sit down and put pen to page I am constructing the blueprints of not just a tale of fiction, but of my life and how I want it to be. When I submit those blueprints to an editor for revision they are given the opportunity to improve and come one step closer to being completed. And when I pitch my story to agents in a foreign city I’ll have the opportunity to see those blueprints come to life. All I need is for one person to say yes and the foundation of my story and my vision will come to life.

But if I’m feeling so confident, and so enthused, why did I chose lyrics that are so explicit? Well, because that’s just who I am. When I’m confident I feel indestructible. And in true Chris Nicholas fashion I have constructed a novel and a pitch that defies what is considered the norm within the publishing industry. When I start my pitch I don’t want to be perceived as just another aspiring author; I want to be seen as a force to be reckoned with. I want to be seen as a man capable of rising above the slush pile with a story to tell and the fire in his stomach to do it. So fuck what you know about publishing. And fuck what you believe is acceptable within the industry. Life begins at the end of your comfort zone.

Two weeks. That’s how long I have to wait until I can pitch myself against the best in the industry and see how I compare. And for all of my bravado I am fully aware that I could walk away from the whole experience with nothing. But even if I do, just by making it this far I have achieved something incredible.

An unconventional mission statement

“All I want is to dethrone God so that I can be crucified.”
-Max Bemis.

With just over three weeks remaining until I head to New York and pitch my heart out to dozens of publishers and agents, I haven’t really had a great deal of time to blog. I’ve been so busy brushing up on my pitch and tweaking my manuscript that this poor page has sat dormant, its daily hit count slowly withering away until all that I have worked so hard to create seems forgotten. I’m not sorry though. The past couple of weeks have been integral to my preparation and I’ve grown so much as a writer in such a short time that it feels refreshing to be able to step back into the world of weblogs once more.

In addition to the hours spent labouring over my manuscript and pitch, I have also devoted a fair amount of time to gaining a better understanding of myself as a writer. I mean, I know that I started doing this to cope with the demons inside my head, but I started to realise that what was once my motivation to create wasn’t necessarily the reason I put pen to page anymore. That’s not to say I don’t still have a few issues; I can assure you that my head is just as fucked up now as it has ever been, I’ve just learned to accept my fractured perception of normality for what it is.

So while I was trying to rediscover who I am as a writer I stopped and started to catalogue what defines me an aspiring author, and I came up with a rather obscure little list.
• I’ve fought depression a few times. Writing helps clear my head.
• I’m arrogant and over opinionated. But I’m OK with that.
• I want to be published. Not because I want to make millions of dollars (although it would be nice). But because I want to reach inside the mind of my reader and alter their perceptions on art and the world at large.
• I tend to write about characters that I aspire to be like. But they are often incredibly flawed narcissists and megalomaniacs.

It’s a bit of a strange list. But nevertheless those four points define me as an author. I’m egotistical, yet my own toughest critic. I’m a narcissist but only because I believe that I can open the reader’s eyes to new concepts and ideas. And just like Max Bemis above, I’ve recently decided that I want to dethrone God so that I can be crucified.

Obviously I’m not talking about this in a literal sense. If anyone shows up at my house with a bucket of nails and a cross I’d be less than impressed. And I’m not even talking about God as the omnipresent being mankind believes to be above us. I’m no Aleister Crowley, and there will be no bathing in blood. But I’m talking about the gods of literature. The big name authors who have transcended the medium and become ingrained into the fabric of our society. I want to be one of them. I want to be better than them. But only because I want to know what it feels like to be crucified for my work. I want feel the elation of success, so that I can also feel the crippling sensation of failure.

It sounds counter intuitive doesn’t it? My mission statement as a writer is to become immensely successful so that I can fail. And I want to do this so that I can peel back the layers of my soul and examine where I went wrong so that I can rebuild myself as a more formidable writer once again. I actually don’t expect anyone to understand this. How could they? I, Chris Nicholas, the narcissistic writer, want to succeed so that I can fail. But that’s not to say I will ever intentionally produce a piece of work of substandard quality in order to taste failure. Rather I want produce something so fantastic that whatever comes next fails in comparison. Only then will I ever be able to truly test myself as a writer as I try to do the impossible and out do myself.

So there it is: my unconventional mission statement. I want to become so good at what I do that I spend my entire life competing with myself; constantly striving to outperform the person that I was yesterday. I want to dethrone god, and I want to be crucified so that I can rise again and continue to grow.

The Narcissist Veneer

Karma is a bitch. One of my most recent posts was directed at writers who take to their keyboards to bitch and moan about their lives as artists, and their struggles with financial hardship or whatever the hell else they have to complain about. The post was dripping in narcissism and self-indulgence. I claimed that I could bring a better class of post to my readers, and that I would do exactly that. I would not be one of those artists who turn their weblog into a soapbox from which to complain… Then everything fell apart again. Someone pulled back the thin veneer of narcissism that protects me and discovered a soul warped with depression and fear underneath.

Before we go any further I feel that I need to detail exactly what a narcissist is for those of you who may not be aware. Narcissism is most commonly described as follows:

The erotic gratification derived from admiration of one’s own physical or mental attributes.

And if I’m going to be honest, that does kind of sound like me. I do thoroughly enjoy the admiration of my own mental attributes (not so much the physical), and I do tend to consider myself to be better or more intelligent than my peers. I have created this whole persona for myself where I am Chris Nicholas: the self-indulgent, slightly arrogant writer who cares very little about the opinions or merits of those around him. I write what I want to write, and I associate with who I choose to, meaning that I often forcibly alienate myself from everyone simply because mankind baffles me and I can’t be bothered to change who I am in order to fit in. I’ve established myself as a lone wolf, with a head full of stories and a tongue laced with acid. My opinions mean more to me than anything and I will literally screw myself out of a promotion/friendship/whatever else, simply because I’d rather be brutally honest with people than kiss arse and do what is socially acceptable.

But like I said, this whole narcissist veneer is nothing more than a ruse. It’s a coping mechanism to hide myself from the world and prevent anyone from discovering just how afraid and alone I can sometimes be. By slipping on my mask of confidence and assertiveness I have learned how to parade myself through life as a normal functioning member of society who suffers from nothing worse than a slight attitude problem. People often comment on my characteristics, hint at my charm, and admire my ability to remain fluid and adaptable to almost any situation. But rather than feel pride in the kindness of their words, I feel a deep sense of sorrow and regret. I am now hidden so far beneath this false surface that no one can even recognise when I am struggling and when I truly need somebody to save me from the torment of my own vicious mind.

I’ve been through depression a few times now, and I can recognise the signs of an oncoming wave of apathy and self-loathing long before it arrives. But what I still can’t seem to do is find a way to actually prevent the self-destructive mindset that becomes all-consuming, threatening to derail my life. I still can’t find a way to stop my soul from becoming increasingly twisted and warped beneath the smooth veneer that shields it. When these waves of indifference wash through my head I throw away everything that I love. I stop writing, I shut out anyone who is close to me, and I batten down the hatches to weather the storm. It’s why I’m often alone. I have a partner, but she can’t ever possibly understand the depths of my despair when it hits. So she watches from a distance, revolted at the sight of a mind quite literally tearing itself in two, purging everything it has previously worked so hard to create.

I’m like this because I create such unrealistic expectations of myself. Although I call my narcissistic streak a veneer, there is a touch of the bastard gene cursing through my weakened flesh and soul. Pride means everything to me and whenever I take to my keyboard I do so with the intention of being the best writer the world has ever seen. When I submit enquiries to agents and publishers I assume that I am guaranteed a contract and that my work is infallible, leaving me vulnerable and distraught if they don’t share my unrelenting enthusiasm for my work. When I started writing at the age of eighteen I just assumed that I would have something in print just as soon as I finished my first manuscript. Now seven years later I’ve failed to achieve that rather ambitious goal, and a piece of me dies with every single rejection letter that I receive.

So why do I continue to torture myself like this? Because I feel that I have to. I don’t feel like I’m normal. I have an innate disconnection from the reality that everyone else seems so willing to accept. That is normality. I can’t see myself doing anything other than writing, and as each day passes and I fail again and again, finding myself perpetually stuck in the world of conventional employment, I grow increasingly distant from those around me. At my peak, I am a knowledge hungry aspiring writer with the world in front of me. At my lowest, I’m a boy lost and alone within a world that he struggles to connect with. Right now I’m feeling more like the latter and my writing is suffering greatly. But with a little positivity and a load of baby steps I’m hoping that I can survive this most recent purge and return to my writing with the narcissistic vigour that has gotten me as far as I have already.

Until then my faithful readers, I apologise for the lapse back into whiney writing that I so often condemn.

A weakness of flesh (Reach for the stars)

‘The weakness of flesh is to settle for less than we have the potential to be.’
-Jesse Leach.

When you read something filled with such profundity and insightfulness as the quote above you can’t help but stop and think about your own shortcomings. How many times have you settled for less than you had the potential to be simply because you didn’t have the courage to push that little bit further, or reach that little bit higher and grasp everything that you have ever wanted? If you’re like ninety nine percent of the world’s population then you can probably think of a handful of times when you’ve sold yourself short for whatever reason. Maybe you were tired of trying; maybe you were afraid of the success you were striving for, or feared looking foolish if you did fail. Whatever the reason is, at some point in your life you have settled for less than you were meant to be. We all have.

If this is true then one must ask why mankind has evolved with such a fundamental flaw in our design. Or maybe even ask how the fuck we ever managed to evolve in the first place. I mean surely if it is in our nature to fall short of our dreams then shouldn’t we have stopped evolving somewhere between a half-formed zygote and a fucking chimp? Whatever, the evolution of the human mind and body is a conversation for another day. All I want to know is if our weakness as a species is to accept complacency, then how the hell am I ever meant to achieve everything I dream about? How am I supposed to become a published author? How am I supposed to see the world? How am I supposed to form meaningful relationships? Or even be happy?

Well thankfully, this crippling weakness that has been bestowed upon us doesn’t afflict every decision or action we make. I can make friends, and I can be happy. I can even see the world if I bust my arse and rustle up enough cash to do so. No, this debilitating mindset of settling only rears its hideous face in the midst of moments or thought patterns that have the power to define our lives. Self-doubt as it is commonly known serves no other purpose than to derail our dreams and see us fall agonisingly short of where we really should be.

For those of you who have been following my web-log for some time now you are probably well aware that there have been times in my life when I’ve settled. There have been moments when publishers or agents have asked me to make minor tweaks to my works in order to make them more marketable or palatable, and in my infinite stupidity I’ve refused. I’ve told myself that I am a singularity (and I still believe that I am a highly unique individual), and that as such I shouldn’t have to change my works to suit the needs of others, no matter how subtle those changes actually are. But what if these poor decisions weren’t me refusing to change who I am? What if in actual fact they were moments of me settling for less than I had the potential to be simply because I was ultimately afraid of what would happen next if I did follow through with something?

It’s an interesting question. And the truth is that there is no real way of knowing what would have happened if I’d been smart enough to follow through with the advice that was offered to me. I could have had a book published by now, or I could have done heeded the advice of others and still failed to secure that elusive contract that I so desperately strive for. But no matter what could have happened, it now never will because I settled instead of reaching for the fucking stars. Because I was weak and I lacked the courage to push just that little bit further in order to achieve I now have to forge a new path forward in this world of manuscripts, agents and publishers.

-I realise that up until this point this post probably sounds a little negative. But I promise you that it’s not. See the thing is that I know I’ve messed up a few potential opportunities in the past. I’ve failed to follow up on rewrites; I’ve abandoned scripts, or burned bridges with publishers and agents. Shit, I even threw away writing altogether for a space in time. But without those mistakes or missed opportunities I wouldn’t be the writer that I am right now. I wouldn’t have the confidence to sit here and acknowledge my weaknesses and faults and I wouldn’t be able to make a conscious effort to learn from them.

Every decision that I make nowadays in regards to my writing I do so with a calculated mindset designed to constantly bring out the very best in me. Take my last post for example: I wrote about my desire to travel half way around the globe to hunt down an opportunity. And I did so because if I didn’t go public with my intentions then I would never have followed through. I would have settled for less than I truly deserved and come July would have still been sitting at home cursing my poor decision making skills for not having the balls to follow through with something again. But instead, I took to the screen and I made my intentions known so that if I pulled out I would have looked like a fool. Two days later my ticket was secured and trip confirmed.

I believe that the quote used to open this post is indeed highly profound and incredibly accurate. The weakness of flesh is indeed it’s acceptance of settling for less than it deserves to be. But you can overcome it. Once you identify a weakness you can turn it into a strength. You can train for it, adapt to accommodate it, and ultimately overcome anything as long as you have the fortitude to keep pushing forward even when you’re no longer sure that you can.

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