Month: March 2016

Sofie

I was so busy chasing dreams that I couldn’t see that I was living in one. I was so concerned with telling everybody else how much I loved you that it never crossed my mind to tell you as well.  I would wake every morning and gaze at your sleeping face and feel my heart swell with joy. I have never felt anything as powerful, nor as humbling, than knowing that you were mine.

All that I ever wanted was to make you proud of me. All that I have ever cared about was finding the admiration in your eyes as you looked into mine. I saw it once. For a fleeting moment. We were by a campfire and you gazed at me so gently that I knew if I asked you to marry me in that very moment you would have said yes. I should have done it then. I should have swallowed my pride and told you that you were as much a part of me as the air that I breathe. But I didn’t. I just thought that you would know how much I yearn for you.

I pursued delusions of grandeur and told myself that I would give you the world. All I had to do was conquer it first. I was so consumed with making you proud of what I could become that I forgot about the little things, or to realize that you could be proud of what I already was. I neglected to hold your hand, or to tell you when you looked beautiful. And I forgot how to tell you that I loved you; when I loved you so much more you could ever know. It would have been so easy to make you happy. I had all the pieces of the puzzle; I just needed to show you that I knew how to put them together.

Now I’m standing here naked and alone, gazing at my reflection in the mirror and wondering why you held on for so long. Why did you stand by a someone who could be so fickle and cold? The first time that we met I asked you your name and you looked at me as though I were the devil. When you gave me your heart I only proved that you were right. There’s a darkness to my eyes when you are gone; there’s a void left in my soul. I am a man with the world in front of me. And I would burn it all to hell if it meant that we could start over again.

The Grounds of Alexandria 7

I’ve made some mistakes. More than there should have ever been. I never took the time to stop and listen, or to hold you close when you were afraid. I wish that I could take it all back and show you that I have never wanted anyone, or anything more than I want you. I would give you my heart and let you engrave your name into its walls so that it could be yours forever. I would vow to never write another word if it meant that I could have you. Why the hell couldn’t I just tell you that I needed you? Why was it so hard to say that I saw us growing old together; seeing out our days in a home with polished concrete floors and a view of the city where we met?

We could see the world; you and I. You could graduate from university and we could journey from place to place, becoming lost in a happiness that I have always longed to show you. I’ll take you to my favourite cities and beaches; you can show me why you fell so in love with Europe. I’ll take your picture. As many as you want. We’ll eat ice cream, and wander aimlessly through foreign streets, giddy with excitement. And when we are finished and there is no world left for us to see, I’ll take your hand, fall to a knee and beg for you to be my wife.

I never really told you that I dreamed of growing old together did I? Or that the beauty that I see in you is so much more than just skin deep? I never told you that I was proud to call you mine; I just thought a piece of writing about having you in my bed would suffice. I thought that it was clever to create a piece that stroked my own ego more than it showed you just how much I adore you. It wasn’t enough; it was foolish to think that it ever would be.  And now I’m wondering how I managed to hurt you so badly.

I just wanted you to be proud of me. I wanted to push myself so that when I achieved my dreams I could give you the world. I wanted to dedicate my book to you, you deserve to have your name in something that I could never have created without you here. I didn’t want to hurt you; I never imagined that you would be gone. I should have held your hand more. I should have paid more attention. You were better than I ever was, and all I ever wanted was to be perfect in your eyes. If only I could have realised that I was living in a dream. If only I could have realised that you needed more from me.

I want to lay my head next to yours and hold your hand as we fall asleep. I want to wake up in the dream that I was living in and feel that my life is complete. I can be the man you need me to. I swear that I can be him. I can make you happier than you have ever been. I can show you what it feels like to be loved. Please, just let me show you.

Athazagoraphobia

Let’s start this off with a fact: In The Descent of Man, Charles Darwin uses the word love ninety-five times. He uses the iconic phrase survival of the fittest just twice.

Take a moment and think about what you just read. And I mean really think about it. Let it settle in your mind. In a book that is widely recognised as being at the crux of the ideological divide between science and religion because of the writer’s notion that the development of the soul is a normal process of evolution, and not the the works of a divine being, he mentions the idea of love ninety-five times and natural selection as we perceive it only twice…

Twice. It’s mind boggling to learn that the concept that society believes to be the defining declaration of a body of work that sent a fucking firestorm through literature, science, and religion alike, is just a miniscule part of a larger knowledge of human evolution. Yet from a young age the idea of survival is bred into us; we work as individuals and in teams to win prizes or recognition. We align ourselves with strength and dispel those that we consider to be weak. And perhaps worst of all, we allow society to cultivate a belief that we are in constant competition with our fellow man and woman in our quest to be remembered and revered.

…Let’s rewind a little and start over. When I first started planning out this post it wasn’t supposed to sound like this. It was more of an expletive fuelled stab at societal flaws that capitalize on our insecurities and feed our fears. So, let’s add a little context and flesh this out some more…

That funny looking word at the top of the page has a very poignant meaning. Athazagoraphobia is the fear of forgetting; of being forgotten, replaced, or being ignored. The idea probably doesn’t seem too foreign to most readers. Unfortunately, thanks to civilization’s rather skewed modern day philosophies it is an illness that is threatening to consume the societal collectives and subcultures that define us. Someone recently wrote to me and asked what it felt like to be a social influencer. The question came from a brilliant young writer who has a great career ahead of him, and was delivered with the utmost sincerity. Yet while I should have been thrilled to be bestowed with such a title, it actually left me feeling cheap.

When I envision a social influencer I find myself conjuring up images of vanity and social media posts aimed at generating revenue for businesses through spamming newsfeeds with sponsored posts. Here’s me influencing in my new sweatpants. Here I am taking a photo of coffee, or food, or a whatever else. The product isn’t important. But the imbalance in our logic is. We equate the idea of influence with marketing and misconstrue the lines between being educated and informed, with merely being sold a product. An influencer should be someone who is stimulating creativity, or inspiring social change; not hindering individualism and authenticity by capitalising on society’s ever growing desire to be irreplaceable and unforgettable through slick marketing gimmicks.

There is a very big difference between a brand ambassador and a social influencer; or at least there should be. Because marketing and purpose driven content has its place, but our cultural inability to distinguish between the two can have damaging repercussions to our mental and societal health. The idea that we should be persuaded to not only consume, but to compete in doing so, can lead to feelings of isolation, frustration and depression. We shouldn’t be forced to feel as though we are in competition to out consume and out replicate the influencers that we aspire to. The result of this logic is that we become miserable drones blinded by own desire to maximise self interest that we can no longer see the beauty and value of the people that we see as our rivals.

Alright. Let’s get back to Darwin and the battle between love and survival.

I dream of the day where I can refer to myself as a social influencer. I really do. As a writer there a few thrills more rewarding than knowing that the workings that you have produced have the power to inspire the reader. But I want don’t want to encourage my readers to compete or consume. I want to inspire them to be great; not in the bullshit sense of greatness that is pushed upon us on a daily basis either. I don’t want people to believe that my vision of greatness has anything to do with money, or power or status. All that crap is just superficial nonsense that is keeping you distracted and diverting attention away from what is really important.

My vision of greatness is more akin to happiness. It is a life filled with love and contentedness. It is having a heart free from angst and anxiety, an open mind, and an understanding that we are all connected. We aren’t in competition with one another; we never have been. It’s just a bullshit lie that we have been spoon fed for so long now that we are actually beginning to believe it . We don’t need to subscribe to the philosophy of survival of the fittest. We need to practise love and human compassion instead. By doing so, we will find a happiness that will render any fear of being forgotten and replaced obsolete.

I spent years suffering from a form of athazagoraphobia; I have always been riddled by anxiety and depression. One of my greatest fears is that when I die, I will simply cease to exist and will eventually be forgotten. This phobia is one of the many reasons that I write. I want to be happy. I want to love, and to be loved. Yet for so long I thought that happiness would come through being the best. Just like so many others I misconstrued the idea of greatness with being better than the people that I believed myself to be in competition with. I spent years convinced that if I pushed myself  to become the best writer in existence, then people would have to love and remember me. But I was wrong.

It wasn’t until just recently when I stumbled upon the fact that opened this post that I realised that the only person I need to be great in comparison to is the person that I was yesterday. If I love, I will be loved. And if I focus on inspiring my fellow man rather than competing against them, I will touch them and I will be remembered not as the greatest writer that ever lived; but as the greatest version of me that I could have ever been. If following this logic makes me a social influencer in some respect; then I will take pride in the title bestowed upon me.

Clichés & City Lights

 

Sometimes as a writer you can’t help but feel as though your very existence is a clichéd hybrid of all those who have come before you.  You write about feeling like an outcast, both revelling in, and despising the idiosyncrasies that form the microcosm of you. You are volatile, temperamental, a deep thinker, quirky, a workhorse, a masochist, and about a million other things. You yearn to be accepted, yet when those moments of companionship with your fellow man arrive, your anxiety craves independence. You write to fight demons, to understand the world, to question the illogical and voice an opinion that needs to be heard.

You write because you are different. Yet by doing so you prove that you are ultimately the same as almost every great writer throughout history. You’re still a minority, and you deserve to be celebrated as such. But the eccentricities that define you are a collection of all those brilliant authors whose works inspired you to create and compose in the first place.

You’re nodding your head; yet you’re sceptical about where this is heading. I don’t blame you. Those opening two paragraphs are nonsensical bullshit written by an author trying to astound and astonish with his philosophical thoughts and linguistic repertoire. But, as always, there is a point to this. I promise. 

I have a confession to make. Just like literary heavyweights such as Hemmingway, Capote, Wilde, and countless others, I tend to spend a lot of time in bars.  The great Ernest Hemmingway once declared that he drank “to make other people more interesting.” While I haven’t quite reached that level of disinterest in the people around me, the truth is that actually I fit into a lot of the categories outlined above. I’m temperamental, an emotional masochist, and a deep thinker that yearns to be accepted yet thrives off of being alone.

But perhaps one of the most clichéd tendencies that I have developed throughout my life as a writer is a genuine love for the social setting of bars. While I often feel isolated and alone in this world, there is an undeniable allure to dingy dive-bars and poorly lit nightclubs that I can’t deny. The combination of people, music, and liquor, leaves me captivated. It’s not necessarily that I have a desire to drink myself into a stupor either; I could whittle away hours watching strangers hang their hopes and dreams on relationships and interactions forged on a cocktail of inebriation and camaraderie. A bar is such a unique societal backdrop that brings together men and women from various colours, creeds, socio-political, and economic backgrounds, creating a melting pot of humanity and raw human emotion that any writer would find intriguing.

I know that it must shock readers to hear that a writer finds solace in bars and nightclubs, in fact, I can imagine a few readers furrowing their brows right now. How could someone ever be drawn to such a place? Yet if it wasn’t for this love affliction with lady liquor, I never would have found the window.

There’s a window? For a moment you thought this was just about liquor and inebriation didn’t you? You thought that I was going to wrap this up by saying that I have my infatuation with the nightlife under control and that all is well in the world. But alas, there’s more to this story than you thought!

brisbane-city-lights

It’s midnight. I’m in a bar with my family and closest friends. I excuse myself and walk towards the bathroom, cutting down a narrow passage beside the counter, moving past the kitchen where chefs cuss at one another over open grills as flames lick towards the ceiling. The passage continues, until I reach a single door with a sign signalling a unisex bathroom pinned haphazardly against it. I push open the door and step into a cubicle roughly the size of an airplane bathroom. There’s a toilet, a hand basin, and the tell tale smell of a public restroom. The hygiene is questionable at best; grime clings to every surface like a thin layer of film. But despite the cubicle’s terrible state, there’s also a window.

It’s roughly the size of a shoebox, and looks as though it were never meant to be more than a small section of wall removed at eyelevel to provide a source of ventilation within the cramped space. But through that window is the most beautiful view of the city that I have ever seen. The moon sits above a sprawling metropolis of lights, illuminating the city in an ambient glow. Buildings rise from the earth and form streets and suburbs, providing shelter for the millions that live within their walls. I’m supposed to be quick. There’s a line of people waiting for me to finish, but I am so captivated by the thought that there are people I have never met moving through their own existence somewhere in that sea of lights that I can’t move. Here I am standing in a dingy public restroom staring out at the cityscape feeling a sense of hope coursing through my veins.

I am incredibly hard on myself. In addition to afflictions with night clubs, being temperamental, and longing for camaraderie whilst simultaneously yearning to be an individual, I have a proclivity to push myself until breaking point on a regular basis. I want to be a great writer. I want to create a body of work that transcends time and genres, becoming part of literary history.

But sometimes my quest to constantly redefine and improve my craft can leave me blinded, bitter, and miserable. I can become so focused on achieving my dreams that I forget that there is an entire world of wonder and possibility around me. I need to constantly remind myself to stop focusing on my failure to be successful right now, and instead turn my attention to everything that I have already achieved and remember that there are millions of other men and women all around me who are desperately working towards their own dreams.

Things often sound so simple when you break them down to the ridiculous. You’re not alone. Sometimes you are just so focused on walking your own journey that you can’t see how many others are moving through theirs. We often sit at our desks, or on busses and trains, or even lie beside our partner in the dead and wonder why they can’t understand our dreams. We ask why they can’t see that we are struggling, or that we are hurting. We become so consumed with this idea of self that we don’t understand how anyone could ever care about anything but what is afflicting us. The sad part is that the person next to you is thinking the exact same thing.

I struggle every single day to fathom just why people don’t understand or appreciate the sacrifices that I have made to write. I’ve given up friends, relationships, careers, and almost everything else in my pursuit of greatness. But greatness isn’t achieved in the blink of an eye. It takes years of development and continuous redefining of what one considers to be great before such a entitlement can be reached. But we unfortunately live in an era where we bombarded with the idea that dreams and achievements are often realised overnight. But the honest to God truth is that this is rarely the case.

Clichéd or not; writers are creatures of great emotion. We break our hearts over and over again so that we can show the world our vulnerabilities and humanity. There’s nothing wrong with this. There is great beauty and release in allowing ourselves to be naked for the world to see.  But sometimes our extreme vulnerability can cause us to internalise our perspectives and forget that we are never really alone, no matter how much we believe otherwise. For me it took standing in a shitty public restroom that smelled like ammonia, beer, and regret to remember that.

The camaraderie that I chase through my writing might never come, but the intimacy I feel with strangers who I know are living through their own successes and failures is just as meaningful and rewarding. There’s a silver lining to every situation, and a lesson to be learned in every day. Sometimes you just have to shift your perspective away from the immediacy of your surroundings and ignore the filth and grime of the cubicle, and find that little shoebox sized window with the view of the entire city instead.